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When most people think of justice, it commonly brings forward the words positivity, fairness, law, order, and other familiar words. However, in the Merchant of Venice, this is not the case. Justice is used negatively in a court case that reverses from putting Antonio, the convicted Christian merchant, on trial to Shylock, the Jewish money loaner asking for justice, to be put on trial. In the play, both mercy and justice are rejected because of the obvious influential bias that the character’s actions portray.
In the play, the characters Shylock and Portia both attempt to do what they personally perceive as ‘moral’ in different situations. Justice in this book is defined as people get what they deserve, while mercy is given off as offering
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You have among you many a purchased slave, which, like your asses and your dogs and mules, You use in abject and in slavish parts because you bought them.....You will answer “The slaves are ours!” So do I answer you: The pound of flesh which I demand of him is dearly bought; tis mine and I will have it.” (Act 4 Scene 1, Lines 90-101) Here in this quote, it is clearly stated that Shylock believes Christians are allowed to buy slaves and own them within the law. Justice would mean that by his bond with Antonio, Shylock owns a piece of Antonio’s flesh. Therefore, legally and justly, Shylock technically owns Antonio’s flesh.As for mercy, the character that this comes from is Portia. Portia in defining mercy, says this: The quality of mercy is not strained. It droppeth as the gentle rain from heaven. Upon the place beneath.....The throned monarch better than his crown. His scepter shows the force of temporal power, the attribute to awe and majesty wherein doth sit the dread of fear of kings; it is an attribute to God himself; And earthly power doth then show likest God’s when mercy seasons justice.” (Act 4 Scene 1 Lines 190-202) Portia is talking about how even high kings and gods would have mercy deep in their hearts, while Shylock doesn’t. Portia …show more content…
In the book, the court case is a great example of side switching from major character’s Portia and Shylock. Portia, who pretends to be a lawyer, seems to be on Shylock’s side during the beginning of the case. “Why, this bond is forfeit, and lawfully by this the Jew may claim a pound of flesh, to be by him cut off nearest the merchant’s heart. -Be merciful; Take thrice thy money; bid me tear the bond.” (Act 4 Scene 1 Lines 239-243) From this quote, it tells us that Portia is on Shylock’s side. The law doesn’t deny the bond’s legality and it seems that Shylock is going to get what he wants. After this, Shylock praises Portia for being a worthy judge. “When it is paid according to the tenor. It doth appear you are a worthy judge; You know the law; your exposition hath been most sound. I charge you by the law, whereof you are a well-deserving pillar, proceed to judgement…” (Act 4 Scene 1 Lines 244-249) Shylock is clear that he thinks that Balthazar(Portia) is a good judge since it is serving his interests of acquiring Antonio’s flesh legally without repercussions. He uses words like worthy, sound, and well-deserving to describe Portia’s actions so far. However, shortly after this part of the court case, Portia shifts
...ligent, and sometimes vicious character, in her society it is not acceptable for her to be a strong, intelligent, vicious woman. Sadly, Portia's public image must remain that of her speech in Act III. Though she will have ultimate control over herself and her husband, she still must call herself "an unlessoned girl," hiding her true authority under a thin mask of submission. Ironically, it is only when Portia dons a disguise that we see her as she truly is - a shrewd, calculating judge, willing to convict and sentence not only the inadequate suitor or the much-abused Jew, but also her own unsuspecting husband.
While engendering the bond in the inciting force of the play, Antonio says to Shylock – the antagonist – “Content in faith. I’ll seal to such a bond, / And say there is much kindness in the Jew” (1.3.149-150) which reveals how Antonio sees such positive terms in the deal. Although the terms may seem simples to follow, Antonio will still face the consequences of putting his life on the line for his dear friend, Bassanio. This bond portion of the play establishes relationships through the rivals and also gives background information about characters, which show the elements of dramatic significance. Subsequently, Shylock’s possessions are at stake during their trial after Antonio fails to pay him back because his argosies were abolished. Shylock’s punishment for attempting to
Words alone are not the only means by which imposters operate. A far more effective mode is one that fools the eye for it cannot pierce through the surface. Portia, the new wife of Antonio's friend, dresses as a lawyer in order to deceive the court. However, unlike Shylock's motive, Portia's intent is far more noble and selfless. She manipulates the law in such a way to save Antonio from certain death by the hand of Shylock. Through the eyes of the law, the imposture of a lawyer, especially by a woman at that time, was seen as extremely illicit.
Committing deceptive deeds not only hurt others, but also the ones who deceive. The Merchant of Venice, by William Shakespeare, is a romantic-comedy play about a Christian merchant named Antonio who agrees to a bond that a Jewish moneylender named Shylock, his enemy, creates to help his best friend Bassanio see Portia, an heiress whom he is in love with. Shylock warns Antonio that if he forfeits the bond, by not repaying him three thousand ducats, he must allow him to remove a pound of his flesh. Throughout the play, deceptive behaviour causes the moral values of individuals to decline. First, this is seen through wealth as it pertains to the desire to have what is valuable. Second, moral values decline when people deceive the family members that they encounter. Finally, deceiving others through love leads to a decline of moral values. In the play, The Merchant of Venice, deception, as seen through wealth, family encounters, and love, causes the moral
In act three another prophecy foretold by the witches comes true. The paradox “fair is foul and foul is fair” characterizes the changes the protagonists undergo in acts one, two and three. Throughout the play Macbeth, the “fair” one, becomes overcome by guilt and becomes “foul”. While Lady Macbeth who was “foul” in her instigations becomes “fair”.
Written one year apart from the other, one cannot fail to recognize the parallels between William Shakespeare's tragedies Julius Caesar and Hamlet. To begin, they are both stories of assassinations gone horribly wrong. Although the details of the plays are different, the two assassins (Brutus and Hamlet) provide interesting comparison. Through these two killers, Shakespeare reveals the different levels of justice; one’s personal sense of justice; others’ perception of justice; the justice of the monarchy that supports Shakespeare’s craft. Through this, the audience realizes that a just person is not always a humble one, a condition that may turn out to be a fatal flaw in the end. When a man decides to play God by taking justice into his own hands, the world can unravel much more quickly than he had ever imagined.
Shylock lends Antonio a sum of money, that Antonio intends to pay back when his merchant ships arrive in Venice, one month before the debt would be forfeited. When Bassarnio arranges the sum of money, Shylock befriends them, only to stand aside and utter to him self, "I hate him for he is a Christian... If I catch him once upon the hip, I will feed my ancient grudge I bear him," Act 1, Scene 3. Shortly after saying, "But ships are but boards, sailors but men... the perils of waters, winds, and rocks...Three thousand ducats; I think I may take his bond." Shylock is setting his trap here. Shylocks terms of the debt are a pound of Antonios flesh from closets his heart if it be forfeited.
Portia play’s a major role in trying to persuade Shylock to be merciful to Antonio, as the story continues. Basannio, the loyal friend of Antonio also tries to persuade Shylock to show some sympathy towards Antonio, but is not shown.
I would he direct the actor playing as Portia to talk hardly as if she is reciting a poem as she says he speech in lines 180-193. I would expect to use a soft tone that is how and also should walk gently around the court to both the persecutors and dependant. The actor should also pound on emphasize her point about many and the central theme which is that for justice. Paragraph 6 Apart from Portia, many other characters in the play disguise them as what they don of seen to be.
It is worthwhile to take a close look at the marriage and trial plots in The Merchant of Venice. The antagonists of the respective plots have similar goals; they seek access to power and privilege. However, the types of power they seek is very different. The methods they use of gaining power are also differ. Bassanio succeeds with his intent, but Shylock fails. Focusing on the before mentioned plots, one may draw some conclusions concerning the reasons of success and failure in this play.
Venice, where this drama takes place, is a largely religious Italian City. Although filled with spiritual people, the city is divided into two different religious groups. Venice was primarily and dominantly a Christian society with Jews as it’s unfairly treated minority. Stereotypes classified Jews as immoral, evil, and foolish people while the Christians were graceful, merciful, and loving. Representing the Christian belief is Antonio who is summoned to court by a Jew who goes by the name Shylock. The cross between Christianity and Judaism begins as Antonio and Shylock create a legally binding bond. The bond’s fine print expresses that if Antonio cannot fulfill his debt to Shylock, Shylock will receive a pound of Antonio’s flesh. As learned in the play, Antonio cannot repay his debt and Shylock publically exclaims his need to receive fulfillment of that bond. Hastily, Shylock is determined to obtain his pound of Christian flesh. Shakespeare provides his audience dist...
Justice in The Tempest and Merchant of Venice & nbsp; In both Merchant of Venice and The Tempest, Shakespeare proposes ideas of justice and mercy that hold true in both plays. In order to see if the actions taken were just and/or merciful, definitions of these words must be set up. If we were to assume that Shakespeare's definition of mercy was what Portia espoused in Act Four, Scene One, specifically lines 205 - 206, the definition of mercy must be viewed in a biblical sense. Thus, in order to judge if something is merciful, one must look to see if it fulfills the qualifications of mercy in the New Testament. However, the idea of justice is quite different, for my definition of justice, I will turn to Charles Mill's definition, for, in the plays it applies the most.
“If a Jew wrongs a Christian, what is his humility? Shakespeare shows here that money doesn’t have the same effect on love as it does with the caskets or with the evil in Shylock, and that it can be used for good love in Portia’s donation. In Venice, Bassanio brings fourth the 6000 ducats to repay Shylock, but he doesn’t accept it. Once Portia, disguised as the doctor, entered the court, she pleads with Shylock to show mercy, but he refuses.
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.
Scene i. 364-368. See the corresponding section. Consequently, Shylock was found guilty of plotting the death of a Venetian citizen. Portia’s arguments against Shylock depicts her as an intelligent woman because she is the most highly educated in the courtroom as she solely saves Antonio’s life when Gratiano, Bassanio, and even the Duke could not save Antonio from Shylock’s knife. Jessica shows strength and bravery when she leaves home from her father for Lorenzo.