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The importance of children's literature
Blake william London poem analysis
The importance of children's literature
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William Blake was an English printmaker, painter and poet. Although most of his works did not receive much recognition during his lifetime, they are today considered as an important figure in the poetry of visual arts and poetry. The glorification of children is one of the dominant features in William Blake's romantic feature of poetry (Blake, David and Harold, 32). His poems, together with other writers of his time, gave rise to the Romantic era as they mostly emphasized instinct, feeling and pleasure above mannerism and formality. Although most of his works are dedicated towards the future, most of their important and mostly thematic works are preoccupied with the glory and suffering from the past. Emphasis of passion and feeling in Blake …show more content…
Blake's poems did not feature children literature, but the content and the simplistic language that he applied responded to the characteristics of children poetry and didactic fiction. The social critique and political elements that Blake applied in his several writings distinguished him from other children writers. Blake uses children to depict the natural innocence of these children where they can freely mingle and participate and an adult outlook that they learn as they grow that serves to deny them their childhood (Perkins, 46). Blake reveals the abuse of children in different ways, showing how the society corrupts the imagination and inherent innocence of the children, while also failing to care for their emotional and physical needs. His interest does not aim at portraying the psychology of the child but rather he contrasts the children to the world that, according to him, has gone badly …show more content…
To some people, the writings of Blake, although they were written in the romantic era that was filled with high mortality and child abuse, went past the contemporaries in their assumption of the susceptibility to death. However, children have a significant and symbolic role in presenting and revealing the social evils that existed in the society and which needed to be rectified at that period (Poirier, et al. 478).The poems also provide a strong and authorial voice that composed several messages to the young readers who soon will grow to
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
Natoli, Joseph. "William Blake." Critical Survey Of Poetry, Second Revised Edition (2002): 1-12. Literary Reference Center. Web. 17 Jan. 2014.
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality. His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War “(E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work.
William Blake’s early interest and aptitude for drawing had set a blueprint for his next life in writing inspiring poems. He believed that his writings were of national importance and that they could be understood by a majority of men. His time of being raised in a household of seven children with only five surpassing infancy, most likely gave way to his powerful writings. Most of all his work features some type of wearisome protagonist, who is attempting to revolt against some greater being; it could be politically religious or the theme of love and marriage. It is unclear exactly were Blake stood in terms of his beliefs in God; however, William Blake made many references to God and a supernatural being within his works of writing poems.
...stence. “And so Tom awoke; and we rose in the dark, / And got with our bags & our brushes to work” (21-22). Reality has returned, the dark is back but a newfound acceptance and optimism has replaced the despair. “Tom was happy & warm; / So if all do their duty they need not fear harm”, (23-24). The hypocrisy of a society charged with protecting but failing in their obligation to the children has not gone unnoticed. Ironically, in the end, it is society who really lost their humanity, not the children. Blake hopes by exposing this tragedy through his poem and the child’s voice that society will right the wrong of robbing children of their youth and innocence and putting an end to forced child labor.
Wordsworth was from a higher social class than Blake, which changed his view of children immensely. From a young age, Wordsworth was separated from his other siblings after the death of his parents. Instead of going straight into an apprenticeship like Blake, Wordsworth went to school with other children. His poetry shows the view of an upperclassman looking upon children. This brought about the idea of children and the “creed of childhood”, which was defined by his hatred of being an adult.
The first piece of evidence by Blake that identifies the pressure of society placed upon the children is Blake’s particular use of rhyme scheme. Starting with the last two lines of the first stanza of the poem, Blake immediately jumps in to depict his disparaging opinion of society by enforcing the lack of parental protection present for these chimney-sweeping children. The rhyming lines, “I was very young/ … yet my tongue” (3-4) introduce the idea that this individual (the speaker of the poem) was so young and innocent that he could not only say the word “sweep,” but more importantly, that he also could not stand up for himself even against his own father, and oppose the job that he was forcefully sold in to. This particular example demonstrates how vulnerable these children were to society and how they could be easily abused and oppressed. While the first stanza may seem to directly coincide ...
Analysis Blake's Songs of Innocence and Experience (1794) juxtapose the innocent, pastoral world of childhood against an adult world of corruption and repression; while such poems as "The Lamb" represent a meek virtue, poems like "The Tyger" exhibit opposing, darker forces. Thus, the collection as a whole explores the value and limitations of two different perspectives on the world. Many of the poems fall into pairs, so that the same situation or problem is seen through the lens of innocence first and then experience. Blake does not identify himself wholly with either view; most of the poems are dramatic--that is, in the voice of a speaker other than the poet himself. Blake stands outside innocence and experience, in a distanced position from which he hopes to be able to recognize and correct the fallacies of both.
An Analysis of Blake's The School Boy ' The School Boy' is a typical example of Blake's Songs of Innocence and Songs of Experience in it's themes and imagery. Like many of the other poems in this work it deals with childhood and the subjugation of it's spirit and uses imagery from the natural world. While first published in 1789 as one of the Songs of Innocence there are strong reasons why Blake moved it to the Experience1 section of the 1794 edition.
Blake was influenced to compose this poem due to the time period he was in. During his time, the Industrial Revolution was taking place. London had become the greatest place in the world since various jobs were rising and London was developing. During the 1700s and 1800s, in England, orphans and poor children were bought by Master Sweeps (“The Role”). The innocent children were usually young and their age ranged from five to ten years old.
The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism.... ... middle of paper ... ...
Even though he was no recognized during his lifetime blake is now known as “one of the most renowned peots in the history of ennglish literature” (yeats). Blake is a poetic writter during the Romatic era, he is bestknown as a romanticism writter for his colaboration in the French and american revolution and with all forms of anti-establishment radicialism. He would uses his poems to clearly state issues and eventsgoing on during his time for example the revolution in america and france inspired him to write peoms like The French Revolution, America: A Prphecy, Europe a Prophecy and The ook of Urizen. His work was seen as an “apocalyptic turnng point in the history of humanind, decaying order of opression and presaging the redemption of humanity” (Wolson). Blakes claimes all his visions came to him when he saw his released spirit ascend heavenwards, clapping itss hand for joy” (Wolfson).
by different names and as a separate category, highlighting their. differences. The. Children to Blake are extremely important, especially in the context of poetry, indeed in "The Introduction to Songs of Innocence. He says that the poems are "for children to hear" and concentrates on a child's view of life. It is not possible to say that Blake's poetry excludes women and children as so many of his poems are.
The definition of children shifts depending on the person. To some the definition is a time without any worry, to others it is a more logical definition such as the period of time between infancy and adolescence. There are many different versions of this definition, and this is seen in the poetry of William Blake and William Wordsworth. These two authors have very different views on what it means to be a child and how they are portrayed in this era. Compared to now, Children in Blake’s eyes are seen as people that need guidance and need to be taught certain lessons by their parents such as religious, moral, and ethical values. In contrast to Blake’s view, Wordsworth viewed that adults should be more like children. That sometimes