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Wordsworth as romantic poet
Wordsworth as romantic poet
Wordsworth as romantic poet
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If the Romantic poet is as William Wordsworth said a man speaking to men
where does this leave women and children? Discuss, with reference to the
work of Blake.
If the Romantic poet is as William Wordsworth said 'a man speaking to
men' where does this leave women and children? Discuss, with reference
to the work of Blake. "In the preface to the Lyrical Ballads
Wordsworth, when describing a poet, says that a poet is a 'man
speaking to men' and is someone 'who rejoices more than other men in
the spirit of life which is in them'. It needs to be definerated what
Wordsworth means by 'man', whether he is refering to 'man' as a gender
or man as in humanity. When refering to poets he always uses the term
'man' or 'men' implying that all poets must be male. Later in the
Preface to the Lyrical Ballads Wordsworth goes on to say that
"poets... sing a song in which all humans beings join", surely
suggesting that women and children are included in this as they are
part of mankind. Blake, as one of the most renouned romantic poets,
focuses much of his work around images of mankind. Although in saying
this, "mankind" is collective and includes women and children, and
Blakes work is undoubtedly preoccupied with these two groups. He
distinguishes "man" very differently to "children" depending on the
context. In London (songs of expereince) he clearly identifies "man"
as a separate group to the "infant" in the poem as he refers to them
by different names and as a separate category, highlighting their
differences. Children to Blake are extremely important, especially in
the context of poetry, indeed in '"The introduction to Songs of
Innocence' he says that the poems are "for children to hear" and
concentrates on a child's view of life. It is not possible to say that
Blakes poetry excludes women and children as so many of his poems are
based around these themes. Even the titles of the poems represent
this, such as "The Little Girl Lost", "Infant sorrow", "Little Black
Boy" and "Nurse's Song", compared to very few centred primarily around
men. Blake uses his poems to express the view and plight of suppressed
groups in society, such as children. Poems such as Holy Thursday are
expressed through the eyes of a child. He shows the innocence and
purity of the children by their 'clean' 'faces' and other physical and
mental attributes. He also shows the reality of their situations,
especially in Songs of experience, by highlighting the fact that many
of them are orphans and alone in the world, such as in 'The chimney
Stanza two shows us how the baby is well looked after, yet is lacking the affection that small children need. The child experiences a ‘vague passing spasm of loss.’ The mother blocks out her child’s cries. There is a lack of contact and warmth between the pair.
In the poem there are sheep and goats which in comparison are followers of god and non followers. The sheep represented people who were loyal to god, who always led the right road and if they so much sinned, they would ask god for forgiveness. Goats were people who did not have faith
The poem is written in the father’s point of view; this gives insight of the father’s character and
When the poem is read aloud, the explicit rhyme and rhythm of the lines becomes extremely obvious. In fact, the bouncy rhythm is so uplifting, it occasionally makes the audiences feel like it is too predictable and straight-forward. An example would be “bright with chrysolite”, the word “chrysolite” feels like it is forcefully implemented for the sake of the rhyme. This is somewhat similar to a children’s tale. Most children’s tale as we know it, conveys messages straightforwardly and are easily understood by children, it also has an amiable tone and a merry mood that engages the children 's attention. Similarly, the rhyme and rhythm of this poem is very obvious and explicit, creating a delightful, casual mood that appeals to a young audience. Even though the legend dealt with deep insights about parenting that are intricate and puzzling, the father delivered it in such a gratifying, simple manner that made even the most dark and dreadful matters: like the description of precarious beasts and vicious monsters to sound like a blissful adventure of friendly animals. The sole purpose of this contradiction between the tone and message is to make this seemingly strong and serious topic more tolerable and captivating to the son of the father. Unsensible, impulsive youth is very similar to restless children, a long insipid lecture about deep insights is very difficult for them to buy into. In the same time, a harsh, threatening warning will only make them obey unwillingly, and creating a doubtful relationship will make them uncomfortable to communicate or appeal to their parents. Clearly, the percipient father recognized the ineffectiveness of these unsuitable parenting methods. Instead, he conveyed the message in a uncomplicated, friendly way that made his son to accept his teachings more comfortably. A
father’s childhood, and later in the poem we learn that this contemplation is more specifically
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
...here are similar aspects to each writer's experience. Engaging the imagination, Ramond, Wordsworth and Shelley have experienced a kind of unity; conscious of the self as the soul they are simultaneously aware of 'freedoms of other men'. I suggested in the introduction that the imagination is a transition place wherein words often fail but the experience is intensified, even understood by the traveler. For all three writers the nature of the imagination has, amazingly, been communicable. Ramond and Wordsworth are able to come to an articulate conclusion about the effects imagination has on their perceptions of nature. Shelley, however, remains skeptical about the power of the imaginative process. Nonetheless, Shelley's experience is as real, as intense as that of Ramond and Wordsworth.
From childhood he was unlike those around him. He went to school to study art and found his love of poetry. From his early childhood, Blake spoke of having visions. He spoke of seeing God and the Angels. He married his with Catherine Boucher in 1782. His brother, Robert died, but this is where Blake got a lot of inspiration for his work. In 1789 Blake wrote and illustrated the popular Songs of Innocence and Songs of Experience in 1794. His poetry was extremely non-conformist and focused on imagination, rather than reason. Both works have many common parallels and themes. His poetry also deals with the common aspect of a romanticism work; it has moments of sin, suffering and salvation. In Songs of Innocence, The Chimney Sweeper, it is a heartbreaking poem about the young children that were forced into doing labor as chimneysweepers. Mostly because they were the only ones small enough to fit in the spaces and they were sold into that work. It was damaging and cruel how they treated these children and Blake writes about it in such a powerful way. In the first stanza alone the reader learns about the difficult life and the suffering this child has had to overcome, “When my mother died when I was young, my father sold me while yet my tongue…so, your Chimney’s I sweep and in soot I sleep.” (Songs of Innocence) This poor child is portrayed so innocently and gentle, yet leads this suffering unfortunate life. People treated
The Poet is about a search for a serial killer that the FBI names “The Poet” due to this person’s signature of forcing the victims to write suicide notes in the form of a quote from Edgar Allen Poe. Jack McEvoy, a newspaper reporter from Denver, is the brother of a victim who was killed by the Poet. In an attempt to avenge his brother’s death McEvoy, and the FBI, form a nation-wide manhunt in search of this cunning illusive killer.
The entire poem uses images to enlighten its meaning. For example, in lines 2-3, "Into the dangerous world I leapt: Helpless naked piping loud..." Blake writes in such a way that allows the reader to see the change that takes place, when a baby enters this world. The poem reveals that it is not a pleasant and peaceful entrance, but an unkind and dishonest world that the innocent is forced to come into. Also, lines 5-6, "Struggling in my fathers hands: Striving against my swaddling bands..." give the reader vivid images. In these lines, the reader can see the baby squirming and trying to move in the tightly wrapped blanket. This shows how the baby will have to go through many struggles in life and the parents will try to protect the child and try to hold the child back from all the harms and troubles that he or she might have to go through.
was only an infant! This was the last line in the poem and an obvious
English Romanticism often has very little to do with the tenets thought of as “romantic”, although love may occasionally tie into the subject. Rather, this Romanticism is a philosophical movement that had redefined the fundamental way in which people thought about themselves, as well as the world all around them. In Praag’s view, “There appears to be influences at work in this world that escape our scientific analysis, but can profoundly influence our existence” (Praag 2018). Meaning, these influences rather help one constitute reality through perceiving what is around us, all while creating a sense of oneself. In the same way, “Concluded amazement—through our imagination—is a primary drive for religiosity. Amazement sets the imagination in
The speaker in “Infant Joy” and “Infant Sorrow” is from the perspective of the new born child. For instance, in “Joy” the word structure is choppy, short, but simple and optimistic. The poems are almost like a mirage for the admiration will disappear and screaming child will appear when disgruntled. However, in “Infant Sorrow” the poem is meant to be sound animalist to display the basic nature of humans that even an infant understands and it is to
The age of Realism brought together intellectuals such as the father of modern short stories, Henrik Ibsen, and famous musicians such as Scott Joplin. This exact movement communicated an abandonment from the influences of both the intellectual and romantic movements that came before it in America. Some of the most recognized works of American music and literature were produced outside of the period of Realism.
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...