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Analysis of Elizabeth Bishop poems
Greek mythology essay
Greek mythology essay
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Morris Bishop’s poem has elaborately depicted a classical greek legend with a unique approach. The legend itself briefly describes the perishment of Phaethon, who insisted to ride his father, Apollo’s chariot although Apollo have discouraged him to do so. Likewise, the poem introduces a father who used the legend of Phaethon to deter his teenaged son from driving “the car”. By clearly implementing a sarcastic humour and tone through the impressive imagery, and the upbeat rhyme, rhythm, the poem addresses some of the key aspects of a parent’s attitude towards the child. Bishop suggests that in order to keep their child in their “wonted courses”, it is essential for parents to carry out the obligation to address their child’s sense of limit. …show more content…
When the poem is read aloud, the explicit rhyme and rhythm of the lines becomes extremely obvious. In fact, the bouncy rhythm is so uplifting, it occasionally makes the audiences feel like it is too predictable and straight-forward. An example would be “bright with chrysolite”, the word “chrysolite” feels like it is forcefully implemented for the sake of the rhyme. This is somewhat similar to a children’s tale. Most children’s tale as we know it, conveys messages straightforwardly and are easily understood by children, it also has an amiable tone and a merry mood that engages the children 's attention. Similarly, the rhyme and rhythm of this poem is very obvious and explicit, creating a delightful, casual mood that appeals to a young audience. Even though the legend dealt with deep insights about parenting that are intricate and puzzling, the father delivered it in such a gratifying, simple manner that made even the most dark and dreadful matters: like the description of precarious beasts and vicious monsters to sound like a blissful adventure of friendly animals. The sole purpose of this contradiction between the tone and message is to make this seemingly strong and serious topic more tolerable and captivating to the son of the father. Unsensible, impulsive youth is very similar to restless children, a long insipid lecture about deep insights is very difficult for them to buy into. In the same time, a harsh, threatening warning will only make them obey unwillingly, and creating a doubtful relationship will make them uncomfortable to communicate or appeal to their parents. Clearly, the percipient father recognized the ineffectiveness of these unsuitable parenting methods. Instead, he conveyed the message in a uncomplicated, friendly way that made his son to accept his teachings more comfortably. A
The beginning of the poem starts with a humorous tone. Kinnell begins his poem with a simile “snore like a bullhorn”, an “Irishman”, or playing “loud music” to express the idea of something that is really loud and noisy, but still cannot wake the son up as opposed to the child’s ability to wake up to “heavy breathing” and a “come-cry” (line1-7). The tone that the...
The poem is written in the father’s point of view; this gives insight of the father’s character and
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
While reading the poem the reader can imply that the father provides for his wife and son, but deals with the stress of having to work hard in a bad way. He may do what it takes to make sure his family is stable, but while doing so he is getting drunk and beating his son. For example, in lines 1 and 2, “The whisky on your breath Could make a small boy dizzy” symbolizes how much the father was drinking. He was drinking so much, the scent was too much to take. Lines 7 and 8, “My mother’s countenance, Could not unfrown itself.” This helps the reader understand the mother’s perspective on things. She is unhappy seeing what is going on which is why she is frowning. Although she never says anything it can be implied that because of the fact that the mother never speaks up just shows how scared she could be of her drunk husband. Lines 9 and 10, “The hand that held my wrist Was battered on one knuckle”, with this line the reader is able to see using imagery that the father is a hard worker because as said above his knuckle was battered. The reader can also take this in a different direction by saying that his hand was battered from beating his child as well. Lastly, lines 13 and 14, “You beat time on my head With a palm caked hard by dirt” As well as the quote above this quote shows that the father was beating his child with his dirty hand from all the work the father has
It is inferred that the parents should take care of their children and have their best interest at heart. This however, is not the case in Greek and Roman mythology. The killing of ones own children, or filicide, was not viewed as negative upon in their era. The contemporary times contrast with the ancient Greek and Roman’s because it was justified to use any means necessary to obtain a higher status. The Greeks and Romans valued keeping a high social reputation and having respect for those of great power. The motherly union between their children conflict with the reality that the father strives to retain or gain control. These circumstances cause a tense bond between the members of the family. The strained parent to child relationship in Greco-Roman myths is prevalent in the fact that the parents are fearful of being overtaken by their children, and endeavor to limit their upbringing.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
The phrasing of this poem can be analyzed on many levels. Holistically, the poem moves the father through three types of emotions. More specifically, the first lines of the poem depict the father s deep sadness toward the death of his son. The line Farewell, thou child of my right hand, and joy creates a mental picture in my mind (Line 1). I see the father standing over the coffin in his blackest of outfits with sunglasses shading his eyes from the sun because even the sun is too bright for his day of mourning. The most beautiful scarlet rose from his garden is gripped tightly in his right hand as tears cascade down his face and strike the earth with a splash that echoes like a scream in a cave, piercing the ears of those gathered there to mourn the death of his son.
In a typical family, there are parents that expected to hear things when their teenager is rebelling against them: slamming the door, shouting at each other, and protests on what they could do or what they should not do. Their little baby is growing up, testing their wings of adulthood; they are not the small child that wanted their mommy to read a book to them or to kiss their hurts away and most probably, they are thinking that anything that their parents told them are certainly could not be right. The poem talks about a conflict between the author and her son when he was in his adolescence. In the first stanza, a misunderstanding about a math problem turns into a family argument that shows the classic rift between the generation of the parent and the teenager. Despite the misunderstandings between the parent and child, there is a loving bond between them. The imagery, contrasting tones, connotative diction, and symbolism in the poem reflect these two sides of the relationship.
Juxtapositions: The Icarus myth IMAGES AND SYMBOLIC MEANING INTRODUCTION This is a literature paper that focuses on Juxtapositions: The Icarus Myth (pages 944 - 949). This section of the text contains four poems in which four different poets use the myth of Icarus as a prompt or archetype for a variety of reasons. This paper explores the Icarus myth found in these poems and using the process of explication constructs a thematic paper. Writers have the niche to create attitude and deep layers of meaning within literary works and create tone and attitude through the use of words and depictions. Moreover, the skilled and artistic authors, poets, and playwrights craft deep layers of meaning for their audience through the purposeful use of symbolism and allegory. The Icarus Myth’s Background King Minos captured Daedalus, Athenian inventor who employed by King Minos to build the maze, or labyrinth, designed to pen in the Minotaur who was half man, half bull. After his work was done, the King refused to let the inventor go back to Athens. It was to free himself from this captivity that Daedalus and his son designed wings to fly out through the air. Flight has long been a symbol for our human capacity to struggle up from the mud and clay, even at the risk of failure. UNIVERSAL APPEAL OF THE ICARUS MYTH The poems show that there is a great universal appeal of the Icarus Myth. The very fact that so many poets, authors and playwrights have used this myth to capture the readers and the audience proves that there is a great appeal this myth has. The universal characters of power such as the sun, gods, human beings able to fly, the message of determination and human thinking abilities are all enough to create interest in the readers. The ...
The first thing that strikes me about this poem is the structure. The poem is very ordered written with 4 lines a stanza and a total of 6 stanza’s. This looks like a professional poem created by an adult, showing experience right away. The syllables are normally 7 per line but there are exceptions to this rule as all of stanza 5 has 8 syllables a line. The first stanza and the last stanza are nearly the same apart from the last line of each differing by a word. This poem uses many poetic devices well to create a vivid picture in the readers mind. There are rhyming couplets, alliteration, repetition, rhetorical questions as well as many biblical and egotistical references to the artist and poet himself. Now we will look at the poems meanings.
To being with, the poem “The Lamb” by William Blake fits into the category Songs of Innocence by using simplistic views and easy language. This poem is written using very simple words and English along with a rhyming scheme. For example, “Gave thee clothing of delight, Softest clothing wooly and bright, Gave thee such a tender voice, Making all the vales rejoice!” (Blake, The Lamb, page 784, lines 5-8) This poem is written for children since it uses a comforting tone and an almost soothing voice. From these examples it is for an educated reason that this poem shall be placed in Songs of Innocence. Due to the fact that this poem is made for the warm hearted, and for young children this poem shows the innocence of the lamb in its entirety. Th...
The poem haggles between innocent and immoral, but I viewed it in a more immoral way. For instance, the narrator tells of a box which holds a Colt .45, which was given to the narrator by his father to open when the boy needed his father the most. This could be viewed as protection from his father, or something more sinister, such as suicide or an inference that the narrator is in danger. For this poem, I researched into the author because it appeared as if the author saw himself as the young boy. I found that the author is gay and had a difficult and almost no relationship with his father when he was growing up.
In the 4th, 5th, and 6th line of this poem the poet portrays a major simile stating “the truth’s superb surprise, as lightening to the children eased with explanation kind.” In the first part of the simile saying “the truths superb
In contrast with the joyful Yellow, The Grayness of the Dominie, a schoolmaster or pastor, highlights the bleakness and boredom the speaker associates adults with. Furthermore, the Dominie putting up “the evening Bars” parallels the setting of the Sun. He bars out freedom, what the Sun brought to the world earlier. The gentleness of the action reflects the lack of guilt or thought the Dominie has in stealing the freedom; it is an everyday occurrence to him. Finally, he leads them away. Suddenly, they are not children anymore; they are a flock. Like sheep, they lack individual decision making skills and rely on the shepherd to guide their lives. The speaker does not even close the poem with a period and leaves the reader wondering where the Dominie is herding them. The once confident individual who tells the tale of the Sun can only watch the situation from afar and cannot stop the progression. If sunrise represents freedom and life coming from the hands of nature, sunset represents them leaving by the hands of