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Importance of archaeology
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Looting has been a major issue in the art market since archeological discoveries have been uncovered in the 1800s, and has continued to be a problem to the modern day. It is widely disputed whether or not these looted artifacts should be valid documentation of the past which causes problems to arise in the archaeological world. When looted goods are found, there is a discussion amongst archaeologists about the validity of the artifacts and the next steps to be taken. Looting and the art market are problematic because it encourages forgery and the fact the artifacts are stripped of their cultural background however, even with new laws limiting the market, is unavoidable; but to discredit them as artifacts disregards the information that they …show more content…
However often the looting of sites are perfectly legal, but it more often than not results in the destruction of the sight, which leads to sites being more closely guarded. These artifacts also are lead to an increasing amount of forgeries that make it more difficult for archaeologists to date and place pieces. It is a big issue due to the fact that there is such a high demand for artifacts to be sold. Looting not only destroys the stratigraphy of a site, but removes the context from the artifact, thus stripping it from its culture. As antiquities are the leading contributors to museum collections, it comes into another debate over whether the looting is a morally right thing to do. However much like the issue of forgery, it causes issues for archeologists as they lose the element of being an artifact when they become an antiquity in a museum, it loses their accessibility to archeologists. As an example, the Hope Dionysos from the Metropolitan Museum of Art, as it is a famous statue that has been known through its antiquity status, rather than an artifact, but it is a well-known fact that it has been missing since …show more content…
Many of these arguments place the responsibility of stopping looting by more closely watching archaeological sites while still facilitating the trade and sale of antiquities. However many of these arguments are still considered to be controversial as items lose their context once they leave their archaeological site. Miller again discusses how traders and dealers of antiquities believe in the aesthetic rather than the scientific and historical value, and believe that pieces, while pertinent to scientific discoveries, still deserve to be seen. This argument is flawed however, as it places archaeologists in a bad light, while it justifies Dealers and Traders in the Looting Market for showing pieces in museums that could still be seen on their site of origins. Another argument from an article on Internet Archaeology about the subject of Scottish Treasure Hunting: it examines how archaeologists are unwilling to place their discoveries in the public light, however their policies on looting reflects on the preservation and maintaining of portable antiquities while still allowing them to be seen. Which ultimately is a better argument, as it still looks to allow the archaeological perspective of maintaining the artifact
Imagine that one piece of history that is taken from a town. This piece of history tells l people how this town was built and all the important people that were apart of the community. “Returning Antiquities to Their Countries of Origin” by Joyce Mortimer can many people about how objects are getting taken from Museums. They should be returned immediately. There are so many artifacts out there that could be so important to people, and if someone can just imagine what it would feel to have one of the most important object taken from a museum and to be never returned again. Many people enjoy seeing these objects so why are they being taken?
...ons. New York’s Metropolitan Museum of Art, the Louvre in Paris, and all other western museums contain vast collections of work from other parts of the world. These marbles symbolize the cultural property in all of the world’s museums, and this debate affects them all.
Separating the Lancer Company into a brand of authentic, exclusively sold artifacts, and a brand of quality, limited distribution products, keeps the perception of Lancer Gallery high in the mind of consumers. This is beneficial because for those who buy authentic artifacts do so to show their social class or prestige, or, because they are interested in that country’s culture. By buying their artifacts from Lancer they be assured that what they purchases is not an imposter or anything that can be bought by the average Joe.
Hunt insists that returning the marbles to Greece would create a precedent for other restitution claims. This in turn would rob all museums of their ability to provide a multicultural presentation of history. He declares that “we need the sharing of cultures.” I assert diversity can be achieved with castings, similar to the Romans copying Greek
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
In “Whose Culture Is It, Anyway? ”, Kwame Anthony Appiah begins by pointing out that some of the museums of the world, particularly in the West, have large collections of artefacts and objects which were robbed from developing and poor countries. He then raises a question: who owns these cultural patrimony and properties? Our first answer may be that since they make up the cultural heritage of a people, they belong to the people and culture from whom they were taken. Appiah has doubt about this and argues that if some cultural artefacts are potentially valuable to all human beings, they should belong to all of humanity. He thinks that when they make contribution to world culture, they should be protected by being made available to those who would benefit from experiencing them and put into trusteeship of humanity.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
SHA, and other archaeological societies, institutions, scholars and archaeologists find it hard to conduct or even to get involved in such shows that are produced for the entertaining of fans and also for gaining revenue. The Society for American Archaeology (SAA) is working on clearing-house project that will help in building public awareness about archaeology and the way it is practiced, therefore the project is seeking input from professionals and the interested public, in order to share and contribute information and
Recently the major countries that were part of WWII are starting to try and push for museums to send back the stolen art to their rightful owners. With the millions of pieces that were stolen during WWII the number of pieces that have not been returned to its heirs is well over 100,000 pieces of art and most of them are currently missing.("Nazi Plunder," n.d.) To help return stolen art, museums search through all of their art to check if any of it was stolen during WWII. Currently though the progress has stopped for returning stolen artwork back to its rightful heirs, because the museums are refusing to give back some of the more major pieces of art. Also the lack of knowing who the art truly belongs to is also slowing down the
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
Throughout modern times countries have sought to acquire more control over archaeological discoveries found, that hold cultural, religious and social meaning. This can be seen in countries such as Iraq and Greece who place strict sanctions on any excavation, as anything found is considered property of the country, therefore removing it would result in possible prison sentences. Such restrictions on excavations begs the question over the ownership of antiquities, and illustrates the political tensions that can arise due to archaeology. Additionally, the ethicise over the ownership of relics from the past can be seen in the collection and preservation of artefacts particularly in places such as museums. Starkly prominent examples over the care of items and their ownership can be seen in the cleaning of the Elgin Marbles, which through an acid wash by the British Museum’s workers, resulted in significant deterioration of the marble.
Of the many crimes that are present in this day and age, one that not only vandalizes the property, but as well as historical background is that of art theft. A crime that has taken away the sanctity of churches as well as many other religious and historical sites. Thefts have ranged from WWII (World War II) to the times of the Holocaust. Of the items that were taken from the churches, relics were items of great priority. These items not only had great value to the churches they were stolen from, but a great value to relic collectors. Most of the items taking during these times were either sold or placed in underground storage. Most of these items that were place in these secret places were never to be seen again. From the times of these so called “relic hunters” to now, art theft has become something that has taken some extreme changes. It has evolved from crime that started with minor relic thefts to something that has become a worldwide crime in need of better prevention.
To confirm their claim concerning ethical values of archaeology, Moe et al. highlighted the positive changes concerning museums’ contribution to preserving sites, dealing with ethical issues that surround burials, and respecting the feelings of indigenous people, African Americans, and/or other groups
Also some artifacts might have been left behind on purpose to represent culture. One reason why you shouldn’t take artifacts from where they lay is because they might have played a role in a major historical event and is used as a memorial. When something happens that could affect years to come so its left as a memorial so people could remember what has happen there and how it has affected us today. If they are taken and put into museums then people amy not know that they have happened or how important they are. I also believe that it would show that the past is important to what is happening now.