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Tutankhamun the discovery of the tomb
Tutankhamun the discovery of the tomb
Short note on Tutankhamun's tomb
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Throughout history, archaeological discoveries have often posed many ethical debates and it begs the question if this can often be justified. Archaeology is the study of material remains and activities of past human life, often through the excavation of sites and analysis of discoveries. Archaeology undoubtedly uncovers mysteries from the past and gives humans an insight into their past through the ages. While the educational value of archaeology is unattested, many arguments arise from an ethical perspective, spanning from digging up an ancient tomb to the economic and political rifts that can form as a direct result of archaeological discoveries.
The commercialisation of historical artefacts through mediums such as museums and private
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The ‘James Ossuary’ is one such example demonstrating forgeries and the length some go to for attention, fame and sometimes monetary gain. The Ossuary was in fact real, however it was the inscription that was forged, reading “Yaakov bar Yoseph, Achui de Yeshua,” which translates to “James, son of Joseph, brother of Jesus.” This discovery sparked worldwide attention as people saw this as proof of Jesus. While this is not from a biblical sense it still illustrates the existence of Jesus as a person. The faked James Ossuary ultimately challenges the ethicise of archaeology as the commodification of the past enables individuals to be rewarded and receive worldwide attention from their discoveries, while in fact they are exploiting peoples’ religious beliefs and capitalising from people’s fascination for the …show more content…
Throughout modern times countries have sought to acquire more control over archaeological discoveries found, that hold cultural, religious and social meaning. This can be seen in countries such as Iraq and Greece who place strict sanctions on any excavation, as anything found is considered property of the country, therefore removing it would result in possible prison sentences. Such restrictions on excavations begs the question over the ownership of antiquities, and illustrates the political tensions that can arise due to archaeology. Additionally, the ethicise over the ownership of relics from the past can be seen in the collection and preservation of artefacts particularly in places such as museums. Starkly prominent examples over the care of items and their ownership can be seen in the cleaning of the Elgin Marbles, which through an acid wash by the British Museum’s workers, resulted in significant deterioration of the marble. Another was the funerary mask of Tutankhamun being dropped during cleaning and the beard breaking off and being glued back on. Both illustrate the ethical issues over who should be taking care of these items as on one hand it can be said that they are safer in the British museum, opposed to the place of discovery. Additionally places such as Iraq who have groups such as Isis
Imagine that one piece of history that is taken from a town. This piece of history tells l people how this town was built and all the important people that were apart of the community. “Returning Antiquities to Their Countries of Origin” by Joyce Mortimer can many people about how objects are getting taken from Museums. They should be returned immediately. There are so many artifacts out there that could be so important to people, and if someone can just imagine what it would feel to have one of the most important object taken from a museum and to be never returned again. Many people enjoy seeing these objects so why are they being taken?
The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of legality and logic, it is hard to make a solid case against the Marbles’ continued presence in Britain.
Parts of the sculptures that used to belong to the Parthenon are now residing within Britain’s Museum, and Christopher Hitchens argues that they be returned to Greece through his work entitled “The Lovely Stones.” Hitchens builds his argument by utilizing a short history of the incident and rhetorical questions.
The Trojan War and its characters are detailed in the writings of Homer, Vergil, Dante and many others. It is a fantastical tale of a decade-long siege of a powerful city by a massive pan-hellenic force. However, even though it has proved to be such a rich source of inspiration for writers, poets and artists throughout history, it is debated whether it actually took place. Heinrich Schliemann famously said “I have gazed on the face of Agamemnon.” on discovering tombs with the bodies of Mycenaean chieftains in Turkey. The German businessman-turned-archaeologist claimed to have discovered the city of Troy at the hill now called Hisarlik – about three miles from the Dardanelles. However, his claims are still disputed today. Before tackling the question of whether the Trojan War actually occurred, we must ask in what form. What exactly do we mean by “the Trojan War”? There is no definitive version of the events in the war, as our knowledge of it comes from a myriad different sources. Then we should consider Schliemann’s discoveries, and the other archaeological evidence for the Trojan War. Finally, after we have defined “Trojan War” in context of archaeology and historical fact, we must then draw conclusions about the extent to which archaeology proves its historical authenticity.
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
"Should Britain Return the Elgin Marbles?" The Week UK. N.p., 14 Feb. 2009. Web. 13 Feb.
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
“Duncan’s (1991) article provides an examination of western museums as a vehicle for the “modern state” to project imperialistic values over art objects of the Third World. The American/European art museum is a type of “temple” that is used to ritualize western art objects as a projection of modernity over the “primitive” art of Third World cultures.”
In “Whose Culture Is It, Anyway? ”, Kwame Anthony Appiah begins by pointing out that some of the museums of the world, particularly in the West, have large collections of artefacts and objects which were robbed from developing and poor countries. He then raises a question: who owns these cultural patrimony and properties? Our first answer may be that since they make up the cultural heritage of a people, they belong to the people and culture from whom they were taken. Appiah has doubt about this and argues that if some cultural artefacts are potentially valuable to all human beings, they should belong to all of humanity. He thinks that when they make contribution to world culture, they should be protected by being made available to those who would benefit from experiencing them and put into trusteeship of humanity.
The Dead Sea Scrolls have been called the greatest manuscript find of all time. Discovered between 1947 and 1956, the Dead Sea Scrolls comprise some 800 documents but in many tens of thousands of fragments. The Scrolls date from somewhere between 250 B.C. to 68 A.D. and were written in Hebrew, Aramaic and Greek; they contain Biblical works, prayers and legal texts and sectarian documents.This priceless collection of ancient manuscripts is invaluable to our understanding of the history of Judaism, the development of the Hebrew Bible, and the beginnings of Christianity. When Mount Vesuvius erupted, it not only demolished Pompeii, but also the nearby Roman settlement of Herculaneum. Centuries later, hundreds of scrolls were uncovered in the area 1752, but many were too damaged by age and burns to risk unrolling. Thanks to one of the world’s most sensitive
SHA, and other archaeological societies, institutions, scholars and archaeologists find it hard to conduct or even to get involved in such shows that are produced for the entertaining of fans and also for gaining revenue. The Society for American Archaeology (SAA) is working on clearing-house project that will help in building public awareness about archaeology and the way it is practiced, therefore the project is seeking input from professionals and the interested public, in order to share and contribute information and
With these arguments, it is understandable why Greece is fighting furiously for the ownership of the marbles and they are not to blame for the loss of their artefacts in the first place because of Ottoman rule. However despite the significance of Greek’s arguments for the reunification of the Parthenon Marbles, there is a serious repercussion that may result from the marbles being reclaimed by
Of the many crimes that are present in this day and age, one that not only vandalizes the property, but as well as historical background is that of art theft. A crime that has taken away the sanctity of churches as well as many other religious and historical sites. Thefts have ranged from WWII (World War II) to the times of the Holocaust. Of the items that were taken from the churches, relics were items of great priority. These items not only had great value to the churches they were stolen from, but a great value to relic collectors. Most of the items taking during these times were either sold or placed in underground storage. Most of these items that were place in these secret places were never to be seen again. From the times of these so called “relic hunters” to now, art theft has become something that has taken some extreme changes. It has evolved from crime that started with minor relic thefts to something that has become a worldwide crime in need of better prevention.
Archaeology is a rising field in which discoveries of our past are held within the realms of archaeological sites. The findings are becoming valued in many countries around the world such as Korea and Africa. Not only are archaeologists acknowledging its importance, but so are local communities. Therefore, in order to assure productivity and order, as we see in the article “A Review of Codes of Ethics in the United States and Ethical Dilemnas Surrounding the Native American Graves Protection and Repatriation Act ( NAGPRA)” by Jieun Kim and Dawnie W. Steadman, the field of Archaeology comes with the need for a common ground as to the values in the field through a set of code of ethics. In particular, acknowledgement of the local community is crucial in order to conduct studies.
middle of paper ... ... Although subject to change in different cultures, the societal norm of placing an ethical code helps us to set the “right” amount of boundaries in areas of knowledge, including the arts and the natural sciences. Like I said before, there are many complications to this as both scientists and artists are put in situations where they must face the fine line between having a scientific/artistic role or ethical role in creating opportunities for knowledge. Works Cited McKie, Robin.