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King Tutankhamun and excavation
Short note on Tutankhamun's tomb
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Tutankhamen’s tomb was not the typical 18th dynasty tomb; there was a difference in the tomb decorations compared to Amenophis 2nd’s tomb. All the knowledge that the world knows about King Tutankhamen comes from the treasures that where found in his tomb. In addition, Tutankhamen’s tomb received its decorations in the burial chamber, there were many gifts and burial ritual items placed around his sarcophagus including four niche gaps in the walls were mote items could be placed. The most important decoration in Tutankhamen’s tomb were the four walls that surrounded the burial chamber, they were covered in paintings about the king himself. Furthermore, on the west wall there are scenes depicting the apes of the first hour of the Amduat. On the south wall Anubis follows the king as he appears before Hathor. Here, there is also a scene of the king being welcomed into the underworld by Hathor, Anubis and Isis. The north wall depicts of the king before nut with the royal ka embracing Osiris. On the same wall, we also find the scenes of ay performing the opening of the mouth ritual before ...
Discovered in 1974 a group of farmers digging wells near Xi'an, China stumbled upon the tomb of Qin Shi Huang which is located 22 miles east of Xian Shi Huangdi. (259 BC - 210 BC), the first emperor of China, inherited the throne at the age of 13, when construction of his tomb began. He was responsible for several immense construction projects built by his people, including the Great Wall of China. The laborers came from three groups of people, craftsmen, prisoners and people who were repaying a debt. Sima Qian, a great historian who wrote in early Han dynasty, offered archeologists great insight on the mausoleum's construction. We learned from him that the tomb is huge. Moreover, booby traps with automatic-shooting arrows and crossbow booby traps were
The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.
Egyptian culture didn’t truly begin until the third dynasty, which is grouped into a period called the Old Kingdom. Since then, it developed into a thriving culture that changed little, even with new leaders. This conveys a sense of order and cohesion that flows throughout the time of the Egyptians. I was fascinated by the continuity. Unlike the artists of today, Egyptian artists did not rebel against the conventions of their day. If the surviving art is any indication, they were content to follow the artistic practices of their time. During the New Kingdom, a painting called "Funeral Procession, Tomb of Pairy" was created. It is a depiction of a portion of the process of laying Pairy to rest. Harold Hays wrote an article called “Funerary
Ca. 1323 BCE. Both artworks are from the same location, Thebes, but there are some differences when both works are compared. The Coffin of Tutankhamen belonged to a very young unimportant king who died at the young age of 18, and was closely related to Akhenaton. The works is much more rich in value when compared to the coffin of Tentkhonsu, it was found with rich gold jewelry and semiprecious stones. The vast differences could hint different social class rankings and also how men were superior than women during this
The Colossal Statue of King Tuthankhamun and the Lamassu are amazing works of art. Of the eight works assigned, these two particularly caught my eye. The two pieces, though very different, have many similarities. In this paper, I will discuss these similarities and differences of style in terms of their overall shape, proportions, and individual parts.
The final resting place for such individual would be adorned with lavish paintings and sculpture dedicated to them. All parts of the piece appear consistent to the works of the time, especially the way that Ti is posed in the typical Egyptian fashion of showing frontal and profile view. Practices such as hunting, farming, and dining were considered good nourishment for one’s ka, so one may have a healthy afterlife and make it through the process of judgement of their ka without fail. Perhaps depicting such work on Ti’s mastaba was to show proof of his work towards achieving a wholesome life force, and that he had lived a productive, well-respected life. Knowing how important ka is to the Egyptian people, it would be understandable that they would want to represent it in a positive light, doing so on their tomb to ward away
During that period, the Egyptian ruler attempted to restore the true traditions of Ancient Egypt and took the conventional ideas and beliefs of the previous periods. Therefore, the artwork of the Kushite period resembles several of art done during old, middle, and new kingdoms. Unlike the coffins of Tutankhamen, which was embellished with jewels and was made of gold, the coffins during this period reflected the coffins of earlier Egypt. The Coffin of Horankh portrays the figure of Horankh, an Egyptian that is believed to belong to the royal class of Egypt because of the coffin’s features. The mummy inside the coffin is wrapped in funerary shrouds and the gesso placed on top clearly depicts the shape of Horankh’s body. Paint placed on several parts of the upper part of the coffin and the added features such as the headdress and the beard add to the belief that Horankh was once a royal. His coffin is made of wooed, but is painted over and it is until you come close that the coffin appears to be made of wood and has two part that come apart. The wood is finely polished and seems to have smoothness throughout the
The New Kingdom in ancient Egypt, from 1550 – 1070 BC, was a time of extraordinary wealth, power, and the continuation of the arts in the classic ancient Egyptian style. Characterized by the abstract and impersonal depiction of humans, along with the strength of the Egyptian Empire, the New Kingdom is considered the peak of power and prosperity in ancient Egypt. “Fragmentary lid from the coffin of Wadj-shemsi-su” is a piece created in this time period that was originally part of a portrait located on the top of the king’s coffin. Because the coffin would carry the king’s mummified body in his tomb, the portrait depicts the pharaoh as being prepared for the Underworld, as well as being the ideal body for the spirit of the king to flow through. The objective of the coffin’s portrait is also to convey the power of the kingdom, putting emphasis on the king’s image and the immense wealth that accompanies him. In addition to the piece’s function as a coffin, “Fragmentary lid from the coffin of Wadj-shemsi-su” embodies the strength and wealth of the New Kingdom through the piece’s human face, use of bright colors, and geometric detailing.
Through the means of commemorating and remembering those of prestige and importance, tombs and sarcophagi are produced of these individuals. This funerary manner and distinctive burial practice was initiated Etruscan culture and it developed through the means of cremation and inhumation in earns. The concept of placing the remains of individuals in elaborate, thought out spaces was a valuable attribute of these people. The Etruscan objective of creating the best possible outcome in the afterlife dictated the way in which individuals ornamented and became portrayed in their tombs. Presen...
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
The funerary rituals introduced by the Egyptians were the most intricate, spiritual rites in their times and, perhaps, even to this day. Their elaborate customs, tombs, and gifts to the dead were representative of their pious, devoted nature. Albeit not all were as imposing as the oldest and still remaining Seven Wonder of the World, the Pyramids of Giza, all were meaningful and sacred. The Egyptians, highly reverent of their dead, adopted ornate, religious burial practices to fit to every member of their society.
The coffin of Puhorsenbu is intricately carved and decorated, with a sycamore wood base, and stucco and paint for the detail. The bright whites of the eyes are entrancing surrounding the dark brown of the eyes. A feathered bird with outstretched wings lays beneath the face and shoulders of the painted face. Red and green and gold are the most eye-catching colors of the piece, used in the lines and striping patterns that adorn the coffin. This piece was created for the purpose of the deceased and their afterlife—the testament was more to the grand life of the departed rather than the skill of the artist. As artful as we see it today, the Egyptians were not so much focused on the artistic aspect as the ritualism it served.
were 10 doors and at end there was a statue of Osiris, the god of the
It doesn’t go into specifics details on tomb paintings in Egypt. There is a great deal focused on the temple and the burials during that civilization. The book explains how the temples are built and the symbolism behind them. The Egyptian art that is discussed is pottery vessels, Narmer Palette, tombs and temples. The Narmer palette has animal, ruler, and weapons and color on the palette similar to tomb paintings. The palette symbolizes the upper and lower Egypt the necks of the animals twisting around each other (Scarre and Fagan 2008, 117). All of Egyptian pieces of art each had specific meaning behind it. This one of the reasons why Egyptian art is so special. A tomb painting that had an imaged in the textbook is from Deir el Medina, Thebes (Scarre and Fagan 2008, 143). It told us the importance and meaning of the tombs during that time. Tomb painting were very useful for find out information on the
Depending on the power and length of reign of a king determined the opulence of the tomb itself. Most tombs were robbed thousands of years ago, but you can still see the spectacular color-painted hieroglyphics lining the corridors of some. The stories told are of kings bearing gifts to the gods or perhaps stories of the king's travels or battles. Much can be learned from these pictures concerning ancient life in Egypt.