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The epic hero characteristics
Characteristic of a hero
Characteristic of a hero
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In ancient times, the story of a hero was passed on orally and then eventually through the pages of a book. Almost every culture, whether it be Greek or Norse, told tall-tales of heroes accomplishing great deeds, while simultaneously teaching an overall lesson. Heroes were defined by their attributes, most commonly courage and wit. Even by the 21st century, the mold for the stereotypical hero still lies untouched, but now the story is told through the scenes of a motion picture. In the depths of the Pacific Ocean, an unlikely hero sets out on a journey to recover his son from his captor (not to be confused with the other hero who lives in a pineapple under the sea). The hero, Marlin, who at the beginning of the movie lives in constant fear of the outside world, slowly gains his courage as his journey unfolds in Andrew Stanton’s animated movie, Finding Nemo. …show more content…
However, their peaceful bliss vanishes after a shark kills Marlin’s wife and his children leaving, only one clownfish egg behind, Nemo. Marlin promises Nemo that he will never let anything happen to him; that promise gradually turns into extreme overprotective parenting. Once Nemo’s first day of school arrives, Marlin is unable to let go of his son; a brief fight leads Nemo to protest his father’s overprotectiveness by swimming beyond the reef. Nemo, now in the open ocean, gets caught by a scuba diver and is taken away from his father and home. In Finding Nemo, Marlin sets out on an epic adventure to recover his son, Nemo, fighting the darkest sea creatures of the deep and ultimately learning what it means to be a true parent. His journey, like countless others, succumbs to the phases of Joseph Campbell's monomyth journey, including the phases Separation, Initiation, and Return and the encounterance of multiple archetypal
In “Creating the Myth,” Linda Seger outlines the essential aspects that make up the hero myth, and why movies that follow this outline are generally successful. In her analysis, she begins with the idea that every hero myth revolves around a hero who is called upon to accomplish a feat that nobody else in the story is able to do. The hero’s journey begins with an unlikely person being called upon to serve a purpose greater than themselves. Along their journey, the hero is influenced by several archetypical characters that either help the hero, or try to deter the hero from accomplishing their task. The hero’s journey ends when they have accomplished their task, and in doing so, become a greater person than what they were in the beginning. A film that found tremendous success by following this outline was “Kung Fu Panda.”
The monomyth, or Hero’s Journey, is an outline or pattern of events that a hero may follow in a story or movie. This so called pattern takes place in two locations: the ordinary world and the supernatural world. Joseph Campbell was the first person to notice this outline and actually research it. Osmosis Jones is just one example of a movie which follows the monomyth. This movie also serves as a great lesson of perseverance because even throughout the trials and tribulations, Jones never gives up and in the end is rewarded.
In Finding Nemo, the audience sees how Marlin has a call to adventure which is a typical feature of the archetypal hero’s life. Marlin’s son Nemo was at his first day at school, he wants to show how he was not a
During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.
Monomyths are dominant archetypes found in many narratives around the world. They usually have an underlying purpose and teach a lesson about society. “The Step Not Taken,” by Paul D’Angelo, is a short story that follows the story of a man on a personal quest to discover how to rightfully respond to the suffering of other people. The short story follows the three stages of the monomyth: separation, struggle or initiation, and return and reintegration. The narrator can be seen as a hero who takes part in a journey in which he gains great knowledge that he will carry with him for the rest of his life. Unlike other monomyth narratives, such as The Lord of the Rings series where the stages are much clearer since the story is adventurous, in this short story, the monomyth stages are underlying and not as obvious. In “The Step Not Taken,” the protagonist progresses through the three stages of the monomyth, allowing him to gain a greater understanding of the importance of sympathy in today’s world.
"Joseph Campbell and the Hero's Journey." "HeroQuest" Adventures; spiritual quests to renew purpose, create vision, success.. N.p., n.d. Web. 22 May 2014.
Heroes are found everywhere in the world. They are seen in movies, on television, in books, and in reality. A hero can be anyone, from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
A new danger threatens the peace of a community. One brave hero takes it upon themselves to eliminate the threat and restore happiness among their people and become the master of themselves. Is this Jaws, Jurassic park, Godzilla, The Lion King, Spiderman, Harry Potter, or Beowulf, the Anglo-Saxon poem published in the eighth and 11th century? The truth is it is all of them. The heroes journey is the common template used by a broad category of tales that involve a protagonist hero who goes on an adventure, overcomes an ordeal, and comes back home rewarded and changed. Coraline, a 2009 American 3D stop motion dark fantasy horror film produced by Laika, follows much of the same template created almost 11 centuries ago.
In the movie Finding Nemo, there is a father name Marlin, and a little son named Nemo. The personality of Nemo is he is an off the wall little clown fish that likes to take chances and is what we would call a hyper-active child. He likes to bounce around, take adventures without his dad being around, and somewhat despises his dad for always wanting to be right by his side. Till the day that acting out gets him in trouble. One day heading to school him and his dad, Marlin, get in an argument that makes Nemo want to rebel just like a little child would. So while at school he wants to prove to everyone that he can do everything anyone else could just ...
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
A person can be a hero for saving the life of one or of millions. Heroes are not only real people, but they are also fantasy figures. Children are extremely interested with legendary and fantasy figures because they take on such tasks as: difficult journeys, challenges with dragons, discovering lost treasure, and changing the nature of the world through their singular acts of courage and selflessness. They also endure much resistance, hardship, and danger. Often the hero learns valuable lessons about survival and self-reliance. Not only do heroes teach valuable lessons they give a child a sense of belonging. To a child, a hero is an invincible person who will change the world.
In The Old Man and the Sea, Santiago, an old Cuban fisherman, pits his strength against forces he cannot control. We learn from Santiago's struggles how to face insurmountable odds with bravery and courage. Though we find an indifferent and hostile universe as Santiago's stage, his unwillingness to give in to these forces demonstrate a reverence for life's struggles. Santiago's struggle is for dignity and meaning in the face of insurmountable odds. His warrior-like spirit fights off the sharks full-well knowing the fate of his marlin. Santiago loses his marlin in the end, but his struggle to keep it represent a victory because of the dignity and heroism with which he carries out his mission. However, as Santiago acknowledges, he is almost sorry he caught the marlin because he knows the animal and he have a great deal in common as fellow beings in nature. However, he only caught the marlin "through trickery" (Hemingway 99). Santi...
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.