The life of a hero fits a certain pattern. Various heroes from different mythology all seem to follow the same events in their lives. The story of Finding Nemo follows this pattern. Three crucial characteristics of a hero’s life include having a call which will lead to an adventure, embarking on a quest, and lastly the return. In the film Finding Nemo, Marlin performs these three elements of a Hero’s Quest Cycle. Marlin is called to his adventure when a diver captures his son, Nemo, he goes on a journey to find and rescue Nemo and lastly, he returns to his reef and thus becoming one of the typical models of classic heroism.
In Finding Nemo, the audience sees how Marlin has a call to adventure which is a typical feature of the archetypal hero’s life. Marlin’s son Nemo was at his first day at school, he wants to show how he was not a
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baby anymore.
In order to do so, Nemo volunteers to touch the butt of a boat in the open sea, Marlin tells him not to. Nemo touches the butt of the boat and heads back to Marlin, who gets really scared. The film shows that on his way back the creature of nightmare, the scuba driver, captures him. This was Marlin’s call to adventure, a common feature of the start of the Hero Quest Cycle.
Like other heroes of classical times, Marlin sets out upon a journey and quest to go find his beloved son, Nemo. Starting his journey, Marlin meets Dory, his hunting companion. Their first threshold is when the creature of nightmare, Bruce the shark captures Nemo and Dory. They finally escape from the shark and find a divine intervention, the mask of the scuba diver that captured Nemo. Their second threshold starts when Marlin and Dory lose the mask and they need to find it. While they look for the mask, an anglerfish which is the threshold guardian battles with them. Marlin and Dory
find the mask and win the battle with the anglerfish. The third threshold is when Marlin and Dory need to pass trench to get to the other side of the sea. In the trench, there are many jellyfish, which are the creature of nightmare that block the way. Marlin and his hunting companion both find a quick way out and reach the other side of the sea. When Dory looks at the mask, he gets to know the Nemo in Sydney. On their way, they meet Crush the turtle, who is the mentor. Crush guides them to Sydney. The last threshold is when a blue large whale comes and swallows them. The blue whale is a friendly beast as it shoots Dory and Marlin out of its blowhole and they land on the deck of Sydney. Marlin and Dory meet Nigel the pelican and this pelican spends most of his time at the office where Nemo is at. Nigel is the mentor and takes them there and Marlin thinks that Nemo is dead and so he heads back to the sea to go home. He did not know that Nemo escapes after he leaves. Nemo looks for Marlin and finally, the son and father meet up in the middle of the ocean. The completion of his quest, which took him on a journey of great distances and made him battle many creatures, are all hallmarks of the life cycle of a classical hero. After the ultimate test, the hero returns to its home. In the film Finding Nemo, Marlin and Nemo finally see each other. Dory was very happy when she sees both Nemo and Marlin together, but at the same time, she was sad that she is going to leave them, because Dory was all alone as she was lives alone. In the film Finding Nemo, the audience sees how Dory does not look forward to leave them, and so she decides to stay with them. Nemo and Marlin get happy and they then all return to the home of Nemo and Marlin, the reef. The return is an important element in a hero’s life and Marlin succeeds in his journey and heads home. Marlins’ return is a common feature of the end of the Hero Quest Cycle. In conclusion, Marlin, as portrayed in the film Finding Nemo, lives the life of the archetypical hero. A scuba diver captures Nemo proves Marlin’s call to adventure. All his quests, escaping from the shark Bruce, to finding the mask that they had lost, to passing the trench, and finally getting out of the whale recall his quest. With all of this, comes the return, where Nemo, Marlin, and Dory head back to the reef. In all these stages of life, Marlin demonstrates to be the model of classical heroism as he fulfills the criteria of the Hero Quest Cycle and shows his heroic quality.
Marlin received the call and took the challenge. When Nemo went to the first day of school he wandered off into the ocean. He went to go touch the boat and he was trapped by a fisher. Marlin didn't
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
Finding Nemo is the story of a clownfish, Marlin, who’s only son gets taken by Australian scuba divers. Marlin, even with plenty of grief over losing his wife and other babies, goes through great lengths, fears and people to get his son back. He meets other animals and learns from them the importance of living your life and not worrying about the past as he tries to get his son Nemo back.
Finding Nemo was a movie about a mischievous son who was captured by a scuba diver with his overprotective father who tried to save him. Not to mention, Nemo had a small fin from an accident. In the beginning of the movie, Marlin’s wife was killed in a barracuda attack. The dynamic of the family consisted of a single father, Marlin, and his only child, Nemo. Because Marlin was a single father, he was overprotective of Nemo. Thus, the dynamic, single parent relationship, can be understood and a parenting style can be identified. The parenting style Marlin was likely portraying was authoritative. For instance, Marlin had set rules on how Nemo should prepare himself for school; in addition, was caring to Nemo when hurt or when in danger. In other words, Marlin was both very responsive and very demanding. Based on the example and the dynamic of the family, Marlin’s parenting style was determined. Thus, parenting styles can be identified in families. Furthermore, the result of the parenting style was seen in the child. In particular, Nemo was able to make many friends at school and was optimistic about his rescue from his father. Overall, Nemo was adequate or competent socially and mentally. Again, proved Marlin’s parenting style as authoritative; hence, parenting style can be identified in families. Additionally, another dynamic of a family to examined was Modern
There are many stories that follow Joseph Campbell's Hero's Journey, and tells the tale of a Heroic character. These fables introduces us to heroes that begin their journey in an ordinary place, then receive a call to enter an unknown world full of bizarre powers and peculiar events. These heroes often display great traits, such as bravery or intelligence, that defines their character. One of these heroic's tales is Haroun and the Sea of Stories, telling the adventures of a young man named Haroun. This essay will prove that Haroun from Haroun and the Sea of Stories by Salman Rushdie is a hero, because he possess heroic qualities. Haroun shows his heroic qualities by overcoming obstacles, helping his friends, and having good intentions.
Throughout history the world has experienced different movie pictures, which incorporate different psychological themes. In Finding Nemo the audience is introduced to a clownfish named Marlin who deals with a multitude of psychological issues such as; stress, fear, and anxiety. Marlin refuses to experience the sea life, because it is so intimidating to him, and so he keeps his son from it. In the beginning , Marlin loses his wife to a shark, and then later on his son gets captured by a Scuba Diver. So, Marlin sets out on this adventure to find his son Nemo, and encounters another character named Dory, Dory deals with psychological issue of memory loss. Together they set out to find Marlin’s son Nemo, and along the way they bump into many different
the massive fish. I can see he will die trying to catch the Marlin. With every circle the fish makes
In the movie Finding Nemo, there is a father name Marlin, and a little son named Nemo. The personality of Nemo is he is an off the wall little clown fish that likes to take chances and is what we would call a hyper-active child. He likes to bounce around, take adventures without his dad being around, and somewhat despises his dad for always wanting to be right by his side. Till the day that acting out gets him in trouble. One day heading to school him and his dad, Marlin, get in an argument that makes Nemo want to rebel just like a little child would. So while at school he wants to prove to everyone that he can do everything anyone else could just ...
What does it take for someone to be a hero? There is a set of rules that is known as the monomyth, or also referred to as the hero’s journey. The novel Treasure Island by Robert Louis Stevenson follows the story of a young boy named Jim Hawkins who embarks on an adventure to find a buried treasure. Throughout the story he learns to become independent and survive on his own while on a ship filled with strangers. Some key aspects of the hero’s journey are that they involve a call to adventure, tests, elixirs and more. Treasure Island is a prime example of a story that follows the monomyth, as it contains all of the aspects that the monomyth portrays.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself ” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind. While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication.Campbell states that these events are what ultimately guides a hero into completing
The shark represents nature’s ability to change fate and invoke fear. The shark’s dark fin is subtle yet powerful and dangerous, and poses a threat that is beyond the men’s reach. Nature is an all-powerful force, and the shark reinforces the minuteness of man compared to the vastness of nature, and that nature is always in control. The shark intimidates the correspondent, and he wishes that one of his companions was awake to keep him company. The shark revives the possibility of death, and the correspondent formulates ideas relating to the relationship between nature and man. The correspondent realizes that “nature does not regard him as important, and that she feels she would not maim the universe of disposing of him” (1363). The correspondent feels powerless and wants to fight against nature but has no means of doing so.
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...
In The Old Man and the Sea, Santiago, an old Cuban fisherman, pits his strength against forces he cannot control. We learn from Santiago's struggles how to face insurmountable odds with bravery and courage. Though we find an indifferent and hostile universe as Santiago's stage, his unwillingness to give in to these forces demonstrate a reverence for life's struggles. Santiago's struggle is for dignity and meaning in the face of insurmountable odds. His warrior-like spirit fights off the sharks full-well knowing the fate of his marlin. Santiago loses his marlin in the end, but his struggle to keep it represent a victory because of the dignity and heroism with which he carries out his mission. However, as Santiago acknowledges, he is almost sorry he caught the marlin because he knows the animal and he have a great deal in common as fellow beings in nature. However, he only caught the marlin "through trickery" (Hemingway 99). Santi...
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.
In conclusion, Marlin’s quest is rewarded and he is reunited with his son. Through the help of unlikely sources like a whale, a turtle, and a pelican, Marlin regains what is most precious in the world to him. These characters played a key role in Marlin’s journey but it is clear that Dory was the most critical to the pending success of Marlin’s pursuit. This fish that forgets what she is doing every five minutes and finds camaraderie in sharks, whales, and jellyfish is the most significant source of help Marlin has. Marlin and Dory’s interactions are the epitome of finding help where it is least expected.