Noah Arbesfeld Professor Hobson EL6530: Multicultural Literature Response Paper #9 - Drown April 16, 2024 Yunior and Ramón in Junot Daz’s Drown In his collection of short stories, entitled Drown, Junot Daz offers his perspective into the Dominican-American immigrant experience through the fictional account of multiple different family members of Yunior, his self-inserted protagonist. Throughout the collection, Daz offers a variety of perspectives connected by similar themes, allowing the reader to empathize with the evolving struggles that each character faces. For example, Daz offers various accounts of Ramón, Yunior’s father and the patriarch of his family, creating a nuanced depiction of his character. Specifically, Daz utilizes the second …show more content…
In these two particular stories, Daz follows the trials and tribulations of the Dominican immigrant, developing a realistic portrayal of the impact of immigration on the family as they develop an Americanized identity. Through the two short stories “Fiesta, 1980,” and “Negocios,” Daz offers a complex understanding of the Dominican immigrant experience, contrasting the image Yunior constructs of his father, with the sacrifices Ramón makes in order to bring his family to the United States, ultimately humanizing both characters. In the short story “Fiesta, 1980,” Yunior presents his father Ramón as abrasive, characterized by his choice to assimilate into American culture despite the impact on his family. In this story, Yunior focuses on his father’s new car and his Puerto Rican girlfriend, both of which Yunior views with disdain and associates with …show more content…
Through “Negocios,” Daz completes his short story collection by offering insight into Ramón as a character, creating a nuanced image of the experience of the Dominican American immigrant. Throughout Drown, Junot Daz explores the complex reality of immigration in conjunction with the identity of Dominican Americans. In his stories, Daz offers multiple perspectives on Ramón, contributing to his larger characterization, offering an explanation for his actions. Initially, in the story “Fiesta, 1980,” Ramón is presented through the lens of Yunior as a young child, allowing the audience to only see the negative aspect of patriarchal sacrifice, as Ramón’s dream of assimilation into American society is not shared by his son, placing the two characters in direct conflict. However, in the final story “Negocios,” presents a more mature perspective on Ramón’s sacrifices, as Yunior continues to question his father’s actions, but understands the humanity of his father that allowed him to survive in the United
By reminiscing on his upbringing from living in Lima, Peru, a third world country. Father would constantly recall his biographical anecdotes to share with the family. Some stories were beyond gruesome in detail. Going in depth to the painful memories that still lingers around like a scar, my father told us how our grandfather, his own father, was abusive for even the most minute things. For instance, when my father would wore outfits that did not meet my grandfather’s standards, or looked into his father’s eyes fearfully when he was being punished, and even when he did not walk my grandmother to and from the grocery store. The mistreatment had reached the end of father’s patience when he became a rebellious son, breaking curfews and refusing to return home at the end of the day. In Junot Díaz 's short story Fiesta, 1980, narrated by an son, Yunior, who describes the hardships he and his Dominican family shared as they drove to a party in the Bronx in New York City. At the age of twelve, Yunior loses his innocence as a result from the never-ending verbal, emotional, and physical abuse his father, Papi, had taunted him with. This lost innocence was caused by what he had said, did, and did
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
Junot Díaz’s Drown, a collection of short stories, chronicles the events of Yunior and his family. Each story focuses Yunior and his struggle growing up as a Dominican immigrant and finding a place for himself within American society. Throughout the progression of the novel, Yunior realizes the stereotypes placed on him and recognizes that being white is advantageous. Yunior’s experience growing up both in the Dominican Republic and the States has shaped his perspective on life and life choices.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
“Papi pulled me to my feet by my ear. If you throw up— I won 't, I cried, tears in my eyes, more out of reflex than pain” (307). As this scenario presents violence, it displays innocent Yunior’s response towards his abusive father as he pulls Yunior’s ears. In the short story Fiesta 1980, Junot Diaz depicts the life of young Yunior as he struggles with his Dominican family issues. Yunior was picked on the most in the family, especially from his dad. As Poor Yunior was the victim of his dad’s affair with a Puerto Rican woman, it affected him psychologically. Yunior suffers from the fact his beloved mother is being cheated on; therefore, he vomits as he rides his dad’s van, as his first ride in the van is linked to his first meeting with
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Bestseller journalist, Sonia Nazario, in her literacy non-fiction, Enrique’s Journey, describes a young man’s journey trying to reconcile with his mother in the United States, but has to go through many obstacles to reach her. Nazario’s purpose is to inform readers about how immigration affects children and their mothers in Central America. She adopts an optimistic/determined tone in order to reveal to her readers the difficulty and bravery the children have to face to get to the United States. Nazario begins her credibility with ethos to retrace an abandon teenager’s journey through Central America, pathos to follow the mother son relationship, and logos by giving facts and statistics for illegal immigrants in the U.S.
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
It sometimes is quite difficult to find one’s voice when no one is truly listening or understands. Yolanda, or "Yo", a Dominican immigrant, has grown up to be a writer and in the process infuriates her entire family by publishing the intimate details of their lives as fiction. “¡Yo!” is an exploration of a woman's soul, a meditation on the writing life, as well as a lyrical account of Latino immigrants’ search for identity and a place in the United States. Julia Alvarez divides her novel ¡Yo! into chapters to distinguish the perspectives of each member of the Garcia family. Through the stylistic, subtle homage to the Spanish language as well as speaking on the horrors that occurred during the Trujillo dictatorship in the Dominican Republic, Julia Alvarez showcases storytelling in the first chapter of her novel titled “From ¡Yo! The Mother” to show how Yo and her entire family used it to cope with their struggles as immigrants in America. By telling stories, Yo’s mother Laura, battles between her Dominican and American identities to ultimately redefine not only who she is, but also who she and her family will be.
Throughout the story there is evidence that the main character is ashamed of himself and his background. He hides the government cheese, which tells us that he is in a low economic class. He also takes down embarrassing photographs of his family and himself, which is more indication that he isn’t proud of his family, background, or heritage. Yunior also tells us many things to do in order to be like other people, especially white people. He tells us that you need to run your fingers through your hair and to write directions for parents in your absolute best handwriting (Diaz 236). It is also evident that he is ashamed of his background when he states “You’ll wonder how she feels about Dominicans. Don’t ask.”(Diaz 237). Also, when he is telling the girl stories about the neighborhood, he says not to tell her that his mother knew immediately what t...
Many writers focus their works of written art on life situations. They focus on drugs, poverty, stereotypes, young adults living in a difficult world, and of course a topic that has been present for many years, male dominance. Abraham Rodriguez Jr. in “The Boy Without a Flag” captures all these themes and more in his Tales of the South Bronx, which relate to the lives of many Hispanics and minority residents of the United States. He begins his book with his short story, The Boy without a Flag. This story is really touching, especially for very patriotic people that live in the United States, but that come from other parts of the world, in this case Puerto Rico.
Yunior’s fathers only concern was obtaining the “American Dream” job security, financial stability, and owning his own home. Yunior’s childhood memory of his father are vague; they have no bond or connection, to Yunior he’s just a stranger. “ He’d come to our home house in Santo Domingo in a busted up taxi and the gifts he had brought us were small things-toys guns and tops-that we were too old for, that we broke right away.” (Diaz, 129). For a young man growing up without a father figure has a profound effect on them that lasts way into manhood. “Boys need a father figure to learn how to be a man, without having this influence in their lives, boys are at risk of growing into men who have problems with behaviors, emotional stability, and relationships with both significant others and their own children.”
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
Nora Valkyrie was sitting on the floor in her room alone. Her other teammates Jaune and Pyrrha had stepped out for abit to give her some time alone. Earlier that day she had found out that her friend and partner had passed away a week after they had just gotten back from a mission that went wrong and resulted Ren being injured. Nora had been crying so her eyes were all red and puffy, she and Ren had been long time friends.