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Hispanic stereotypes in modern culture
Junot diaz’s “how to date a browngirl, blackgirl, whitegirl, or halfie” analysis
Hispanic stereotypes in modern culture
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The short story “How to Date a Browngirl, Blackgirl, Whitegirl, and Halfie” by Junot Diaz is the main character, Yunior’s, guide to dating girls of different races and the ways to act in order to get what you want from them. The only thing Yunior seems to want for these girls is sexual acts. This short story argues that a person’s heritage, economic class, and race affect how a person identifies themselves, and how their identity affects how they act towards other people. The pressures a person may feel from society also has an effect on how a person treats themselves and others. The pressure and expectations from society are also what makes Yunior think he needs to have sex with these girls. There are many different occasions of the main character talking and acting differently to other people within the story, such as: to himself, his friends, and the different girls he tries to date.
Throughout the story there is evidence that the main character is ashamed of himself and his background. He hides the government cheese, which tells us that he is in a low economic class. He also takes down embarrassing photographs of his family and himself, which is more indication that he isn’t proud of his family, background, or heritage. Yunior also tells us many things to do in order to be like other people, especially white people. He tells us that you need to run your fingers through your hair and to write directions for parents in your absolute best handwriting (Diaz 236). It is also evident that he is ashamed of his background when he states “You’ll wonder how she feels about Dominicans. Don’t ask.”(Diaz 237). Also, when he is telling the girl stories about the neighborhood, he says not to tell her that his mother knew immediately what t...
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... has most likely has never actually done any of this. This guide is probably just compiled from the different things he has heard from other people, He has probably heard the things from the people he is trying to impress and be accepted by, possibly his dad, uncle, or other boys in his neighborhood. He may have felt like he had to do these things because he believes everyone else is, that in order to be ‘cool’ you must have sex. Yunior is ashamed of everything that he is. His parents and heritage, his looks and his race. This short story is also suggesting that not only are girls pressured into having sex, but boys are pressed as well. This is why he makes up stories in order to sound experienced, so that he can have something in common with the people he wants to accept him.
Works Cited
“How to Date a Browngirl, Blackgirl, Whitegirl, and Halfie” by Junot Diaz
Moreover, she feels that the "U.S society is gendered and racialized: it expects certain behavior from women, certain bearings from men, certain comportment from queer mujeres, certain demeanor from queer hombres, certain conduct from disabled, and so on"(65 Anzaldua).
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
Junot Díaz’s Drown, a collection of short stories, chronicles the events of Yunior and his family. Each story focuses Yunior and his struggle growing up as a Dominican immigrant and finding a place for himself within American society. Throughout the progression of the novel, Yunior realizes the stereotypes placed on him and recognizes that being white is advantageous. Yunior’s experience growing up both in the Dominican Republic and the States has shaped his perspective on life and life choices.
“Papi pulled me to my feet by my ear. If you throw up— I won 't, I cried, tears in my eyes, more out of reflex than pain” (307). As this scenario presents violence, it displays innocent Yunior’s response towards his abusive father as he pulls Yunior’s ears. In the short story Fiesta 1980, Junot Diaz depicts the life of young Yunior as he struggles with his Dominican family issues. Yunior was picked on the most in the family, especially from his dad. As Poor Yunior was the victim of his dad’s affair with a Puerto Rican woman, it affected him psychologically. Yunior suffers from the fact his beloved mother is being cheated on; therefore, he vomits as he rides his dad’s van, as his first ride in the van is linked to his first meeting with
Diaz uses the characterization of Yunior to show that he may not he's isolated himself from loyalty and having good relationships with people as well. Yunior is a character portrayed as a true dominican male because he is good with women. In chapter 6 on page 269 Yunior got lola
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
to disconnect from each other and their cultural values. Yunior, the narrator, explains how he and his family were immigrants from the Dominican Republic. The lived in New Jersey and were invited to a party in the Bronx in New York City. The father creates disconnection in the family because of his strong connection to his cultural values. His culture taught him to be patriarchal, promiscuous, and authoritative. These qualities, in excessive use, destroyed his family furthermore Yuniors childhood.
Throughout the story, Yunior faced conflicts with his health and his relationships. Yunior tried to use exercise as a distraction but encountered one physical setback after another. Yunior’s sexual needs ruined his relationship with Noemi. If Yunior had used a condom, he could have avoided the whole pregnancy fiasco with the college student. Yunior’s affair with the married woman gave him an idea about how it felt to be the other person. By the end of the story, it seemed as though Yunior had began to realize how awfully he treated the women with whom he had a
Although it is ultimately revealed that Oscar and Yunior are close with each other, Yunior’s pure embodiment of the Dominican masculine is the complete antithesis of Oscar’s character, who is the opposite of anything that could describe Yunior. One good analogy to the hyper masculine identity of Yunior is to that of the personality of Trujillo, the repressive dictator of the Dominican Republic who oversaw the Haitian parsley massacre. Trujillo had a strong lust for women and a rather apparent tendency for violence, and as some sources (i.e. Masculinity after Trujillo, by Maja Horn) argue, the modern conception of masculinity in the country came to full bloom after his rein. Interestingly this was the period of time that Beli grew up in, and a substantial part of her childhood experience was suffering at the behest of Trujillo’s suppressive regime, and consequentially this contributed to her hefty and dominant
Although, he tries to better himself, Yunior’s awful treatment to women prohibit him from attaining a significant connection with them. His dishonesty erodes his strength, health, and his relationships with not only women, but his family and friends. Yunior realizes that his own heartbreak was his own fault due to betraying his fiance. His language of objectifying women only makes the reader see how disrespectful he is towards females. His words and actions towards his past lovers make him regretful and guilty for the hurt he put them though. He becomes aware of the fact that he lost someone precious which leads him to feel remorse for himself. His chaotic love life forces him to understand that he is horrible in the way he treats and views women, the relationship with his ex fiance was a real learning experience for him, and cheaters never
Whether that reason was because they found love in someone else, they want to have a secret affair, or they just love having sex with different women. Yunior is a character that you love and also hated. He represented the reality of people. People have many urges and standards. Ms. Lora was his example of what he wanted in his relationship. Despite his shortcomings, she did not pressure him to do anything but accepted him for who he is. In the end, Yunior never found love despite all of his encounters with many women. The “Ms. Lora” chapter was definitely different from the rest of the story because it focused a lot more on his affair rather than the demise of his current girlfriend. The story really drew me in and the ending was definitely disappointing because he would never see her again. Maybe that signifies that one will never find the purest form of love. One moment it is here and the next day it can walk away from your life forever. The only thing you will have is your memories. “You will type her name into the computer but she never turns up. On one DR trip you drive up to La Vega and put her name out there. You show a picture, too, like a private eye. It is of the two of you, the one time you went to the beach, to Sandy Hook. Both of you are smiling. Both of you blinked.
Yunior has a very limited understanding of women, his chauvinistic attitude applauding, but the most disturbing aspect was emotional repression of love. Through the book, Yunior was in love with Lola. He repressed his true feeling for Lola, and refused to verbalize it because he did not want to be perceived as weak. Furthermore, he is unable to understand his feelings or how to express them because he is conditioned not to. Thus, Yunior sets himself up for failure, and cheats on Lola, repetitively. When asked, why he does this, he is unable to fully understand his actions. He stated, “what I should have done was check myself into Bootie- Rehab. But if you thought I was going to do that, then you don’t know Dominican men. Instead of focusing
Junot Diaz, the author of "How to date a brown girl (black girl, white girl, or halfie)", was born in the Dominican Republic before moving to the United States where he was raised by his grandparents (Moreno 532). The early years of his life spent in the Dominican Republic helped to provide him with two different points of views regarding Dominican people, which he ties into his writing. The story is written in the second person, structured as an instruction manual for how to date different races of girls. The main speaker is a teenager named Yunior, who is presumed to live in a poor area. The narrator lists the steps for what to do in general, with specific intercessions of different things to do depending on the girl’s race. I believe that Diaz intended the story to focus on the various racial issues that it brings up, which can
For example, the girls are still looking for men's approval (no matter the race), also another complication is that the relationships are undermined with other white women and women of color which can increase their dependence on men, and lastly it adds to the gendered hierarchical constraints and isolate gendered relations (Wilkins, 2008). Although wannabes resist the limitations of being white, they take part in the racial crossover that gives them a sense of coolness, toughness, and excitement and allows them to avoid societal expectations they may actually be a nice person (Wilkins,2008). According to Wilkins (2008), wannabes use of sexuality is to achieve racial crossover, it can also mount a more significant obstacle to the racial boundary lines as it reworks the inequality of race, class, and gender in their lives. Their sexual strategy meshes them disempowering gender relations, puts limitations on their class resources, and by not directly confronting the issues of gender inequality, stunts the racial problems as well as stated by Wilkins (2008). Additionally, racial crossover for wannabes limits their ability to enact white power and privilege through material investments according to