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Conflict theory within domestic violence
An essay on violence against women
An essay on violence against women
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Yunior has a very limited understanding of women, his chauvinistic attitude applauding, but the most disturbing aspect was emotional repression of love. Through the book, Yunior was in love with Lola. He repressed his true feeling for Lola, and refused to verbalize it because he did not want to be perceived as weak. Furthermore, he is unable to understand his feelings or how to express them because he is conditioned not to. Thus, Yunior sets himself up for failure, and cheats on Lola, repetitively. When asked, why he does this, he is unable to fully understand his actions. He stated, “what I should have done was check myself into Bootie- Rehab. But if you thought I was going to do that, then you don’t know Dominican men. Instead of focusing …show more content…
on something hard and useful like, say, my own shit, I focused on something easy and redemptive” (Diaz 175). Lacking the insight and self-reflection needed to solve his problem, Lola, ultimately, grew tired of Yunior’s behavior. It is dishearten to see that the recourses of his action lead to the end of his relationship with Lola. Yunior, stated that one day she called, asked me where I’d been the night before, and I didn’t have a good excuse, she said, Good- bye, Yunior, please take good care of yourself, and for a year I scromfed strange girls and alternated between Fuck Lola and these incredibly narcissistic hopes of reconciliation that I did nothing to achieve. And then in August, after I got back from a trip to Santo Domingo, I heard from my mother that Lola had met someone in Miami, which was where she had moved, that she was pregnant and was getting married. I called her. What the fuck, Lola- But she hung up (Diaz 324). Yunior felt as if he needed to be unfaithful, and hypersexual to be considered a “man”. This would be a constant cycle throughout his life. Yunior would not fully understand himself until he was much older. The machismo attitude causes a state of emotional and physical tension, men feel as if they are compelled to “honor” their status when their pride is hurt or are challenged.
They are left feeling as if the only solution to most problems is to fight. Aggression and violence is the answer. Diaz illustrates this throughout The Brief Wondrous Life of Oscar Wao, all the male characters resort to aggression, and violence to solve their problems, instead of internally reflecting on the issue. The minor character of Manny, boyfriend to Ana, and another woman that Oscar had fallen madly in love with, was verbally, and physically abusive to Ana. Ana confided in Oscar that “Manny smacked her, Manny kicked her, Manny called her a fat twat, Manny cheated on her, she was sure” (Diaz 44). Passive Oscar, who was unable to stand up for himself, developed courage, and stole his Uncle’s gun and the car. Determined to confront him, Oscar parked in front of Manny’s building all night. “He didn’t care about nada that night. His head contained zero, a perfect vacuum” (Diaz 47). Oscar was in a state of despair, although Ana was not his girlfriend, he was compelled to defend her and fight back against Manny. Intending on solving Ana’s abusive relationship, Oscar felt that violence was the solution he needed to protect. In some degree, Oscar felt that he needed to be Ana’s protector because he was her friend and an assault on her was a personal assault on him, and he had to fight
back.
By reminiscing on his upbringing from living in Lima, Peru, a third world country. Father would constantly recall his biographical anecdotes to share with the family. Some stories were beyond gruesome in detail. Going in depth to the painful memories that still lingers around like a scar, my father told us how our grandfather, his own father, was abusive for even the most minute things. For instance, when my father would wore outfits that did not meet my grandfather’s standards, or looked into his father’s eyes fearfully when he was being punished, and even when he did not walk my grandmother to and from the grocery store. The mistreatment had reached the end of father’s patience when he became a rebellious son, breaking curfews and refusing to return home at the end of the day. In Junot Díaz 's short story Fiesta, 1980, narrated by an son, Yunior, who describes the hardships he and his Dominican family shared as they drove to a party in the Bronx in New York City. At the age of twelve, Yunior loses his innocence as a result from the never-ending verbal, emotional, and physical abuse his father, Papi, had taunted him with. This lost innocence was caused by what he had said, did, and did
for them. This shows that manny in the end learns how to be his own person and to choose a different
Growing up poor in the Dominican Republic strongly influenced the choices Yunior makes later in his life. In “Aguantando” Yunior recalls about how poverty was a part of his life. Díaz writes, “We were poor. The only way we could have been poorer was to have lived in the campo or to have been Haitian immigrants…We didn’t eat rocks but we didn’t eat meat or beans either” (Díaz, 70). This depiction of Yunior’s early childhood sets the stage for what is to come. Yunior’s choices as an adolescent proves that he either chooses not to or cannot better his situation instead he turns to drugs and alcohol. Yunior’s decision to partake in drugs and alcohol shows that people in poverty have nothing to live for and just live for the next best thing.
“Papi pulled me to my feet by my ear. If you throw up— I won 't, I cried, tears in my eyes, more out of reflex than pain” (307). As this scenario presents violence, it displays innocent Yunior’s response towards his abusive father as he pulls Yunior’s ears. In the short story Fiesta 1980, Junot Diaz depicts the life of young Yunior as he struggles with his Dominican family issues. Yunior was picked on the most in the family, especially from his dad. As Poor Yunior was the victim of his dad’s affair with a Puerto Rican woman, it affected him psychologically. Yunior suffers from the fact his beloved mother is being cheated on; therefore, he vomits as he rides his dad’s van, as his first ride in the van is linked to his first meeting with
In Oscar’s voyage in search of passionate love, he continually falls under the deadly, friend zone or as it’s used in the book, “Let’s-Be-Friend Vortexes”, which in fact led him to acting violently toward others, and himself (41). While “dating” his first love, Ana, Oscar encounters love’s violence for the first time.... ... middle of paper ... ... Belicia showed us that the violence in love could kill immediately, but if acted upon quickly, the violence could be avoided.
By examining the narrative voice as well as the cultural restraints placed on them, readers can see the sexist culture in the novel and that the novel itself does not necessarily advocate this misogyny. Yunior, a Dominican man, is the overall narrator of the novel, so readers essentially see everything through his masculine eye. When discussing a brief fling with Lola, Oscar’s sister, Yunior says, “Even those nights after I got jumped she wouldn’t let me steal on her ass for nothing. So you can sleep in my bed but you can’t sleep with me?” (Diaz 169) His question suggests that it is his right to sleep with her, and his discussion of Lola herself objectifies her by noting only her body and her refusal to use it. This objectification is clearly sexist, but it is a reflection of the narrative voice, Yunior, not of Lola. Yunior will casually refer to a woman as “a bitch” (Diaz 183), which is clearly demeaning, but it is a man’s view and does not reflect on the substance of the women. It shows readers the culture he was raised in, not an actual portrayal of the women, illustrating a misogynist society but not a misogynistic novel. In the Dominican Republic, gender-based violence is the fourth leading cause of death, hinting at the overall problems caused by the hyper-sexualized nature of the country. Sociologist Denise Paiewonsky
Fruitvale Station was a powerful, strong, and saddening movie for viewers globally. In January 2009, Oscar Cruz, was killed execution style by a Bay Area Rapid Transit (BART) officer, when he was both un-armed and handcuffed. The film displays a day in the life before, and the moment Oscar was killed. Oscar was a young, African American male whom was a son, boyfriend, and father. The movie displayed the positive, and negatives aspects of Oscar’s choices in his life. He was not a saint; however, he had a big heart. The movie showed Oscar going through the struggle of losing his job at a grocery store, and contemplating selling drugs again. Oscar has a flashback of when he was in jail, and throws a bag of weed into the ocean. He and his girlfriend are arguing, fighting, and then making up. They take their daughter to a party, and he picks up his mom a birthday card. Essentially, the movie displays that Oscar Grant is a real person, who faces the same struggles many of us do regardless of our race. He loves his family, argues with his significant other, makes up with significant other, cherishes his daughter, loses his job, struggles with money, give stranger’s advice and is continually looking to change for a better, happier life. In this portion of the movie, there is a keen focus on showing viewers who...
Yunior struggles with personal acceptance, due to his father not completely accepting him. Papi struggles with being the head of a lower class family. Both of their personal conflicts with themselves and their conflicts with each other set the theme of “Fiesta, 1980.” Junot Diaz depicted a scenario a plethora of individuals know all too well. Both Yunior and Papi love each other, both have strange ways of showing it. The conflict of Man vs. man within this story shows that no matter the age, an internal struggle can greatly affect the people around you.
All played a major role in the man and as a result, Yunior did what others told him or expected him to do, at the cost of his own ambitions. He became just like Rafa and Ramon! “Sucios of the worst kind and now it’s official: you are one, Diaz closes the book with a tragic ending with the last chapter “The Cheaters Guide to Love,” Yunior’s life and progression from young immigrant learning English from Sesame Street to a middle aged man reflecting on an empty life and deteoriating health. At this point he is on the journey from boy to man and realizes the error of his womanizing ways. Karma, has finally come back around and the pain from Yunior’s heart break sends him into depression and emotional rock bottom. “When realizing that in your lying cheater’s heart that sometimes a start is all we ever get.” (Diaz, pg.
Throughout Junot Díaz’s Drown, Yunior finds himself in complex romantic and platonic relationships. Although Yunior cares for the members of his family, his girlfriends, and his community, he is unable to show them love and concern in a healthy or effective manner. Yunior’s inability to positively demonstrate his affection stems from negative relationships he has with other members of the community. Although there are members of his family and community that pursue loving and affectionate relationships with Yunior, his desire for the approval of others impacts his ability to reciprocate that love.
Yunior cheats on Magda with Cassandra while the relationship between him and Magda was distant and they barely got to see each other. Magda finds out that Yunior was cheating on her because her friend Claribel wrote a letter to her , telling her in details what Yunior did. Diaz makes the story realistic by both of them breaking up , but then Magda takes him back. She becomes curios if Yunior felt something for Magda or if she was better than her so she asked him questions. Although when she asked him these types of questions it was in the dark. Yunior says, “usually in the dark , when we couldn’t see each other. Magda Asked me if I’d loved Cassandra….Do you still think about her?....Did you like fucking her?” He would always say “No” to all these type of questions. Later on in the story he says, “The first night we did it- and it was good , too, she wasn’t false advertising,” he lies to her . He couldn’t accept the responsibility of at least telling her the truth but that’s why he tells her this in the dark because he cannot say the truth to her looking at her.
The novel “This Is How You Lose Her”, by Junot Diaz, consist of multiple short stories that connects with the main overall story and character. All of the story, except for one, is narrated by the main character, Yunior. Yunior was once a bookworm but began leading down the path of uncertainty, and multiple love affairs that many times ruined his relationships. Although the story has some focus on his family affairs, everything would always tie back to love lost. One chapter focused on his families struggle to live in the US. It exemplifies that every human being does not like being alone. Yunior definitely had a thing going with Ms. Lora. Theoretically, the relationship that Yunior had with her had put a strain in his lust for a “secret” type
His unending love being blocked by her inaccessibility shreds the last bit of his retained faith and leads him to his demise. Through Oscar’s rose-tinted glasses, he fails to see Ybón as anything other than his one true love, and the beginning of his ‘real life.’ Following her around town, leaving letters and voicemails detailing his deep affections that while she claims to reciprocate, she cannot because of her boyfriend, the police captain. Ignoring her pleas and warnings for him to let her go for his own safety, Oscar “meeting Ybón physically marks Oscar, in part because of the beatings he receives for courting her, but also because he decides to diet and lost ‘all the weight’(Díaz 312)” (Sáez). Not Lola, not Yunior, not even Oscar himself could get him to shape up and put himself together. After meeting Ybón, Oscar immediately starts putting in the work to look good for her, showing just how much he believed that she truly was his last chance at happiness. This continued until the police tracked Oscar down and kill him. Beyond a simple shooting, Oscar’s death showcases that he truly believed that Ybón was his last true chance for love, as if he believed he had another chance with someone else, he would have fought (in signature Wao style) to love another day. Yet, even in the words of Dr Manhattan, “In the end? Nothing ends, Adrian. Nothing ever ends” (Díaz 331). Oscar’s death went beyond himself: pushing Lola to pull herself together and get
As a kid growing up, Oscar’s friends In college, his roommate Yunior tried to get him outside and possibly get a girlfriend. Oscar quickly gave up and felt that there was no hope for him which ended up pushing Yunior away. “I am ill-fated, I am going to perish a virgin, I’m lacking in pulchritude-” (Diaz, pg. 176). Girls and old ladies would even call him disgusting. Oscar believing that he was destined to be alone and tried to take his own
Yunior’s brother would never talk to him, only to tell him shut up pendejo. He would tease him in front of his friends and made fun of his complexion, hair, size of his lips, and that mama found him at the border and only took him in because she felt sorry for him. But he dare not make fun of his brother Rafa, because Rafa will pound the hell out of him. Yunior would follow his brother and try to tack along where ever he went, but Rafa will punch him in the shoulder and sent Aurora home.