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Film technique essay on matilda
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The film ‘Matilda’ directed by Danny DeVito, who also stars in the movie as Matilda’s father Harry Wormwood, made in 1996 is about the resentment that Matilda has for her evil, malicious principal Agatha Trunchbull, who’s school has no principles. The bright, young girl Matilda decides to turn the tables on the adults who have done some wrong-doing. During the film ‘Matilda’, Agatha Trunchbull is expressed as the big, bad antagonist with her appearance, personality and language and the camera angles.
Firstly, Agatha Trunchbull’s appearance is one of the biggest things that make the viewer decide whether a character is the ‘good guy’ or the ‘bad guy’. Trunchbull always seems to be perspiring, which indicates that she might not take care of herself properly, or she just sweats a lot. Either way, this make her seem scary and stressed. As well as her always perspiring, her teeth are green. This also indicates that she is not very hygienic also making her as an ugly character, compared to Miss Honey. Trunchbull is also depicted as an unkind, malicious person because of the clothes she wears. She wears very dark and old
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Until the end of the movie, it has been that way, but at the end of the movie, Trunchbull is on the ground (fell over) and the children finally feel that they are in control. This is shown by the change in camera angles. The angle is changed from a low angle (making the subject look bigger) to a high angle (making the subject look smaller). By changing the angle to a high angle, it makes Trunchbull look powerless and overthrown. The children show that they are in control by throwing food and other items at her. Trunchbull then feels defeated and flees the school in a desperate attempt to escape the ‘putrid’ children. Overall, angles and shots make Trunchbull either really scary and threatening or weak and
Miss Hancock is a strange yet charming character, who is classified as both round and dynamic. Miss Hancock is flashy, bizarre, with “too much enthusiasm.” But she is more than simply that. After a discussion on “The Metaphor”, she asks Charlotte talk about her own metaphor on her mother. Here, a different side of her is shown. “She
Aunt Alexandra recognizes Scout’s maturity when she invites Scout to a seemingly meaningless lady’s brunch. As Scout views the gathering,she understands that this is no ordinary brunch but it is a showcase of social talent. Scout remembers, “There was no part about it, I must soon enter this world” (Lee 267). In this quote Scout comes to the realization that being a lady is not only justified in actions but also in universally accepted social functions. It is here that Scout’s lessons in womanhood come full circle and she is able to embrace a part of her existence that she had brushed off for a long time. Mayella Ewell is a singular character that gives an important insight into understanding of lower classes but in a less literal sense she is an extension of Scout. Mayella is part of Scout that is arrogant,confused, and denies the truth of the adult world. As Aunt Alexandra constantly mentions, she will never befriend the Cunninghams “Don’t be silly, Jean Louise,”said Aunt Alexandra. “The thing is, you can scrub Walter Cunningham till he shines,you can put him in shoes and a new suit, but he’ll never be like Jem” (Lee 256). While in relation to Scout, Aunt Alexandra is portrayed as uptight, she is the ideal lady of
In Brother Grimm’s “Brother Lustig”, the main character, Brother Lustig, is initially portrayed as an honest, inexperienced and stupid young man, who shares all his possessions with others. For this reason, when analyzing Brother Grimm’s tale form a Jungian psychoanalytic perspective, will become a prime example of a character experiencing individuation, for he eventually becomes a more selfish, cunning and independent person. Through meeting his archetypes, Brother Lustig goes from an honest, stupid and generous person, who shares his wealth and possessions with the less fortunate ones to a cunning, selfish and self-sufficient trickster. Brother Lustig’s burgeoning conscious is demonstrated through an analysis of his Jungian archetypes, with the shapeshifting beggar, acting as his positive shadow, and St. Peter personifying as his symbolic Self.
The character that is mentioned most in this story is one by the name of Mrs.
Miss Seeton is less conventional and younger Miss Marple type of character who always finds herself embroiled in farcical situations that she had nothing to do with. A teacher at a London art school, the forty something year old Miss Seeton stumbles upon the murder of a French prostitute which turns out not to be local. Bold and moral to the core, the forty something year old woman fights off the would be murderer with nothing but her old umbrella. However, when she reports the crime to the Scotland Yard, she finds herself in a tight spot, as she cannot describe the man though she can draw a perfect rendition of what he looks like. But drawing the picture of the man for the police makes her the target for a crime ring that is determined to find her and exact their revenge while she is holidaying at Plummergen in
Agatha’s purpose, as a woman once in high regard, is to exhibit and embody virtue, sensitivity and gentleness. This is what the Creature learns from just how she holds herself when she walks: “The girl was young and of gentle demeanour, unlike what I have since found cottagers and farm-house servants to be. [...] she looked patient,” (CITE FROM CHAPTER 11, PG 4). The monster also learns from her interactions with her blind father, “Agatha listened with respect, her eyes sometimes filled with tears, which she endeavored to wipe away unperceived” (93). Since he has never seen kindness before, through her inactive and tender nature, acts as a lesson for the monster towards healthy, human relationships formed out of love. Frankenstein’s monster’s next lesson comes from a close friend to Agatha,
She said "Ugly characters in kids’ books are generally horrible and their physical flaws are signs of other shortcomings. Villains have bad teeth, liars have long noses, zombies have thick skulls. The miserly are bony, the greedy, fat." We should fix that because not always the ugly is the evil and the beautiful are the heroes. And we can realize that when we look to the magaziens and sales; they usually used use an attractive people as models to make you look at their products. She also got a little nervous from her girl, because she refused to play with Eleanor Roosevelt doll, and on the other hand, she slept with her beautiful Barbie doll. But for me, we can't blame the little girl, because the girl judged the doll from its appearance. And that's the same thing that happens with the creator of the novel. When Safie, Agatha, and Felix return from their walk while the creature shows up to the old man, they hit him with cries of fear and panic because of the creature looks. And as we read, we going to see how the old man accepted the creature from his hear, and this one of the advantges of being blind, because if you are blind, you not going to be tricked with people's
The ‘first person' narration of the novel means that, apart from the prologue, we see events from the Governesses's side only, and from the beginning, we are led to believe that she has had an uneventful life without her character being called into question. On first sight then, we have no reason to believe she might be unstable or of an hysterical nature, except possibly for her own admission to Mrs Grose early on in the story, when she tells her that she is ‘easily carried away', which suggests she is very impressionable and naive.
Miss Brill is very observant of what happens around her. However, she is not in tune with her own self. She has a disillusioned view of herself. She does not admit her feelings of dejection at the end. She seems not even to notice her sorrow. Miss Brill is concerned merely with the external events, and not with internal emotions. Furthermore, Miss Brill is proud. She has been very open about her thoughts. However, after the comments from the young lovers, her thoughts are silenced. She is too proud to admit her sorrow and dejection; she haughtily refuses to acknowledge that she is not important.
Agatha Christie is one of the world’s most successful writer’s. She is well known for her ability to capture the reader’s attention and hold it for the rest of the novel that is often hard to put down. During her lifetime she wrote over 80 published works, over 65 of which were detective novels. It is important to really understand an author’s writings and what they mean. The only way to do this is to understand where they are coming from, and what has influenced their life.
Firstly, Ms Trunchbull’s negative appearance shows her off to be evil and malicious. At school she wears dark, dull and tight clothes, this makes her look creepy, uninviting and weird because she’s wearing very tight clothes for a bigger woman. While she’s at home she wears sport clothes, such as just below knee length socks, knee length shorts and a dirty and a very sweaty singlet that’s tucked into her shorts. This makes her come off as gross, sweaty and not very pleasant to look at. Her facial expressions are either dull/bored or angry/fuming, this makes her unpleasant again and makes her look like a mean person and a bully. She has rotten, yellow teeth, funny eyebrows, dark mischievous eyes and she even has a moustache. All this makes Agatha look unpleasant and uninviting.
Specific events of Agatha Christie’s life and the historical period in which she lived directly shaped the major themes, characters, and plot devices found in And Then There Were None. This paper will discuss both the significant personal events that Christie experienced as well as the broader historical context in which these events occurred. The paper will then discuss particular examples of the themes and characters that reflect these influences.
Prominent among these characters was Matilda’s father, Mr. Wormwood, who was a reflection of one of Dahl’s old friends. In Matilda, Wormwood is described as a sly, dishonest man that sells cars. He rigs the cars just enough to work until “the buyer [gets] a good distance away”(Matilda 25) and Matilda, much like Dahl with his friend Ginger Henderson, notices this corruption. Page 23 of Matilda “‘I’m always glad to buy a car when some fool has been crashing the gears so badly they're all worn out and rattle like mad. I get it cheap. Then all I do is mix a lot of sawdust with the oil in the gear-box and it runs sweet as a nut’... ‘But that’s dishonest, daddy,’ Matilda said. ‘It’s cheating.’” The corruption of Mr. Wormwood goes to the extent of falsifying that the engine is working fine until the customer can no longer return. Mr. Wormwood's malfeasances are further highlighted on page 25 of
Christie’s father died when she was young. She was raised by her mom. She grew up in family full of stories- from dramatic, suspenseful tales her mother told her at bedtime, to her elder sister’s frightening creations. Agatha Christie was encouraged by her mother to write poetry and stories from a very early age. When sh...
Professor Higgins' rudeness is an embarrassment to his mother Mrs. Higgins, who knows how to treat everybody with respect, and who isn?t fooled by Eliza's good looks and ways of talking. Mrs. Higgins can stil...