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Essays on white lies
Essays on white lies
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Throughout history, literature has been used as an excellent form of communication across society. More specifically, however, poetry serves as a well respected medium used to convey messages, as its messages are often displayed in a less obvious manner, which means that they can be enjoyed when interpreted both narrowly and broadly. Poems about racial and social inequality, political issues, and intraracial discrimination have had a lasting impact on the world of literature as well as sectors of society beyond literature. For instance, the autobiographical poem "White Lies" by Natasha Trethewey tells the story of a young African American girl in the south battling the negative connotations of her very fair complexion. This poem addresses the …show more content…
highly disputed subject of colorism (discrimination based on one's skin color), and its effects on African Americans. For many this type of discrimination often triggers guilt and denial because the victims feel the need to validate there self worth by partaking in sometimes immoral situations. These thems are suggested by the title, the author's diction, and even the structure of this poem. The structure and poetic elements of this poem suggest that the author is filled with guilt and denial about her past actions surrounding her skin color, but the sincerity of her tone is highly questionable. "White Lies" exemplifies the topic of colorism, a very prevalent issue in the African American Community, and how the societal standard of beauty affects the mindset and actions of young girls. The author quickly reveals this to the reader in the first stanza: The lies I could tell, when I was growing up light bright, near white, high yellow, red boned in a black place, were just white lies (Threthewey, 1-6) Many would argue that the poet is simply giving the reader clear exposition and incite into the later developed plot, but in actuality this stanza is the first sign of the author's guilt and denial. In this one sentence-stanza she uses several connotative words that relate to African Americans of a fair complexion. These words reveal her associations with her own race; she does not feel that she is truly black because of her skin color, and how others view her. However, these words suggest to the reader that she knows that society views her as Black despite the fact that she is biracial, as she states she was "[…]near white[...]in a black place" (4-5). The first stanza alone could stand as her "life story;" it tells who she is, what she looks like, where she is from, and that she is torn in terms of the way she wants to identify herself. In relation to this, the first stanza is obviously written from the perspective of a black female. Meaning that she most clearly identifies with being black, but does not want to accept the negativity associated with the race in her everyday life. Furthermore, in the black community, fair skinned blacks are seen as privileged because they are "closer to white" than the average brown skinned individual. In saying this, the treatment she received from blacks was probably extremely negative because she wasn’t "black enough," and she would not have been considered "white enough" to fit in with whites. At the time of her adolescent years society was still advancing culturally, so white would have still been the hegemonic standard of beauty. Therefore, Trethewey chose to convince whites, that she was indeed "white" instead of proving herself to be "black enough" and have to struggle as a black female in society. This decision was clearly not very difficult for Trethewey, but she did feel that there was a sense of immorality in her choice. This caused guilt to arise which led to further troubles in her life. The second stanza of this poem tells of how Trethewey supposedly betrayed herself and her culture by passing for white.
This stanza is rather long in comparison to the others. Her structural choices, suggest that she was segregating her black life from her white life in forming one long stanza about her encounters while passing for white. At one point in this stanza she reveals that she lied about where she lived, and she lied about where she got her dresses. The place which she says she buys her dresses is extremely significant because it is called Maison Blanche. Maison Blanche in French means White House, yet again this pushes the notion that she is extremely self-conscious of her cultural background, which exposes the level of denial she is experiencing. She also recounts an incident where "...a white girl said (squeezing [her] hand), Now we have three of us in this class." One could perceive this as another one of her "white lies." The girl quite possibly could have been an African American who was also very fair skinned acknowledging that there were now three black girls in the class. But in telling the story she chose to say white girl as a method to convey the great longing she had to be as white as possible, and how she admired the girl for being able to pass as well as she …show more content…
did. Lastly, the most significant portions of the third stanza are her punishment and her reaction to this punishment. Trethewey states: But I paid for it every time Mama found out. She laid her hands on me, then washed my mouth with Ivory soap. This is to purify, she said, and cleanse you of your lying tongue. Believing her, I swallowed suds thinking they'd work from the inside out ( 21-28) The beginning of the stanza reveals her home life to the reader, but it also reveals the meaning of "White Lies." She states that she hoped the soap would purify her.
White is most often associated with the principles of cleanliness and purity; therefore, she thought that being white meant that your beauty and purity were incomparable to any other race, and this led her to believe that being white was the only answer to the conflict in her life. The Ivory soap relates the idea of purity to the title, and suggest that the white lies she told were lies that she thought were going to cleanse her life of negativity; they were lies that she thought would wash the blackness away. She believed lying about her race would give her a better chance at happiness and
success. "White Lies" not only connects to the idea of social acceptance, but also self love. Trethewey's guilt and denial is displayed through her writing, and one could say she is using her own experiences to better society. Trethewey reveals her longing to fit in, which comes across to the reader as denial, as she wants to be a part of both races. And does not known how to cope with the negativity of being associated with either end of the spectrum. Therefore she chooses to conform to her surrounding by pleasing her mother at home and conforming to societal norms elsewhere. Although the poem does not offer a solution, its themes and diction are very constructive, and could encourage the reader to change their ways if they share a similar situation. This poem as well as all others is an extremely important resource for society. It allows for entertainment, while also offering a way for young and old alike to connect and better society.
Poems and other readings with strong racial undertones such as Strange Fruit allow me to reflect back on the role race plays in my life as a black young woman and analysis if much has changed in terms of racism in the American society today.
The poem with the same title as the collection ’’I am not a racist but…’’ she uses satire to show how easy racism is not recognised or played down. She was hurt at a very young age by racist attitude and words as she wrote about her school years in the poem ‘’Making...
Mat Johnsons novel, Pym challenges readers not only to view his work with a new set of eyes but also the work of all American literature with the understanding that the idea of Whiteness still has a very strong power over literature today. It is unfortunate that in today’s society, the pathology of Whiteness still holds a very strong presence in literary world. Literature from American authors versus literature from African American authors still continues to be segregated and handled with two different sets of criteria. Johnson’s novel engages in different aspects of the argument presented in Toni Morrison’s work entitled Playing in the Dark: Whiteness and the Literary Imagination. One of the main ideals that Pym engages in is the thought that “…a figuration of impenetrable whiteness … surfaces in American literature whenever Africanist presence is engaged” (29). Through the character Chris Jaynes, Johnson’s novel focuses much attention on the Whiteness seen in the literary world and how it still affects literature today. Mat Johnson’s Pym addresses Morrison’s argument by challenging the reader to identify the pathology of whiteness as well as encourages readers not to only identify the problem but try to find new ways to combat it.
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
Minority writers like W.EB. DuBois, Judith Ortiz Cofer, and Sherman Alexie, have endeavored to vocalize the unheard voices of their people through literature. Their poems, short stories and novels echo sentiments of inequalities, prejudices, and the struggles of living as a minority in America. They also courageously share their perspectives on how the conflicts between their respective native cultures and the majority shape their lives and the world around them. These authors through their stories provide deeper insights on the concept of diversity. Authors from differing minority backgrounds have shown the variety of lenses in which diversity can be viewed and understood. Their writings show the evolution of diversity through time. Although
Natasha Trethewey is an accomplished poet who is currently serving as United States Poet Laureate appointed by the Library of Congress and won the Pulitzer Prize for her collection of poems, Native Guard in 2007. She grew up mixed race, black and white, in Gulfport, Mississippi, and when her parent’s divorced she moved with her mother to Atlanta. Her mother, Gwen, remarried and at a young age Natasha was a eyewitness in the physical and psychological abuse that her new stepfather hurled upon her mother. After graduating from high school, Natasha set off to go to school in Athens, Georgia at the University of Georgia. During Trethewey’s freshman year, her mother was murdered by her stepfather and she works through her grief by writing poetry
Danielle Evans’ second story “Snakes” from the collection of short stories, Before You Suffocate Your Own Fool Self depict a biracial girl who has been pressured due to her grandmother’s urge to dominate her. The story pictures her suffering with remarkable plot twist in the end of the story. Evans utilize a profound approach on how to bring readers to closely examine racism implicitly, to make readers recognize the actions may lead to social discrimination and its consequences that are often encountered in our daily life.
... the word ‘white’ used many times to depict Daisy such as her car, room, and clothes. Also, many adjectives used to describe her were white. This ‘white’ supposedly refers her innocence. The irony is that she is depicted as a selfish and careless woman through the relationship between two men and her. This could be either that the author wants to emphasize of her guilty or that the author wants us to tell the possibility of changing of personality.
In the second stanza, Piercy describes the girl as healthy, intelligent, and strong (7-8). Yet these positive equalities alone, could not keep people from criticizing her, so the girl feels inferior. “She went to and fro apologizing,” which demonstrates her collapse of confidence with the people she is surrounded with, who kept putting her down (10). She gives in to the hurtful things people say about her: “Everyone [kept] seeing a fat nose on thick legs” (11). The girl thus lets people push her in the direction of society’s standard of beauty, instead of affirming her own unique beauty.
For example, the colors of her skin tone and the use of pink and green shanty fied. Another imagery in this stanza is, “white folks” (7) and “homemade dress” (12). The tone and mood is very dual and disrespectful because she’s betraying her background and identity. She thinks it is okay to lie about her true colors and tell the white folks she is one of them. In “white lies” Natasha Tretheway illustrates the way she feels about fitting in.
The women in The Rez Sisters are highly influenced by materialism and White society beliefs. This influence is apparent when one looks at the goals of the sisters, which are acculturated and reflect the attitudes of White society rather than Native society. In Act 1, the women’s aspirations are perverted and extremely acquisitive. Annie wants to “buy a huge record player, the biggest one in the whole world”, Marie-Adele wants to “buy [herself] an island...the most beautiful island in the world” with a “real neat picket fence, real high, long and very, very, very white”, Philomena wants a “toilet... big and wide and very white”, Pelijia wants to “build [herself] a nice paved road”, and Veronique wants to “go shopping for a brand- new stove...the biggest stove on the reserve” so that she can “be the best cook... go to Paris... write a cookbook...become rich and famous” (Highway 5, 35-37). Elements of the American dream like the white picket fence and gross wealth are integral in the women’s speeches, as is the colour white. These short term goals represent an assimilation with White society and are
Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has been praised for her wisdom and insight into the African Experience in America. Her works reflect both the paradises and the hells of the black people of the world. Her writing is objective, but her characters speak for themselves. Although the idiom is local, the message is universal. Brooks uses ordinary speech, only words that will strengthen, and richness of sound to create effective poetry.
The color white appeared many times throughout the book. It is used in the first chapter by Nick when he sees Daisy and Jordan in East Egg. “They were both in white and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house.” (Pg. 8) In this passage, white is used to describe Daisy’s and Jordan’s innocence and purity. However, in page 24 the real characteristics of Daisy are revealed, “Our white girlhood was passed together there our beautiful white”, this tells us that when Daisy was younger she was innocent, but now she has changed.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.