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Essay on personal narratives
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Personal narrative historical essay
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The genre of Where the Wind Leads is a memoir. A memoir is defined by The Handbook to Literature as, “[a] form of autobiographical writing dealing usually with the recollections of one who has been a part of or has witnessed significant events. Memoirs . . . are usually concerned with personalities and actions other than those of the writer” (Harmon and Holman 313).
In Where the Wind Leads, Chung focuses on the experiences of his whole family, rather than simply himself. Because of this, he shares multiple perspectives as well as diverse actions and personalities to color the history which came after the black-and-white Vietnam War. This memoir not only encompasses his family’s fleeing from Vietnam, but it also involves the events preceding
and leading up to the war itself. These significant events changed both Vietnam and the foreign policy of the United States, and through Chung’s words, these monumental occurrences are given personal emotions and viewpoints through the eyes of the Chung family, who also represent other Vietnamese civilians that had suffered through the war. Thus, the memoir not only shares the life of the author, Vinh Chung, but it also reveals the captivating perspectives of others who had survived the same plight and now live a new life which they had never expected.
With concern over global warming growing, people are starting to turn a more serious eye toward cleaner sources of energy. Instead of solar power making a comeback as the ideal form, we are seeing a growth in the use of wind power. Wind farms are beginning to crop up all around the country. This new trend has gathered significant attention. Questions are being raised concerning the effects wind farms may have, from critics and supporters alike. Michelle Nijhuis, in the article “Selling the Wind” discusses the arguments on behalf of and in opposition to the increasing use of wind power, addressing what the consequences may be on the United States.
Dien Cai Dau by Yusef Komunyakaa is a collection of poems based on Komunyakaa’s personal experiences of the Vietnam War. He describes his experiences and observations in a way that isn’t as gritty and raw as some veterans, but still shows the horrors of war and the struggle to survive. What makes Komunyakaa’s work different is the emotion he uses when talking about the war. He tells it like it is and puts the reader in the soldiers’ shoes, allowing them to camouflage themselves and skulk around the jungles of Vietnam from the very first lines of “Camouflaging the Chimera.” Komunyakaa’s title Dien Cai Dau means “crazy” in Vietnamese and is an appropriate title based on the mind set of this veteran soldier. Two common themes I have found in Komunyakaa’s
In this chapter, O’Brien contrasts the lost innocence of a young Vietnamese girl who dances in grief for her slaughtered family with that of scarred, traumatized soldiers, using unique rhetorical devices
Tim O’Brien’s book, The Things They Carried, portrays stories of the Vietnam War. Though not one hundred percent accurate, the stories portray important historical events. The Things They Carried recovers Vietnam War history and portrays situations the American soldiers faced. The United States government represents a political power effect during the Vietnam War. The U. S. enters the war to prevent a communist takeover of South Vietnam. The U.S. government felt if communism spreads to South Vietnam, then it will spread elsewhere. Many Americans disapproved of their country’s involvement. Men traveled across the border to avoid the draft. The powerful United States government made the decision to enter the war, despite many Americans’ opposition. O’Brien’s The Things They Carried applies New Historicism elements, including Vietnam history recovery and the political power of the United States that affected history.
	The novel illuminates light on the situation not just during the Vietnam era, but also rather throughout all history and the future to come. Throughout mankind’s occupation of earth, we have been plagued by war and the sufferings caused by it. Nearly every generation of people to walk this earth have experienced a great war once in their lifetimes. For instance, Vietnam for my father’s generation, World War 2 for my grandfather’s, and World War 1 for my great-grandfather’s. War has become an unavoidable factor of life. Looking through history and toward the future, I grow concerned over the war that will plague my generation, for it might be the last war.
Hayslip, Le Ly, and Jay Wurts. When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace. New York: Plume, 1990. Print.
Tranguyen, T. (2004). Orange County, Yellow History: An Intimate Encounter with Vietnamese American Lives. Journal Of Archival Organization, 2(4), 5-28. doi:10.1300/J20 Iv02n04•02
We all are heroes of our own story, and it is a quality seen in many movies and books. The hero's journey is about progress and passage. This journey involves a separation from the unknown, known world, and a series of phases the hero must go through . Each stage of the journey must be passed successfully if the person is to become a hero. In “The Kite Runner” by Khaled Hosseini, the main character Amir faces a series of trials and goes through obstacles where the concept of his childhood dies. Amir's mother passes away during his birth, and his left with the suspicion that his father blames him for her death. Amir longes for his father's attention and approval, but does not receive any affection as a son. He grows up with his Hazara best friend, Hassan. In Afghanistan culture, Hazaras are considered lower class and inferiors in society. Amir describes his friendship with Hassan saying, “then he would remind us that there was a brotherhood between people who had fed from the same breast, a kinship that not even time could break." (20). Amir first refuses the call of action due to being afraid of the adventure ahead of him. Call to action is the very first step of the hero's journey, where the hero is disrupted and the
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
The story focuses on her great-grandfather, who was in disapproval of the French occupation of Vietnam, but still excelled at his job as a Mandarin under the puppet imperial court, fearing persecution of his family if he were to resign. In this section, the author also mentions more about the how the values of confusion had influenced the Vietnamese people in attempts to justify her great grandfather’s
For anyone under the age of 50 or so, the Vietnam War occupies an indistinct place in the closet of memory. Recalled by those alive then as the first “televised” war, its grainy images have been replaced by the 24-hour detailed coverage of more recent conflicts. The life of the foot soldier, however, hasn’t changed all that much in the 39 years since the war ended. In his extraordinary novel, Karl Marlantes portrays with brutal sincerity the fear, valor and perseverance that are the lot of the warrior.
The decision to leave one’s native country is a result of a wide variety of push factors, where war is no exception. Refugees have a unique migration experience, as seen through the Vietnamese refugees of the 1960s and 1970s. Refugees’ traumas lived in their war-torn home countries, follows and integrates into their everyday lives, even years following their flee. Specifically, refugees’ experiences and distress persist and influence family dynamics. This is seen in Thi Bui’s memoir, The Best We Could Do, where she shares not only what her family’s refugee journey was like from Vietnam to the United States, but also the implications it had on her family’s unit. Bui uses medias res, symbolism, and graphic weight to show how the turmoil of the refugee journey that her family had to endure, has manifested into the damage of
The Vietnam war was fought from the years 1955 to 1975. During this twenty-year war, fifty-eight thousand Americans lost their lives. The author Tim O’ Brien was one of the lucky ones to live to tell about it in his writing. He wrote many short stories about his time in the war and the collection of short stories named “The Things They Carried” has been the most popular. Tim O’ Brien’s Fictional Short story “The Things They Carried,” explores O’ Brien’s use of imagery, symbolism, and metaphor to reveal to the reader that the things military personnel carry are not always tangible.
Between the ages of 2 and 6, I can recall living in shelters and moving constantly. Ironically, between the ages of 2 and 6, I can also remember being happy. I never expected too much out of my situation, but I knew that I was deeply loved. Between the ages of 7 and 10, I was placed in the foster care system. My mother believed the system was a better option for my siblings and I. Within that three to four-year span, I cannot recall one moment of feeling like I belonged. I learned to be complacent with not expecting more out of my life. While in the system, I became a quiet and an extremely emotional child. When I look back at where I came from, the obvious path in careers for me to choose was to become a social worker. I did not want my past experiences to limit how I saw myself, and what I could accomplish. I wanted to use my past as a way to better influence children experiencing the same pain as I did. This desire later directed me towards child psychology.
As we got further and further into the Vietnam War, few lives were untouched by grief, anger and fear. The Vietnamese suffered the worst hardship; children lay dead in the street, villages remained nothing but charred ashes, and bombs destroyed thousands of innocent civilians. Soldiers were scarred emotionally as well as physically, as