The long standing and illegal practice of rape and sexual abuse is a global issue seen in practically every continent. The legal definition of rape in the state of Florida includes any type of sexual activity involving force or threat of force. Rape occurs when the victim does not give consent or cannot give consent. Florida Laws: FL Statutes - Title XLVI Crimes Section 794.005 part A states, “’Consent’ means intelligent, knowing, and voluntary. Consent does not include coerced submission. ‘Consent’ shall not be deemed or construed to mean the failure by the alleged victim to offer physical resistance to the offender.” For the purpose of this paper it’s vital to compare the legal standard of rape and consent in the U.S., with what is being broadcasted throughout the nation.
Lynn Phillips, a Lecturer with the University of Massachusetts-Amherst Communication Department states, "Everywhere you turn there's condoning, trivializing, and eroticizing rape, and collectively it sets a tone that says this is no big deal or this is what women deserve.” This issue is far from out of the blue in America’s history. In 1939, the epic historical romance film Gone with the Wind aired one of the most famous love scenes. This “love” scene had Rhett Butler forcing a screaming Scarlett O'Hara up the winding staircase to his bedroom for coatis that is -at least primarily- against her will. In 1976 the film Snuff came out and the first massive protests for violence against women erupted. The film featured sexual violence and killings of women on film. The group, Women against Pornography was outraged by the sexual assault and violence inflicted on the women in film, and staged several protests. In the 1980s the NOW, National Organizatio...
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...ed April 8, 2009, from the Office for Victims of Crime Training and Technical Assistance Center Web site, https://www.ovcttac.gov/saact/files/summ_of_history.pdf. pp.3.
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This essay will examine Susan Estrich’s and Lois Pineau’s discussion on rape. Both contribute insights on our society’s negligence when it comes to the protection and justice for women. Estrich provides a peak into the legal system on how it determines rape. We will see that the law is shaped in a way that continues to oppress women and leave them unprotected. Pineau furthers the conversation on placing responsibility on the victim to prove the crime. She narrows her focus on date rape and raises an objection to the model of consent that shapes our culture’s attitude and our country’s law. Pineau proposes a communicative model of sex. From this proposal, I will conclude my essay with an objection of her model and will ultimately defend her model against such an objection.
“Ruling Out Rape” by Lisa Wade, Brian Sweeney, Amelia Seraphia Derr, Michael A. Messner, and Carol Burke discusses the views of five experts about the factors involved in rape. One viewpoint reviews about college campus’ rapes and who are likely to do it. In addition, the viewpoints also includes that officials need to understand what are the factors involved in these rapes in order to create policies to contain sexual assaults. Wade also includes that rape is a culture that is not deemed as real rape as it is claim that women would falsely report being assaulted by a man. However, this also is partly due to campus policy as alcohol is one factor that can contribute to men committing sexual assault.
In “Sex and Violence: A Perspective,” MacKinnon turns her focus to the common definition of rape as a form of violence. The categorizations of rape, sexual harassment, and pornography as forms of violence are problematic in themselves because they do not capture the reality of sex. In fact, much of intercourse is about violence (MacKinnon p. 268), in the way that power and dominance are extremely eroticized, thus to say “rape is violence” is a misnomer. MacKinnon brings one’s attention to the construction of rape, which separates rape from intercourse based on the amount of force applied (p. 268). This definition is especially legitimate in the legal system, which derives solely from a male point of view: it is called rape when there is penetratio...
American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. “Double Indemnity can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity; neither one is an accurate or fare portrayal.
Susan Griffin’s Rape: The All-American Crime touches on many issues within American society. She begins by recounting how she was taught to be afraid of strange men from such a young age that she had not yet learned what it was she was so afraid of, and then goes into her experience with harassment, an experience shared by every woman at some point in her life. Griffin recounts the belief that all rapists are insane and the proof that they are just normal men and dispels the myth that rape is normal activity that is prohibited by society. However, she goes on to clarify that our culture views rape: “as an illegal, but still understandable, form of behavior” (Griffin 514). It seems that the wrongness of rape is determined by the situation in
According to RAINN, (2009) approximately 10 per cent of all victims of sexual assault and abuse are adult and juvenile males. In terms of the nature of assault, real figures include a compendium of reported incidents ranging from unwanted sexual touching to forced penetration. To qualify this statement, it must be understood that the percentage does not reflect a vast number of crimes that go unreported due to issues that will be discussed in the present paper.
Schmalleger, Frank, Criminal Justice A Brief Introduction, Upper Saddle River, NJ, Pearson Education Inc. , 2010, Page 387
To comprehend the underlying levels of conviction, there are unfortunate factors from the police, the criminal justice system, the probability of evidence and issue of consent that make convictions immensely difficult to prove. This essay will investigate those measures showing the contrasts of rape and why it is tricky to prove rape occurred without consent, without any corroborative evidence, attitudes of police towards rape victims, the victims withdrawing their report due to personal circumstances and the handling of victims in court, that lead to many offenders having a non-custodial sentence or being acquitted of a rape charge. In the first paragraph, I will explain what constitutes rape and the variations of relationships in which rape is committed. The Sexual Offences Act 2003 (the Act) came into force on the 1st May 2004. The purpose of the Act was to strengthen and modernise the law on sexual offences, whilst improving preventative measures and the protection of individuals from sexual offenders.
Victims of rape are almost always asked if they were flirting, drinking, or dressing in a manner that may have been interpreted as giving consent, despite whether they did actually give consent or not.
As the term “rape culture” grows in popularity, it is imperative to break it down to understand what it actually means. According to a report by the Marshall University Women’s Center, “Rape Culture is an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in the media and popular culture”. Rape culture is supplemented by the objectification of women’s bodies, glamorization of sexual violence, as well as many other saddening realities in society. A sad outcome of rape culture in todays society is that women are often seen as the one at fault in rape. Commonly excuses are immediately made for them men, such as blaming the girl for being too intoxicated, blaming the girl for the way she was dressed, or even blaming the girl for speaking out about it at all. A perfect example of rape culture in the media took place in Steubenville, Ohio. A 16-year-old girl, incapacitated by alcohol, was gang raped by two high school football players who then shared photos of the assault on their social networking sites and with their friends. Immediately, mainstream news and media began to blame the victim saying she should not have chosen to get so intoxicated in the first place. The two boys were given the minimum allowed sentence of 1 and 2 years. This court case caused an uproar and a
It was once acceptable for men to have full control over women, declaring when they will marry and when they will have children. However, over the past centuries, women have established a place in society, proving themselves much more than someone's property. This is why the word “rape” today is not taken lightly. According to findlaw.com, “Rape generally refers to non-consensual sexual intercourse that is committed by physical force, threat of injury, or other duress.” When one does not give consent to sex, it is considered a felony, possibly putting the rapist in jail. Contrary to sexual assault, “Sex is reified as penile-vaginal intercourse while an extremely diverse group of pleasurable and sexually stimulating activities are dismissively relegated to the category of foreplay...” (Reinholtz, Muehlenhard, Phelps, & Satterfield, 1995.) Although consented sexual intercourse is much more out in the open and accepted in society, the problem of rape is still very relevant behind the scenes.
What do you think and feel when you hear the word rape? Do you feel uncomfortable? Maybe even angry? Your certain feelings and emotions towards this word is a result of rape culture. Rape culture, essentially, is how a society as a whole sees and reacts towards rape or instances of rape. In 2013 rape was defined by the FBI as, “Penetration… of the vagina or anus with any body part or object, or oral penetration by a sex organ of another person, without the consent of the victim.” (Division’s Crime Statistics Management Unit 1). The definition was finally changed after the old definition deemed inappropriate by today’s standards, which beforehand, stated that physical force needed to be used for rape to be considered rape. This is good news for men and women who have been fighting for the definition to be changed, but unfortunately this does not mean that state laws are being changed the same way. Even though the FBI may acknowledge the older inappropriate definition, most states do not. Sexual assault is a commonly unreported crime, where only an average of 36% of sexual abuse is actually reported to the authorities (Planty 7). Some forms of rape can include physical harm, threats, and even death of the victim, and most victims do not want to tell others for fear of criticism, self-blame, or even the fear that their attackers will carry out on their threats. In many cases, victims do have a reason to be afraid. When someone is brave enough to come forward and say they were sexually assaulted, they are putting themselves in the position of being in not only a long legal process, but also having their motives questioned and misunderstood, which is the last thing they want after their experience. The legal system in the United States...
A question among researchers is what type of force is required to constitute sexual assault. Does non-physical sexual coercion count as sexual assault? Russell (1982) found that women described sexual coercion as different than sexual assault, showing that there is a major distinction in their minds of these types of sexual violence. Thus, her research team distinguished between use of physical force and non-physical coercion, even to the point of determining which actions constitute physical force. Their criteria for use of force included “such acts as pushing, pinning, and being held down by a husband’s weight so that the woman couldn’t move,” (p. 48). In chapter five of their seminal work License to Rape (1985), Finkellhor & Yllo present
Inertwined with rape myths, are subsequent rape scripts. As Ryan (2011) and Clay-Warner and McMahon-Howard (2009) showed, depending what script is prevalent or dominant, reporting rates and overall acknowledgement can be greatly affected. Our understanding of what constitutes a rape or sexual assault needs to significantly change otherwise countless victims will remained silenced. If the understanding of these crimes was broadened, and the acquaintance scenarios taken more seriously, more victims would come forward, report, and get the help they may desperately need, in addition to aiding the legal system in punishing the offender and improve society’s population.
The danger of brutality and assault, radical feminists hypothesizes, is the way patriarchy controls all women. Radical feminists contentions against pornography include the claim that women are objectified and viewed through heterosexual male eyes (the male gaze), reducing women to mere sex objects that exist for men’s pleasure and this urges women to see themselves through male eyes. The essence of all this is that it strengthens male command of ladies – patriarchy – decreasing the possibilities of ladies accomplishing equivalent status and opportunity to men. Porn is about force. Pornography, is turning out to be progressively brutal and that ladies who perform in erotic entertainment are brutalized during the time spent its creation.