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The portrayal of women in literature
The portrayal of women in literature
The portrayal of women in literature
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Modern Footsteps
What Looks Like Crazy on an Ordinary Day, by Pearl Cleage, is a novel about Ava Johnson’s personal battles dealing with what life has dealt her; being a successful black woman, with HIV. Ava’s life is transformed when she discovers that her glitzy Atlanta lifestyle can no longer continue. She is forces to close her hair salon because of the fear of the public towards her. Her plan was vague, to stop for the summer at her sister’s, and then find a new life in California. Deciding to leave her Atlanta home and return to her childhood home of Idlewild represents her compete movement in thought and values regarding love, family, and the future. But her “temporary” stay in Idlewild became the longest year of life changing events ever.
Never before have I read a book written with such smart dialog and no-boundaries frankness. Pearl Cleage is not afraid to put every thought of the character, including perceptions of everything from sex to the aroma of a cup of tea. This realistic writing style is needed to address the very modern day dilemmas encountered by a black woman facing the world’s ignorance to the HIV virus. An example of blatant ignorance is when she has the Idlewild pharmacist fill her prescription and held her pills, “like it might explode if he jiggled too hard.” (Cleage 110) Ava’s fears of death put her in a battle with herself about whether she should allow herself to fall in love with Eddie, a family friend she has know...
The book by Faith Ringgold entitled Faith Ringgold, explains the story of a mother and daughter during the Harlem Renaissance era in New York. According to the book, the series deals with many generational issues of a middle class black family and focuses on the drama, and tension between a mother and daughter who are profoundly different. The series represents a relationship much like the relationship between Faith Ringgold and her two daughters. The story follows a daughter named, Celia Cleopatra Price, a graduate of Howard University, who graduated first in her class. She is unable to identify with her mother, CeeCee. CeeCee had only finished the 8th grade and dropped out due to her pregnancy with Celia. CeeCee is a very creative individual and makes bags; she is married to”the dentist”, who a young CeeCee meets in the first quilt Love in the School Yard. CeeCee thinks Celia has develope...
The starting point of this book shows how much she hates Ms.Leone and complaining about her current situations. For example, in one of her first entries, she talks about when she got in trouble for coming home late from school. Her foster parents think she is doing drugs, so they search her. After that they lock her in the laundry room. ...
In Black and Blue, Fran Benedetto tells a spellbinding story: how at nineteen she fell in love with Bobby Benedetto, how their passionate marriage became a nightmare, why she stayed, and what happened on the night she finally decided to run away with her ten-year-old son and start a new life under a new name. Living in fear in Florida--yet with increasing confidence, freedom, and hope--Fran unravels the complex threads of family, identity, and desire that shape a woman's life, even as she begins to create a new one. As Fran starts to heal from the pain of the past, she almost believes she has escaped it--that Bobby Benedetto will not find her and again provoke the complex combustion between them of attraction and destruction, lust and love. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understand. It is a remarkable work of fiction by the writer whom Alice Hoffman has called "a national treasure." With this stunning novel about a woman and a marriage that begins in passion and becomes violent, Anna Quindlen moves to a new dimension as a writer of superb fiction. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understa...
Chick critiqued Judith Ortiz Cofer’s Silent Dancing by advising that it is a collection of fourteen essays and poems. It talks about Cofer’s adolescence and how she did not achieve the expectations for her to become a traditional Puerto Rican woman (AEW 381). Initially, Mamá is portrayed as an authority figure because she keeps her family in control just by the use of storytelling. With Chick’s point of view, I cannot disagree since it is accurate. Cofer, also disagrees with becoming the traditional Puerto Rican woman from receiving an education and going on her own path to becoming a writer. It is interesting how some of the characters are perceived, although they are considered as fiction since their identities are hidden. Cofer achieves her storytelling by being half fiction and auto-biography since it is written by herself. She reevaluates how women should be known as, but specifically the means of the life of a Puerto Rican
Her life seems like it has been so long when in reality it has only been a short twenty-three years. The book ends with Annie on a bus with other, young protesters singing. "We shall overcome, We shall overcome, We shall overcome some day. I WONDER. I really WONDER." (Moody, 1968, p. 424). While Annie is still determined to close the racial gap, she ponders whether or not if blacks really will overcome racism. I believe the youth and enthusiasm of the other passengers represent the hope for the future, that one day they will overcome.
As a female university student, I feel deeply related to Marjorie since her personality is quietly similar to mine. Analogously, I could feel Bernice’s “vague pain” (Fitzgerald, 3) and realize her sensitivity as the things have happened to me when I was younger. In order to comprehend author’s main idea, I did numerous researches about the jazz age. Thus it can be seen, reader’s background is also crucial when responding to this literary texts. The writer’s main target audiences are women, who have different desires and needs than men. The meaning of the text often competes when we have a better understanding of our self-identities. We interpret the text based on our own psyches, experiences, and judgments. Literature, are like music, without interaction with its audiences, no profound meaning would be
...ar. "Hiv/Aids Managing A Pandemic." Americas 61.2 (2009): 20-27. Literary Reference Center Plus. Web. 20 Feb. 2014.
As the novel The Awakening opens, the reader sees Edna Pontellier as one who might seem to be a happy married woman living a secure, fulfilled life. It is quickly revealed, though, that she is deeply oppressed by a male dominated society, evident through her marriage to Leonce. Edna lives a controlled life in which there is no outlet for her to develop herself as the individual who she is. Her marriage to Leonce was more an act of rebellion from her parents than an act of love for Leonce. She cares for him and is fond of him, but had no real love for him. Edna’s inability to awaken the person inside her is also shown through her role as a “mother-woman”. She loves and cares for her children a great deal, but does not fit into the Creole mother-society in which other women baby and over protect their children.
With her autobiography, Assata works through a variety of sentiments that can be deemed as collective to the African American community, the main one being rage. In relation to the scene with the black nurse, Mary Phillips claims that the literature provided to Assata fed her revolutionary spirit while impassioning “her strong sense of agency despite hospitalization and containment” (42). Writing this autobiography, then, is a way of continuing to feed the revolutionary spirit while also serving two main purposes:
In My Dangerous Desires, Amber Hollibaugh addresses how sexual liberation cannot be separated from race, class and sexuality. Hollibaugh was raised in a biracial, working class family. She grew up trying to find a place in the world for her mixed race, poor, female, femme, and lesbian self. However, as Hollibaugh’s knowledge of herself and society grew, it became evident that her quest for sexual liberation can not be separated from her economic and class struggles.
...face. Because of this relatability, I believe black people would enjoy this more than any other race.The conundrums, twists, and turns are relatable to the African American community and keep a constant connection between the reader and the characters. This book is the perfect mix of the literary elements. This book has many conflicts and each one is a little more engaging than the last. It had me on the edge of my seat the entire time! Once I picked this book up I could not put it down. This is one of the most touching and moving pieces of literature I have ever read. It really opens ones eyes to the hardships we don’t have to go through on a day-to-day basis. When I was finished this book all i could say to myself was, “Wow, thank God I don’t have to go through that”. If I had to rate this book on a 5 star scale I would give it 5 out of 5 stars without a doubt.
This piece of fiction, “Flowers”, is perceived through a historical lens. Showing how Myop steps straight into a piece of her African American history and overcoming the innocence of the young stages in her life. The author uses extreme parallels, dramatic tone swings, many types of literary devices and a unique structure throughout the story to groove the way people read it through a historical lens. It is important because it relates to everyone having to realize the actuality of the real world, how we all got here, and why things are the way they
During the time when the general public believes the only way to contract HIV/AIDS is to be homosexual, an addict, or prostitute, Fisher being a white, heterosexual, married mother of two from an upper-class family who contracted the virus from her husband is herself the certifying ethos of this speech (1). She tactfully uses her own circumstances and diagnosis to embody the plight of all in the AIDS community and shows that no one is exempt from this deadly disease. She emphatically states that HIV does not care about race, age, gender, sexual orientation, or political affiliation; all that it asks is “Are you human?” (2). She ceases to be the exception and gains the attention and respect of the American people when she aligns herself with others with HIV/AIDS with her statement:
In the past two centuries, western mainstream cultures have subscribed to the belief that crying is commonly associated with femininity, regardless of one’s gender (Warhol 182). A considerable amount of literature, including Alice Walker’s The Color Purple, has been considered by critics as effectively using “narrative techniques” to make readers cry (Warhol 183). Emphasizing on these matters, Robyn R. Warhol, the author of “Narration Produces Gender: Femininity as Affect and Effect in Alice Walker’s The Color Purple”, analyzes the usefulness of the novel’s narration approaches, focusing on the meaning of Nettie’s letters to Celie and especially the fairy-tale unity in Celie’s last letter. Using The Color Purple as illustrated example, refusing to consider the accounts of gender and sexuality, the author suggests that the applications of culture’s “feminine mythologies” in the novel give readers chances to experience the physical (openly weeping) and emotional (identify self with the character) effects of femininity (Warhol 186). Although Warhol’s interpretations have successfully carried out the novel’s sentimentality within the context of culture and other novels, there is still a general lack of comprehensive examples that illustrated after each of her arguments. In order to corroborate and extend on Warhol’s central argument, the surprising factors of the novel’s ending combines with the elements of foreshadowing in Celie’s first confrontation with Albert about Nettie’s letters, Celie’s relationship with Shug, and the ugly truths about racism and sexism showing through Nettie’s and Celie’s letters should be considered as significant in creating the novel’s sentimentality.
It is not until Celie is an adult that she finally feels content with her life and understands her capacity to be a completely autonomous woman. The concept of racial and gender equality has expanded greatly throughout the twentieth century, both in society and in literature. These changes influence Walker's writing, allowing her to create a novel that chronicles the development of a discriminated black woman. Her main character, Celie, progresses from oppression to self-sufficiency, thereby symbolizing the racial and gender advancements our country has achieved.