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What is identity in literature
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She demonstrates the meaning of Silent Dancing through perspective, imagery, and repetition which depicts how her culture goes through discrimination. Her thoughts become based off on the “typical” immigrant Puerto Rican decor. Furthermore, she includes the history of a girl–Niña– mocked by people in her hometown. She wanted to change who she was, not accepting who she was and the culture she was born in. Initially, the repetition of “la gringa” would overwhelm her mind. Niña becomes traumatized daily by the repetition of “la gringa” which means white female because she wanted to become more Americanized than being Puerto Rican. There is irony in this piece since she never ended up in the U.S., but isolated in the village far away from communities …show more content…
in Puerto Rico. Furthermore, discrimination can happen within a family. It can lead family rivalry since they are going against each other and physically kicking the person out of their family. Nancy L.
Chick critiqued Judith Ortiz Cofer’s Silent Dancing by advising that it is a collection of fourteen essays and poems. It talks about Cofer’s adolescence and how she did not achieve the expectations for her to become a traditional Puerto Rican woman (AEW 381). Initially, Mamá is portrayed as an authority figure because she keeps her family in control just by the use of storytelling. With Chick’s point of view, I cannot disagree since it is accurate. Cofer, also disagrees with becoming the traditional Puerto Rican woman from receiving an education and going on her own path to becoming a writer. It is interesting how some of the characters are perceived, although they are considered as fiction since their identities are hidden. Cofer achieves her storytelling by being half fiction and auto-biography since it is written by herself. She reevaluates how women should be known as, but specifically the means of the life of a Puerto Rican …show more content…
woman. The Latin Deli: Prose and Poetry takes place in Paterson, New Jersey, where she first encounters discrimination in her childhood during the time of John F. Kennedy’s assassination. Her community comes together as a family in order to mourn for his death, since it deeply affected not only them, but the nation. In the short story, “American History”, Judith Ortiz Cofer uses polysyndeton, pathos, and foreshadowing to demonstrate that discrimination can be exposed to whoever at any time of their life. At such a young age, Elena, the main character, faces discrimination in her school. Her school is a mixture of other cultures, although she stood out more than the rest. While outside jumping rope with the other girls she usually took “a lot of abuse from the black girls” depicting that it was no longer just something friendly (Ortiz Cofer 7). Gail, one of the black girls, yelled at Elena, “Didn’t you eat your rice and beans and pork chops for breakfast today,” for not being able to pump the rope as quickly as expected (8). It was at that moment where she became embarrassed when the other girls started chanting, “pork chop, pork chop, did you eat your pork chop,” because they were making fun of her (8). It’s stereotypical how they assumed what she eats due to her ethnicity. At the same time, they are young and raised in a certain manner that they don’t recognize that it’s being stereotypical. Elena faced the embarrassment of the way that others view her culture and the typical stereotypes that are put upon her and others. Otherwise, she was bullied. Cofer uses pathos to describe the emotions that were going on throughout President Kennedy’s death. The emotions depicted were rather much upsetting since there wasn’t liveliness on the streets “there was an eerie feeling on the streets,” seeking that his death was serious since there was no enthusiasm within the community (12). The typical men that would make “it difficult for women to enter the front door” exemplifies that they felt superior than the women in the building (12). Although, it was different and as a sign of respect due to the death, they were not there that day. The usual exhilaration was not there “no music spilled out from open doors in the hallway” (12). As a result, they paid their respects by the decrease of their liveliness. Overall, the community was not ready for the assassination of President Kennedy, but they came together in unity to grieve despite the differences they faced. Elena’s mother foreshadowed that Elena was going to get hurt by declaring “you are heading for humiliation and pain” when Elena felt in her heart that she did not want to mourn for the President’s death. Her mother knew that Elena was going to jeopardize her friendship with Eugene, especially due to the circumstances that were currently going on.. The death affected the nation, yet all she wanted to do was study with Eugene–it was wrong timing when it occurred. She knocked on Eugene’s door, his mother answered, “You live there?... I don’t know how you people do it” Eugene’s mother was grieving (14). Elena thought she would gain acceptance into Eugene’s house since he invited her over, but it was the wrong timing. Eugene’s mother discriminated the community by specifically calling them “you people” although she shouldn’t have. She was disgusted since Elena lived in El Building where the Spanish-speaking community lives. For this reason, she rejected Elena for who she was and where she lived. Furthermore, Cofer is expressing the unity the community went through during the harsh time. She depicts that discrimination or stereotyping may happen during certain events in life. Carmen Haydeé Rivera has a positive critique of The Latin Deli. It is a multi-genre book filled with poetry, fiction, fable, and essays (Rivera 926). She refers to the Puerto Rican women and how some of them have to raise American-born children. River reflects that Cofer’s work is “powerful, moving, innovative depiction of the immigrant experience,” where I understand what she is saying (926). Cofer is changing how Puerto Rican women are perceived while doing it through her talent of storytelling. It is incredible how Cofer uses her experiences and continuously uses her previous pieces to explore deeper into the Puerto Rican culture. Cofer depicts that life is not always perfect, but that there is a way to accommodate to “cultural roots and heritage,” which describes the life in el barrio. In the poem, “Absolution in the New Year,” Judith Ortiz Cofer illustrates allusions, personification, and tone to prove that forgiveness is key.
Cofer would occasionally reference the Bible “I suffered biblical torments,” this would describe the pain she went through is torture (39). It creates a scenery of hell since it gives the description of torment. Her suffering is caused by her father since he read her poems. She felt more than embarrassed. Through this torment, it describes her feelings towards her father-no affection. Furthermore, she releases the guilt she built up over years and forgave her father. Eventually, she demonstrated personification comparing her dad to a starving spirit. It is known that her father is not living, “I’d take my books of poetry as an offering//to your starved spirit//that fed on my dreams in those days” suggesting that he can’t really feed on her dreams (40). Her father’s soul walks by her and encourages her to continue writing as if she were writing to him. Initially, tone characterizes that she is sad, upset, and hatred because of the loss of her father. She overcomes the the hatred when he reads her poems since some were meant for him. She feels at peace once she forgives him “the decade is over, time to begin forgiving old sins,” there is no need to hate him since it was a decade that passed by (39). His death encouraged her to write more than before. Cofer recognizes that there should be forgiveness to live life in peace rather than
having hatred. Altogether, she became inspired to continue writing and has goals of one day to visit her father’s grave to show him her poetry. Judith Ortiz Cofer is an aspiring writer for bringing her culture into her works. Culture is an important aspect in a person’s life, hence why she involved it in her writing. Not only is she a poet, fiction, and a storyteller, she creates authenticity within her works. The authenticity that is created makes the reader feel as if they were there. The dialect switches between English and Spanish giving the quality of an actual Puerto Ricans vocabulary. Although it switches in between, it helps the reader switch between the languages since it is simple vocabulary. Furthermore, the simple vocabulary creates an effect on the writing creating the actual authencity so that the reader may experience what Cofer went through. Personally, these were terrific pieces of work that I was able to relate to. Although I did not move between countries like she did, it hit home with the storytelling. It was interesting that Spanish cultures can unite altogether like they did. Segregation in huge communities is becoming rare, and writers such as herself help prevent the segregation since cultures, races, and genders are now combining together. It gives the full insight of how Spanish cultures come together.
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
As much as men are working, so are women, but ultimately they do not face the same obstacles. For example, “Even if one subscribes to a solely economic theory of oppression, how can one ignore that over half of the world's workers are female who suffer discrimination not only in the workplace, but also at home and in all the areas sex-related abuse” (Moraga 98). This gives readers a point of view in which women are marginalized in the work place, at home, and other areas alike. Here Moraga gives historical accounts of Chicana feminists and how they used their experiences to give speeches and create theories that would be of relevance. More so, Moraga states how the U.S. passes new bills that secretly oppress the poor and people of color, which their community falls under, and more specifically, women. For instance, “The form their misogyny takes is the dissolution of government-assisted abortions for the poor, bills to limit teenage girls’ right to birth control ... These backward political moves hurt all women, but most especially the poor and "colored." (Moraga 101). This creates women to feel powerless when it comes to control one’s body and leads them to be oppressed politically. This places the government to act as a protagonist, and the style of writing Moraga places them in, shines more light to the bad they can do, especially to women of color. Moraga uses the words, “backward moves”
In “Girl,” Jamaica Kincaid’s use of repetitive syntax and intense diction help to underscore the harsh confines within which women are expected to exist. The entire essay is told from the point of view of a mother lecturing her daughter about how to be a proper lady. The speaker shifts seamlessly between domestic chores—”This is how you sweep a house”—and larger lessons: “This is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all…” (Kincaid 1). The way in which the speaker bombards the girl overwhelms the reader, too. Every aspect of her life is managed, to the point where all of the lessons she receives throughout her girlhood blur together as one run-on sentence.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In Judith Ortiz Cofer’s “The Story of My Body” Ortiz Cofer represents herself narrative story when she were young. Her autobiography has four headlines these parts are skin, color, size, and looks. Every headline has it is own stories underneath it. Ortiz Cofer’s is expressing her life story about her physical and psychological struggle with her body. Heilbrun’s narrative, “Writing a Woman’s Life” shows that, a woman’s does not have to be an ideal to write a self-autobiography to tell the world something about herself and her life. Ortiz Cofer’s facing a body struggle that is not made by herself, but by people around her. Therefore, every woman is able to write can write an autobiography with no exception.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
“Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household. This is because the mother assumes that a woman’s reputation and respectability predisposes the quality of a woman’s life in the community.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race. Concluding this, the articles that helps define this is “The Latino/a Canon and the Emergence of Post-Sixties Literature” and “What is called Heaven”.
A. Women in Modern America: A Brief History. New York: Harcourt Brace, 1974. Glaspell, Susan. A. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed.
Being a minority in both categories of gender and culture has never been an easy obstacle to overcome. In “The Myth of the Latin Woman” I was able to relate to some of the things Cofer stated. For instance,
For a first example of stereotypes, In “The Myth of the Latin Woman,” Judith Ortiz Cofer writes about the many stereotypes that she, as a Puerto Rican woman, has endured. She opens with a tale of how she had been publicly serenaded—on a London bus, of all places—by, as Cofer puts it, “a young man, obviously fresh from a pub” (187). Later on, she mentions a second random serenade of sorts, this time from a older man in a classy metropolitan hotel. The young man sang “Maria” from West Side Story, the older man first chose a song from Evita, then encored with a crudely-worded song to the tune of “La Bamba.” In both situations, whether it was their intention or not, their actions resulted in alienation of the author, singling her out and thrusting the stereotypes of her lineage in her face. The men may have meant well; they may have felt that what they were doing was good-hearted fun. They may have even been trying to...
These novels, poems and short stories show how sexism is very much an issue in past decades but also in present and future decades. The America that we live in wants to believe in the fact that all men and women are created equal, it has yet to do anything. Women are still seen as objects to an extent. We are still seen as Daisy or as Charlotte Perkins main character, or the woman Carlos Gomez Andres writes about. The fact that we might die from the loss of freedom, because one cannot escape from an unhappy marriage, is considered ridiculous.
“Sex and the Social Dance” was a streaming video which examined the sexuality of social dances around the world. Regardless of geographical location or decade of popularity, dance conveyed social values. In particular, the sexuality was expressed through physical contact or lack thereof, in the gender roles of the dance, and in the purpose of the dance.
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.