Reflection on Rosenblatt # 2 Reading Rosenblat is certainly a difficult task. While reading The Reader, the Text, the Poem, I was absorbed by her philosophical discussions about the way we process literacy. Her philosophy has challenged my previous notions about reading processes. At a first glimpse, reading seems to be a very structured process. We see a word, decode the graphic-sound correspondence, and finally we assign meaning to this group of sounds. Precisely, this is what Rosenblatt rejects, the notion that we process reading in a systematic and objective fashion. Her rejection is also against to think that there are absolute processes, and that all readers react in the same way when facing a text. The Rosenblatt’s rejection against
The fear of reading literature and not being able to comprehend the ideas presented forces readers to create a deeper meaning through annotations, as expressed through Billy Collins’ use of comparative imagery and aggressive diction in “Marginalia” and “Introduction to Poetry.” Collins’ choice to
Out of the three wonderful narratives given, the best one is “Stepping Into the Light” by Tanya Savory. While “Shame” by Dick Gregory is an interesting read, it is the weakest out of the bunch. The story had no clear setting, to many extra details, and a lengthy exposition. “I Became Her Target” by Roger Wilkins was a better executed story, even though it still had some flaws. This piece lacks any figurative language, but it was to the point and had clear organization. Thus, Tanya Savory’s piece was the best. It was easy to follow, used a constant symbol, and used some stories from others to make her point. So using narrative styles and elements in the best way, Tanya Savory wrote the better story.
The clearest vision of reality is often the most abstract. While the rise of science and progress suffocate the notion of an extrasensory experience within the reading of literature, the phenomena persist. Meanings are communicated, participating in a magnificent cosmic-cultural aura, penetrating a communication of meaning, intent, and scandalously--truth. There is a process of intertextuality occurring, a conversation between authors, texts themselves, and the readers who venture to interpret them. Richard Brautigan's imaginary novel, In Watermelon Sugar converses well with a poem written many years after his death, Tunnel Music by Mark Doty. This conversation appears to be about the collapse of our techno-egocentric society.
Let Me Hear Your Voice by Catherine Maurice is an autobiographical story from a mother’s perspective. It is a narrative that uses multiple different concepts that have been the focus of class lectures and textbook materials. It touches on different therapies used for children with autism and even focuses briefly on the controversial subject of inclusion verses exclusion. This book provides insight on a myriad of different emotions that parents experience, which is tough for an educator to otherwise understand. The individuals were relatable and the context was extremely easy to understand, without taking away from the medical terminology. This book was a useful resource, as well as an enjoyable heart warming tale.
Abcarian, Richard. Literature: the Human Experience : Reading and Writing. : Bedford/Saint Martin's, 2012. Print.
To fully comprehend a work you cannot just read it. You must read it, analyze it, question it, and even then question what you are questioning. In Richard Rodriguez’s The Achievement of Desire we are presented with a young Richard Rodriguez and follow him from the start of his education until he is an adult finally having reached his goals. In reference to the way he reads for the majority of his education, it can be said he reads going with the grain, while he reads a large volume of books, the quality of his reading is lacking.
Schakel, Peter J., and Jack Ridl. "Everyday Use." Approaching Literature: Writing Reading Thinking. Boston: Bedford/St. Martin's, 2008. 109-15. Print.
In the library she would alternate what types of books they would read. Whenever she would read to him she would read in a way that made you cling to every word the author wrote. In times like these, Rodriguez would become engaged in these books. “I sat there and sensed for the very first time some possibility of fellowship between reader and writer, a communication, never intimate like that I heard spoken words at home convey, but nonetheless personal.” (Rodriguez 228). During this part of Rodriguez’s life, his view towards books changed.
Abcarian, Richard, Marvin Klotz, and Samuel Cohen. Literature: the Human Experience. Boston, MA: Bedford/St. Martins, 2010. Print.
Parker, Robert Dale. How to Interpret Literature: Critical Theory for Literary and Cultural Studies. New York: Oxford, 2011. Print.
The text was written with reading out loud in mind, that can not be recommended; but it is suggested that the reader attend with his ear to what he takes off the page: for variations of tone, pace, shape, and dynamics are here particularly unavailable to the eye alone, and with their loss, a good deal of meaning escapes. (87)
Kirszner, Laurie G., and Stephen R. Mandell. Literature: Reading & Reacting & Writing. 4th ed. Boston: Earl McPeek, 2000. 388-423.
Roberts, Edgar V., and Robert Zweig, Editors. Literature: An Introduction to Read and Writing. 5th Compact ed. New York: Pearson Longman, 2012. 226. Print.
...human imagination and reality, the role of imagination in shaping that reality, and the role of the reader, as an observer as well as participant, in the understanding of poetry, of language shaping the world around him.
Such views influence both L1 and L2 reading studies. Kern (2000) explains the importance of the social and personal interpretation of reading, he says that readers have the freedom to interpret texts in any way they like if they do not deviate from the so-called interpretive constraints. In terms of fo...