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Literary elements of the little mermaid
Literary elements of the little mermaid
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Mermaids, Fairies, and Witches are some of the most prominent mythical characters in today’s entertainment. Folklore from other countries and cultures affects how we portray these creatures in our movies, books, and TV shows. One such country is Scotland that is filled with tons of different folklore. Scottish Folklore has many stories about these three well known creatures. The most commonly known folklore from Scotland has had a huge impact on some of the most well known entertainment in the United States today. One of these creatures, the mermaid, is the mostly widely known creature from Scottish folklore (Harris 10). People all over the U.S. enjoy different forms of entertainment that depict varying versions of mermaids. Scottish folklore tells of violent creatures of the …show more content…
sea that are incredibly dangerous (Harris para 13).
These dark underwater creatures are said to have many different magics as well (Harris para 12). These powers vary from the ability to predict the future, curse human beings, or even granting wishes (Harris para 10-11). The mermaids are also said to be beautiful of face and voice, shown by the way human men often tried to capture the mermaids and bind them to the land (Harris para 13). The effect of these folk tales on today’s entertainment can be found in some of our most popular and well known movies and plays. Today, we have changed the way we look at mermaids, but if you look at some of the popular movies you can find the influences of Scottish Folklore. In Peter Pan, when Peter takes Wendy to see the mermaids, he tells her that they are very cruel and like to drown people (Barrie scene 3). The mermaids in this story are shown to be very dark and even murderous. Even with this acknowledgement that the mermaids are not nice creatures, they are still shown as beautiful with long, flowing hair (Barrie, scene 3). The movies don’t even have to show the mermaids as evil creatures
to incorporate Scottish Folklore, as shown by the famous Disney movie, the Little Mermaid. In this tale, Ariel has an amazing voice that she is loved for and is a major part of the plot (Johanningmeier scene 2). Ariels voice is a major part of her character as a mermaid. When she becomes human she loses her voice entirely, associating the amazing voice with being a mermaid. This emphasizes the trait from Scottish Folklore of mermaids having unnaturally beautiful voices. King Triton is originally talked about because of his powers over the sea (Johanningmeier scene 1). The fishermen claim that as a merperson he has the ability to control the ocean and its waves. It’s no wonder, with many of Scotland’s folk tales describing mermaids with magical powers. Even with the all of the movie being about the goodness of mermaids, they still manage to sneak in a reference to a darker side of the sea dwelling creatures. When the fishermen sing about mermaids they include the lyrics “...Look out, lad, a mermaid be waitin' for you, In mysterious fathoms below.” (Johanningmeier scene 1). This paints mermaids as creatures that are waiting to enchant and drown the men on board. Even in a children’s movie with nice mermaids Scotland’s influence of what they believed was a mermaid’s most common trait, the dark malevolence they were said to posses, was shown. Another popular Scottish folktale star, the witch, is a common character in our entertainment today. Witches were said to be evil women with dark powers in these tales. They were often called hags and described as ugly and withered. In the tales, witches’ powers were used for malevolent deeds, such as killing or harming someone greatly. These cruel old women held grudges and acted on their want for revenge often (Douglas pgs 218-269). It was very obvious from these folktales that witches were not the heros of their tales. It is this portrayal of the witch that is shown in the better known movies and books of today. In the popular movie and play The Wizard of OZ, the introduction to the strange new land is the citizens celebrating and congratulating Dorothy, the main character, for her killing of the oppressive Wicked Witch of the East (Rudoff scene 3). There is even a comment from Dorothy that, “...I'm not a witch at all -- witches are old and ugly.” showing the influence from Scottish folklore as soon as witches are introduced into the plot (Rudoff scene 3). Then, the Wicked Witch of the West, the main witch in the play, vows to kill Dorothy for taking the shoes that she believes are hers and killing the witch’s sister accidentally (Rudoff scene 3). Once again letting the ideas from Scottish tales show in the witch’s ability to hold a grudge. Not just that, but throughout the play the wicked witch is depicted as an ugly green old hag, like in the folklore from Scotland. There is also evidence of Scottish influence in the well know movie and book Narnia: The Lion, the Witch, and the Wardrobe shown by the White Witch, Jadis. She is depicted as remorseless in the way that she carelessly turns those that annoy her into stone (Shmoop para 1). Finally, The Little Mermaid once again shows the influence of Scottish folklore by depicting Ursula the Sea Witch as evil and murderous (Johanningmeier scene 8-end). The Scottish depiction of witches as malevolent and hideous has greatly impacted today’s popular entertainment. Lastly is a small, winged creature called a fairy that is popular in Scottish folklore and well known to the rest of the world as well. These small beings are known to be trouble makers and quite mean or aggressive if they feel like it (Harris para 43). Fairies are also depicted as possessive over what they see as theirs (Harris para 43). The other prominent trait of the fairies is their tendency to covet the children of mortal women, and even steal those children from time to time (Harris para 64). Fairies, even though they were said to be small, were described as jealous, angry, and vicious. The well known play Peter Pan is full of Scottish folklore influences on the way fairies are seen. Tinkerbell, the play’s fairy, is introduced with her yanking on Wendy’s hair because Wendy tried to kiss Peter, and Tinkerbell saw Peter as hers (Barrie act 1). Tinkerbell’s possessive behavior shows the characteristics that fairies are said to have in Scottish folklore. Then, Tinkerbell tries to have Wendy killed by telling the lost boys that this is what Peter wishes (Barrie act 2). The small fairy does this to keep Peter as hers in a very violent manner. It shows two of the prominent traits of fairies from Scottish tales. Later, we learn that Tinkerbell took Peter to Neverland herself after he had crawled from his crib . Tinkerbell exhibits another trait shown by the fairies from folklore in Scotland when she takes the human child from his mortal mother. Peter Pan, the familiar play about a boy who doesn’t grow up and his fairy, is wrought with influence from Scottish folklore. Scottish folk tales have had a large impact on the United States’ entertainment of today. From children’s movies to famous plays, it is evident in our most well known leisure activities. Some of our favored creatures such as mermaids, witches, and fairies come from Scottish folklore, and the way these creatures are depicted influences the way our better known books, movies, and plays show the creatures. These tales, while old, have had a major influence on what we see, watch, and read today in America.
Selkies are Celtic fairy-tale creatures that are half-seal and half human. Stories about these mythical creatures originate from the Orkney Islands of Scotland. A selkie becomes human once it takes off seal skin. Most stories that revolve around selkies are usually about a selkie falling in love with a human man who takes away their seal skin in which the selkie ends up marrying. Even though there are male selkies, most selkies in stories portray a woman.
Most women in their childhood had probably dreamt of being a princess and meeting their charming prince. As Walt Disney’s figures have been influential in this sense, the ideal portrayal of princesses still attracts young girls who imitate them, their lifestyle and their physical appearance. In Sleeping Beauty (1959) and in The Little Mermaid (1989) the narration is focused on the search for true love, personified by a prince, for self-accomplishment. It is crucial to differentiate the representation of femininity of the two protagonists in the two movies to better understand if the role of Princesses has changed over those last thirty years. The main figures in both movies
Later you will see myths of hairy creatures in medieval Europe. In the European myths, the hairy creature does not have horns or a tail and more closely resembles the bigfoot we know today. Bigfoot has been a myth and a traditional part of folklore for centuries, but real sightings of the creature have only started in the early 1800s. Stories and sightings then became increasingly common as the years went by.... ... middle of paper ... ...
Anderson, Hans Christian. “The Little Mermaid.” Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto: Broadview, 2002.
The medieval times were filled with many events that have helped to shape our society today such as the rise of the bubonic plague, the birth of feudalism, the growth of the Catholic Church, and among these is the beginning tales of mythical monsters. The stories of mythical monsters were spurred by the imagination of men who saw an unusual creature or something unexplainable. A world renown German physicist by the name of Albert Einstein claimed, “The true sign of intelligence is not knowledge but imagination.” (brainyquote.com) Mythical creatures were founded by the creativity of very bright individuals who wanted to entertain people by telling elaborate stories that contained a strong antagonist. Mythical creatures also allowed society to have heroes because with every evil monster there must be a savior to slay the hideous beast. Although many different monsters have been mentioned the Dragon, the Kraken, the Basilisk, and the Griffin were among some of the most popular and well known creatures.
Folklore is very important on a culture relating to legends, myths and fairy tales. The generations will keep telling the legends, myths and fairytales to the next
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
Although Hans Christian Andersen’s “The Little Mermaid,” published in 1837, contains many patronizing nineteenth-century attitudes towards women, a value system that at least acknowledges the legitimacy of femininity shapes the fairytale. Unfortunately, Walt Disney’s 1989 film version of “The Little Mermaid” eliminates the values that affirm femininity in the original story (Trites 145)
Once upon a time, there was a 16 year old mermaid princess named Ariel who gave up her voice, an important part of her identity, in order to be with a man who she became infatuated with at just one glance. Ariel has a very traditional gender-stereotypical role in the film, as the helpless, clueless, naive, physically weak, submissive, and attractive female protagonist that Disney films, especially the classics, portray so often (England). There is a lot of controversy surrounding this film in regards to its patriarchal ideals. The Little Mermaid, like most media, is build for the ‘male gaze’, a term coined by Laura Mulvey that suggests that visual entertainment, such as movies, are structured to be viewed by a masculine consumer. I will argue that the male gaze perpetuates harmful gender-stereotypes in The Little Mermaid.
They play a role in putting emphasis on themes such as a woman’s passive nature and their beauty. Fairytales are a mode of enhancing the difference between the genders and supporting the dominant gender. Disney films and children’s fairytales put a high amount of emphasis on the theme of feminine beauty ideal (Baker-Sperry & Grauerholz, 2003). It is a social construct that believes that the greatest asset a female has is that of her physical attractiveness and a female should strive to achieve and maintain it. This leads to one believing that females are oppressed, devalued and objectified, particularly in a patriarchal society (Baker-Sperry & Grauerholz, 2003). According to Baker-Sperry and Grauerholz (2003) women find beauty to be empowering and like to engage in rituals that enhance their beauty. Bordo (1993) believes that woman and adolescent girls achieve a high social status and maintain their self-esteem by engaging beauty rituals through the course of the day (as cited in Baker-Sperry & Grauerholz, 2003). The importance of female beauty ideal and physical attractiveness in society is emphasized in many Disney films and children’s media. According to Chyng (2001) many films emphasize the importance of sexuality and often-female characters are portrayed as overly sexual (as cited in Towbin, Haddock, Zimmerman, Lund, & Tanner, 2004).
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
The “disneyfication” of The Little Mermaid perpetuates negative aspects of American cultural ideals, losing the moral integrity and lessons intended to be taught from the original fairytale. Works Cited Mortensen, Finn. A.H. Hauberg. The Little Mermaid: Icon and Disneyfication." Scandinavian Studies.
world we live in. Mythical creatures are created by people’s imaginations, hopes, fears, and most
broken cloth and come together in groups of three. These witches have many animals. But in this play a cat, and a toad are used - who are actually evil. spirits who have taken this form. In Macbeth we hear about the owl quite often.
"Myths and Legends." Origins of A Mermaid and a Magic Comb. N.p., n.d. Web. 13 Apr. 2014.