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Emotions experienced in hamlet
Psychological approach to hamlet
Psychological approach to hamlet
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Paul Harris, notable founder of Rotary International once said, “Personality has the power to uplift, power to depress, power to curse, and power to bless”. In other words, personality is what defines oneself and it is the qualities of man that are revealed in one's actions. Primarily, through William Shakespeare’s most remarkable plays, Hamlet, one can distinguish various intricate personalities. Most evidently, the protagonist Hamlet is most prevalently driven through particular characteristics that define his behaviours and consequential actions throughout the play. Hamlet’s personality is accurately determined through three defining traits; his deeps thoughts of depression, emotional sensibility, and his admirable sense of cleverness. Foremost, a very dominant trait expressed on numerous occasions through Hamlet’s character is his appearance as an anti-existentialist, depressed and discontent with his life. One of the first signs of his depression is portrayed as he declaims his grief for his late father and even more so, his disgust for the hasty marriage of his mother and uncle; “O that this too too-solid flesh would melt/Thaw, and …show more content…
For instance, in his soliloquy he asserts his concealed feelings and thoughts of his mother’s marriage; “...She married:–O most wicked speed, to post/With such dexterity to incestuous sheets!/It is not, nor can it come to, good/But break, my heart, for I must hold my tongue!” (I, ii, 156-159). Hamlet willingly explains that this dreadful marriage cannot, and is determined that it will not be favourable for anyone, while on the other hand although he wishes to express his afflicted emotions to his mother, he feels he must keep silent, so that Gertrude is not inflicted upon with any pain. Unfortunately, Hamlet’s sensitivity when it comes to emotions takes advantage of him resulting in his downfalls as a
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
After demolishing the theories of other critics, Bradley concluded that the essence of Hamlet’s character is contained in a three-fold analysis of it. First, that rather than being melancholy by temperament, in the usual sense of “profoundly sad,” he is a person of unusual nervous instability, one liable to extreme and profound alterations of mood, a potential manic-depressive type. Romantic, we might say. Second, this Hamlet is also a person of “exquisite moral sensibility, “ hypersensitive to goodness, a m...
There are many ways that Hamlet and his mother express their feelings for each other. In the beginning, they show tenderness and overwhelming love towards each other. It is Gertrude’s actions that bring out the anger in Hamlet. He cannot understand how his mother could be so disrespectful by remarrying so quickly. Although he honors his mother, he cannot do this upon learning of her engagement.
Melancholy, grief, and madness have enlarged the works of a great many playwrights. and Shakespeare is not an exception. The mechanical regularities of such emotional maladies as they are presented within Hamlet, not only allow his audience to sympathize. with the tragic prince Hamlet, but to provide the very complexities necessary in. understanding the tragedy of his, ironically similar, lady Ophelia as well.
Self-image plays a big role in how people act. Hamlet’s inability to know himself or to understand his own motives leads to the restless battles between right and wrong in his conscience, which is the reason for his unpredictable tragic actions, and behaviors. Hamlets’ confusion is clearly shown in his soliloquies. His confused mind can be broken into five categories. Hamlet suffers from his own moral standards, the desperate need to seek the truth, lack of confidence and trust in his own impulses, self-hatred, and melancholy. Each of these categories contribute to Hamlet’s troubled mind.
In the play Hamlet, Hamlet has many different personality traits. Three of these characteristics are that Hamlet is depressed, clever, and hesitant. Throughout the play you can see these characteristics in Hamlet many times.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
At first, Hamlet is respectable even though he is not happy to find out that his mother is married to his uncle nor is he happy to discover that his father is dead. The reader is first introduced to Hamlet’s madness in his first soliloquy. His is speaking on his lack of satisfaction with his life and on his mother’s hasty marriage to his uncle.
Upon examining Shakespeare's characters in this play, Hamlet proves to be a very complex character, and functions as the key element to the development of the play. Throughout the play we see the many different aspects of Hamlet's personality by observing his actions and responses to certain situations. Hamlet takes on the role of a strong character, but through his internal weaknesses we witness his destruction.
...s poetical and philosophical nature is not ready to hoist the weight, fallen on him after his father's death. The sadness after father's death, marriage of his mother, lack of strong will, and other aspects which make up on the prince's mental problems show how fragile human psyche can be, and how easy we can destroy the peace of human consciousness. Hamlet is a perfect example of duality of human nature. He wants to take revenge on the murderer of his loving father, but at the same time his morality and sensibility as well as his egoistic and selfish needs prevent him from doing it. He wants to perform an act, which is at variance with his nature.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
Sharing the weaknesses of those he reviles, Hamlet turns his most unsparing criticisms upon himself. The appalling contrast between his uncle and father reminds him of the contrast between himself and Hercules – although when the fit of action is upon him he is as hardy as “The Nemean lion’s nerve.” “We are arrant knaves all,” he warns Ophelia, “believe none of us.” (5)
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Gunnar Bokland in “Judgment in Hamlet” explains Shakespeare’s attraction to the psychological dimension of the drama:
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.