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Social purpose of theater
Importance of Theatre
Importance of Theatre
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I find strength in purpose. When I have a clear view of what gives me purpose, my backbone grows stronger and I feel an almost impermeable optimism. Theatre grants me this, and it is when I am most active in the performing arts that I am healthiest.
I have sometimes lost sight of my purpose. I have often fallen victim to the sadness and apathy that tribulation brings, and it often made me forget that I had a clear source of purpose in my life. I forgot that time waits for no one, and I was wasting my time trying to pursue anything except my passion.
I live in a family of addicts, so I have spent many years watching people older and wiser than me give up. When you’ve grown up holding the hands of people who are constantly falling behind, you sometimes begin to match their pace. For a time, I was so wrapped up in my home life that I stepped away from performance completely. I forgot that art gives me strength to resist and motivation to advance ahead into a brighter future than the ones I have seen. I do not want to define myself by my family; despite this, I still want to them to be proud of me. Theatre will be my pathway to success and a source of further knowledge so I can continue to become a better person.
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I have found that many of the answers to these questions reside within the pages of a play. There was a single scene in Ivanov that mirrored my relationship with my father so well that I was convinced that Chekhov had met him
Pause for a second and think about a play or musical that you have seen. Consider the plot, whether you liked it or not and if the experience was positive or negative. Think about the characters, the costumes, and the emotions that were emitted. The discourse community of theatre is unique in the way that it is so complex and there are many different parts that ultimately come together to create a dynamic whole. The term discourse community is rather broad, but John Swales in his article “The Concept of Discourse Community” gives six characteristics that define it. Swales lists them saying,
People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story
I went to see Around the World in eighty Days with a very open mind as it was the first professional play I have gone to see and after I left I was absolutely stunned. After experiencing the dynamic magic that is professional theatre I became positive I would never pay to see a film in a theatre ever again. I never thought film actors and stage actors were the same but now I know unequivocally that the two are on separate planets. The vast differences in both planets truly makes one appreciate theatre for all of its’ glory. While I never thought much of or respected actors, and why would anyone; stage actors are true workers, stage actors are true artists, stage actors are actual actors.
The Great Depression of the 1930s put many Americans out of work and left people searching for hope. After his election, Roosevelt's New Deal programs began to help better the lives of many jobless people. Unfortunately, many of these programs never reached their ultimate goals, and some failed without anything having been accomplished. The Federal Theatre Project (FTP) was one of many programs that could not fulfill what it had intended. The FTP was short-lived and plagued by severe censorship, all while being a major target of the House Committee to Investigate Un American Activities (HUAC).
The Future of Theatre: Producing Representative Theatre Reimagining classic pieces of theatre may seem silly and unnecessary. However, with changing times and evolving tolerance, it might be crucial. The Phantom of the Opera is an example of a beloved classic that could benefit from some restructuring, as well as a redefinition of it’s production goals. In such a revamped show, the production team can contemplate varying casting ideas, character alterations as well as highlighting certain themes over others and redefining some all together. I will be discussing this revamped production, in addition to specific casting concepts and deviations to the text and character list.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Theatre-In-Education The theatre education industry/movement has seen some rapid changes since its initial developments and establishment in the 1960’s. However its origins mainly lie in the early years of the last century. It was the initial establishment of companies such as Bertha Waddell’s in Scotland and Esme Church’s in the north of England that thoroughly established the main roots of TIE.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
Before I started Introduction to Theatre class, I had been only to a couple of plays in my life. Just in this semester I’ve been to about ten plays and have learned so much about the art of theatre. The information I retained from class will help out a lot in the future, but the most important part of this class was the shadowing experience of A Midsummer Night’s Dream. With being able to get an inside look at this play during rehearsal and then going to see the performance was an incredible experience. By going to the rehearsal and then seeing the show, I was able to learn and understand more on how the theatre works. From there, I could understand the long process the actors and directors have to go through before the opening show happens.
The process of reviewing a play consists of multiple elements that must be considered. For one, while opinions are an important aspect to any review and it is often times what a reader looks for; there are measured ways to approach it. Any average Joe is able to look at a piece and splay their likes and dislikes, but a review offers an in depth look inside a play at deeper meanings and possible aspects to look out for when viewing whichever platform or media at hand. Entering a production with an open mind exposes the viewer to a more analytic outlook. A review is a mixture of myriads of elements combined to form a finalized thought about a production.
My mind and soul were not prepared for this. On the night of the 24th of February on the campus of Lone Star Montgomery College, my mother and I viewed The Irene Ryan Scenes and Student Directed Plays. We fully prepared to observe and enjoy since we paid 12 bucks to get in. Or so we thought.
What goes into putting on a play or musical? The production will need a script, the written text for the play, actors to perform the script, a stage or place to perform, costumes, sets, lights, and maybe most importantly an audience to present the play to. Who handles all these important aspects of the play? The director, “a person who supervises the actors and other staff for a movie, play, television program, or similar production” (Director). He or she has a vision that ties all elements of the play together, to present one cohesive story.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern