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Sigmund freud the uncanny essay
Sigmund freud the uncanny essay
Sigmund freud the uncanny essay
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Samuel Cody Katy Brundan Colt 301 5 May 2015 Sigmund Freud's The Uncanny is a convincing text that examines the repetition of coincidental events that many people seem to experience in their lifetime. Throughout this written work, he acknowledges these experiences as both familiar and frightening, which creates his paradox of 'uncanny' feelings that we all seem to experience. The importance of having a lack of a known reason for these mysterious, uncanny coincidences is that they become open-ended for us to interpret and to ascribe them a meaning. Even if we fail to give these phenomenons a definite meaning, we can still assume that there is some sort of answer behind these instances that we have yet to understand. Freud's general thesis of The Uncanny covers the mysterious reoccurrence of topics that remind us of our earlier stages of life, such as the castration complex and animistic conceptions of our world. Similarly to Freud's writing, in the episode Blink from the Dr. Who series, many …show more content…
He argues that one source of the uncanny is constructed in our infantile beliefs of castration. Freud states, “We shall venture, therefore, to refer to the uncanny effect of the Sand-Man to the anxiety belonging to the castration complex of childhood” (Freud 233). He refers to the story of the Sand-Man because the Sand-Man steals children's eyes, which is a precious organ of the human body. Freud quotes the Sand-Man in his text because he argues that the uncanny effect in this story has to do with the castration of the eyes as a symbol of male genitals. The uncanny elements of castration are perceived as threatening to a man's life because the fear of castration is a punishment that deviates from societal norms. These organs are crucial in a man's life in order for him to keep power and to live a normal, happy
“One On The Nature of Humans: Sigmund Frued.” Contemporay Psychoanaltic Studies 12. (2010): 73-88. Academic Search Complete. Web 30 April 2014.
The concept of the uncanny can be a difficult one to comprehend; this is why Freud begins his essay with an analysis of the different definitions of the uncanny in various languages. Ultimately Freud rests that the German terms “heimlich” and “unheimlich” best match the definition of the uncanny because it is translated as familiar and unfamiliar. The uncanny can be defined as something that creates a feeling of familiarity but also unfamiliarity, and this unfamiliarity is what is fearful to the individual. Freud’s essay “The Uncanny” can be related to the field of literary criticism because he explains how the feeling of the uncanny relates to the author’s attempt to convey a certain response from their audience. This type of analysis bridges Freud’s work and Larsen’s novel in order to re-examine and debate certain moments in Passing that after a second look can be defined as uncanny. Passing is a short novel that centers on two mixed women who reunite in their adult lives and describe how they are trying to “pass” as white to society. Clare’s motive for passing is so that she can live a luxurious life with her white husband who is extremely racist. Whereas Irene is trying to pass when she goes out in society, her husband Brian is fully aware and is a black doctor. Irene and Clare’s childhoods and pasts are vague which allows there to be room for psychoanalysis, particularly with the character Irene and her feelings towards Clare. Through psychoanalytical criticism of the uncanny moments that occur in Larsen’s novel Passing build tension between Irene and Clare and it is argued that Irene pushed Clare from the window that caused her death in order for Irene to keep her secure life with her husband.
Wilson, Sarah. "Sigmund Freud and the oedipal complex." The Observer”. Guardian News and Media, 8 Mar. 2009. Web. 1 May 2014. <http://www.theguardian.com/lifeandstyle/2009/mar/08/sigmund-freud-oedipal-complex>.
According to Freud, "the uncanny is that class of the frightening which leads back to what is known of old and long familiar. (Freud 220) In other words, the uncanny can be expressed by "the distinction between imagination and reality is effaced" (Freud 244) and "an actual repression of some content thought and a return of this repressed content" (Freud 220). Moreover, he posits the uncanny moment as one in which two ostensibly opposing figures, elements, or definitions appear to coalesce, or in which one is mistaken for the other, revealing the fundamental instability of their distinction. (Alison 32) Besides, it involves the infantile complexes which was formerly repressed but are later revived and gen...
For Freud the outcome of the child's fear of castration is its submission to the reality principle and hence its entry into the social order. For Lacan this must coincide with the child's entry into the language system.....Language is thus the Law of the father; a linguistic system within which our social and gender identity is always already structured. (p. 104)
In Hoffmann’s “The Sandman” , there is a re-occurring theme of the uncanny that is commented on by both Sigmund Freud and Ernst Jentsch, who try to explain the uncanny in different ways by highlighting events and imagery that they believe to play a key role in creating it. I however, would argue that the uncanny is a more universal theme in the story and likewise, it’s source will be much more general. In the course of this paper, I intend to prove that the source of the uncanny is the fact that the reader doubts the reality they are presented within the text in the same way that one would doubt the reality that is perceived by a schizophrenic. This is due to the fact that the narrator suffers from schizophrenia and a possible dissociative personality disorder. Furthermore, the events of the short story only occur within the twisted mind of the narrator and represent a series of psychical manifestations that were most likely imagined as a defense mechanism to deal with the traumatic loss of his father and siblings.
Contemporary Psychology, 36, 575-577. Freud, S. (1961). The Species of the World. The Complete Works of Sigmund Freud. London: The Hogarths.
In the film, “The Alzheimer’s Project: The Memory loss tapes” there was an 87-year-old woman with Alzheimer disease named Bessie Knapmiller. It seems as Alzheimer runs in her family because her older sister has the same disease. Bessie sister is 93 years old and she has lost her entire memory. Bessie sister does not even remember their family members. However, Bessie stage of Alzheimer is not as bad as her sister, she still drives and still remembers people. At times, Bessie does forget others. Bessie went to take a memory test in May and few months later, when she returned she did not remember her doctor or him giving her the exam. When Bessie took her first memory test she could not remember the previous president before George Bush. She
Freud originally attempted to explain the workings of the mind in terms of physiology and neurology ...(but)... quite early on in his treatment of patients with neurological disorders, Freud realised that symptoms which had no organic or bodily basis could imitate the real thing and that they were as real for the patient as if they had been neurologically caused. So he began to search for psychological explanations of these symptoms and ways of treating them.
Freud, Sigumund. "The Uncanny." Literary Theory: An Anthology. Ed. by Julie Rivkin and Michael Ryan. New York: Blackwell, 1998.
Sigmund Freud’s theories on the construction of the mind are simple, but fundamentally changed the field of psychology. He proposed, among other things, that the human mind is composed of three parts: the conscious, preconscious, and unconscious. The preconscious consists of information, such as a telephone number, that is “accessible to consciousness without emotional resistance” (Schellenberg 21). In Freud’s estimation, the unconscious is the most important area of the mind. The information stored within it has “very strong resistances” to becoming conscious (Freud 32). Residing in the unconscious is the id, which “contains everything…that is present at birth… – above all, therefore, the instincts which originate from somatic organization” (14). From birth, all action is instinctual, from the id. The id recognizes and entertains no desires but its own and is impatient to have its needs met. This phase lasts until a part of the id changes “under the influence of the real external world” (14). This changed portion b...
In The Sandman, the weirdness of the tale could be perceived in two directions--the first being that of intellectual uncertainty and the other is that of psychoanalytical experience and namely the ideas of Freud. In order to describe the uncanny experience in Hoffmann's The Sandman and Shelley's Frankenstein it is indispensable, however, to explain and define beforehand what is the connotation of Unheimlich. In my further analysis of the uncanny, I relate the two works and stress on the obsession of the two characters which explains the weirdness in them. Moreover, I focus on the surrounding environment in the face of the society because it is pertinent to the discussion of the weirdness. The unconsciousness is also playing a major role in the description of the uncanny. Thus we attribute the uncanny to the collapsing psychic boundaries of conscious and unconscious, self and other, living and dead, real and unreal. These recurrent themes, which trigger our most primitive desires and fears are the very hallmarks of Shelley's and Hoffmann's fiction.
Sigmund Freud created strong theories in science and medicine that are still studied today. Freud was a neurologist who proposed many distinctive theories in psychiatry, all based upon the method of psychoanalysis. Some of his key concepts include the ego/superego/id, free association, trauma/fantasy, dream interpretation, and jokes and the unconscious. “Freud remained a determinist throughout his life, believing that all vital phenomena, including psychological phenomena like thoughts, feelings and phantasies, are rigidly determined by the principle of cause and effect” (Storr, 1989, p. 2). Through the discussion of those central concepts, Freud’s theory of psychoanalysis becomes clear as to how he construed human character.
Print Freud, Sigmund. “Selected Papers on Hysteria.” The Major Works of Sigmund Freud. Ed. William Benton.
c. Freud establishes a common element: the human desire to alter their existing and often unsatisfactory or unpleasant reality. All individuals are frustrated within their lives, whether they are non-writers who cannot reclaim their childhood stimulant or as individuals unhappy in their marriages, etc.. Freud contests that desires, repressed to an unconscious state, will emerge in disguised forms: in dreams, in language, in creativity, and in neurotic behavior.. We can look for these occurrences in the future to conduct an analysis of the author’s own repressed desires or fictional characters.