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Definition of uncanny by freud
Strengths and weaknesses of freud uncanny
Definition of uncanny by freud
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The concept of the uncanny can be a difficult one to comprehend; this is why Freud begins his essay with an analysis of the different definitions of the uncanny in various languages. Ultimately Freud rests that the German terms “heimlich” and “unheimlich” best match the definition of the uncanny because it is translated as familiar and unfamiliar. The uncanny can be defined as something that creates a feeling of familiarity but also unfamiliarity, and this unfamiliarity is what is fearful to the individual. Freud’s essay “The Uncanny” can be related to the field of literary criticism because he explains how the feeling of the uncanny relates to the author’s attempt to convey a certain response from their audience. This type of analysis bridges Freud’s work and Larsen’s novel in order to re-examine and debate certain moments in Passing that after a second look can be defined as uncanny. Passing is a short novel that centers on two mixed women who reunite in their adult lives and describe how they are trying to “pass” as white to society. Clare’s motive for passing is so that she can live a luxurious life with her white husband who is extremely racist. Whereas Irene is trying to pass when she goes out in society, her husband Brian is fully aware and is a black doctor. Irene and Clare’s childhoods and pasts are vague which allows there to be room for psychoanalysis, particularly with the character Irene and her feelings towards Clare. Through psychoanalytical criticism of the uncanny moments that occur in Larsen’s novel Passing build tension between Irene and Clare and it is argued that Irene pushed Clare from the window that caused her death in order for Irene to keep her secure life with her husband.
The first sense of an uncanny...
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...bove ideas give merit to the argument that Irene caused Clare’s death. Since the first uncanny moment provides the base for the underlying resentment towards Clare, and is projected by Irene’s action to try and ignore Clare. When Clare and Irene discuss the act of “passing” there is a sense of jealousy that Irene has for Clare and her material and social gains. The moment when Jack runs into Irene proves to be a moment when Irene’s subconscious desires for Clare to be removed from her life come forward. Therefore by using Freud’s explanation of the uncanny it can argued that Clare’s return to Irene’s life provokes the uncanny feeling because of the return of a repressed memory of a conflict between the two of them.
Works Cited
Larsen, Nella. Passing. New York: Penguin, 2003.
Freud, Sigmund. “The Uncanny.” English 2RW6 Course Pack. Dr. Amber Dean. Pg. 249-269.
In the end, the differences between Clare Kendry and Irene Redfield are overshadowed by their similarities revealing that their relationships are just as significant as the issue of passing. Nella Larsen's Passing successfully deals with the plight of the "tragic mulatto," and the complexities of human relationships. Her literary contribution is significant because of her ability to confidently handle a sensitive racial issue while also exploring the ramifications of this issue on human relationships. IT is clear that Larsen meant to include both the social and psychological aspects of passing in her novel. Because of this, Passing remains a novel that is clearly representative of the Harlem Renaissance.
In the novel, Passing, Nella Larsen presents two women, Clare and Irene who originate from the black community; however still yearn for an assured identity for themselves. Clare and Irene are childhood friends who even though being part black, are able to pass as white folk. Irene continues to be part of the black community and is considered a black woman, however this is on a superficial level. When it comes to her advantage, Irene occasionally passes as white. Clare on the other hand passes as a white woman; her lifestyle changed completely as to white standards and in. Although both women are in a dilemma regarding their true racial identity, they both wish to live as both black and white. Throughout the book, both women attempt to achieve an integrated identity, however fail do to so. Their failure in attempting to live a life both as black suggests and supports the idea that a person can only have one race as either black or white, not both.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
Though, Clare enjoy passing and its benefit, she long to associate with people of colour. As Clare pulls toward her white life, she is simultaneously pushing away her black identity.Consequently, her longing for blackness becomes a desperate craving to be a part of the black community. She is ultimately substituting Irene’s company for the overall black culture that she misses. Clare passing over and having a deep desire to be among blacks again proves this unconscious draw that she has to her former race.
...s appealing it is not without consequence. Clare, and those who choose to pass, are not free to embrace their whole identity and will always remain a threat to those they come in contact. Clare exemplified the archetypal character of the tragic mulatto, as she bought tragedy to her own life and all those she came in contact. Clare’s presence forced Irene to contend with feelings of internalized racism, and thus feelings of inferiority. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about. Larsen does not allow her readers to perch on the belief that once a member of the dominate group ones life is not without pain and suffering. Every action, even those that seem to make life easier, have consequences.
Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything. Since his article, “Allure, Authority and Psychoanalysis” discusses the meaning behind everything that happens in Mary Shelley’s “Frankenstein” we can also examine “The Ones Who Walk Away from Omelas” in the same manner.
In Shirley Jackson's novel "The Haunting of Hill House", there are numerous traces of the representation of the uncanny which was suggested by Sigmund Freud. In the story, the Hill House itself is an uncanny figure to the central protagonist, Eleanor, as it features as her mother which has an ambivalent nature as the meaning of the German word of `uncanny' itself. Moreover, the house also acts as a mirror reflecting her own image so that she can see herself by looking at the house, thus the house is actually an allegory of Eleanor's psychological condition and she is literally consumed by it in the end as the boundary between her and the house collapses. Besides, another protagonist, Theodora, is a double of Eleanor as she figures her opposite side which is her denied self and self-destructiveness while she also expresses the repressed feelings of Eleanor. These examples match with the concept of the uncanny which stresses on the uncanny effect of the `Doubling' and `Infantile complexes' . (Alison 32)
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Towards the middle of the story, Usher’s twin sister Madeline is shown to be sick and close to giving into the “prostrating power of her destroyer” (21). Eventually, Usher gives the narrator the bad news that Madeline has passed away and immediately be placed in the family burial vault until proper arrangements can be done. Later, it is revealed that Madeleine had been buried alive and Usher knew exactly what he had done. When the narrator confronted him about what he did to Madeline, Usher simply replied with “Not hear it - yes, I hear it, and have heard it. Long--long--long--many minutes, many hours, many days, have i heard it -- yet I dared not speak...” (28). This abnormal response gives insight into how much of Usher’s thoughts control him; he let his twin sister remain in a coffin buried alive and did absolutely nothing to save her. Poe attacks how vulnerable individuals become to their own minds and forces the readers to consider the downside of the Human Condition. Although not on such intense level as Usher, people let their thoughts define who they are and what they do. Insecurity, a problem among several teenagers and even adults, begins with the person’s thoughts and self-esteem. Due to insecurity, many believe they aren’t capable of doing what they love and that they should stick doing what their mind is convincing them to.
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
Jack, thinking he might have been that very baby, retrieves the bag he was found in as an infant in which Ms. Prism identifies by some distinguishing marks to have been her own. Jack realized the woman that had been teaching his niece was his mother. But then Lady Bracknell explained that she was not, but Lady Bracknell’s poor sister Mrs. Moncrieff was. The irony continues to explain how Jack and Algernon were biological brothers. They were pretending to be earlier to play out their game of Bunburyism.
Many readers believe this piece of fiction to be a ghost story, but it is one that is about a woman with acute psychological delusion, portrayed through the use of characterization and occasion. Bowen begins her dramatization by defining the woman’s psychological delusion through the characterization of her anxiety and isolation. She establishes the woman’s anxiety in the beginning and closing of the third paragraph when she subtly narrates how, “she was anxious to see how the house was”(Bowen 160) and “she was anxious to keep an eye”(Bowen 160). To believe that it is impossible to imagine a letter, is someone who does not know the mind of a person plagued with psychological delusion.
The aim of this essay is to clarify the basic principles of Freud’s theories and to raise the main issues.
Freud, Sigumund. "The Uncanny." Literary Theory: An Anthology. Ed. by Julie Rivkin and Michael Ryan. New York: Blackwell, 1998.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.