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Importance of wedding rituals
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Practiced in Yemen, a country located in Western Asia, is a marriage ritual known as “Henna Ritual”. To Yemen women and their families, this ritual is a preparation for the changing to her new life of a man’s bride. Like any other special occasion, this ritual takes a lot of planning and holds great meaning to the bride, her groom, and their families. Henna comes from the flowering plant called Lawsonia inermis. In many countries, henna serves as part of their traditions and as part of their cultures. It is used in many ways, but is most commonly used to dye skin by decorating the body in body art or create pseudos’, also known as henna tattoos. Henna consists of a red color and in Yemen is it believed to resemble beauty whereas the plants …show more content…
They guide the bride from her dressing room door to the place that she will be sitting for the ceremony. Singers and percussion instruments are the sound of music while the bride walks. The singers sing around the bride throughout the entire ritual along with her female family members. They carried candles, each carrying different colors. These candles represented the light for the brides’ upcoming life. They also decorated eggs with shapes on them representing the fertility that the bride had and the life cycle and luck of protection against evil spirts that might do her and her future family harm. Music plays a major role within the henna ritual. There are two types of music that are played: songs of events and songs for dancing. Women sing from within their hearts, producing the most beautiful sounds. Many songs that are played and sang during these rituals have been passed down from many generations. The songs focus on the bride during the henna ritual. They talk about the brides’ beauty and elegance, her contributions to others and especially those to those within her …show more content…
The spreading of the henna is extremely important, spreading it on the brides’ soles of her feet and the palms of her hands. They carried the belief that if the henna was spread in these two areas, that any evil would not harm her wherever she traveled, nor hurt the works of her hands. The people of San’a would hire an artist who was believed to be an expert to perform the spreading. This is normally held on a Monday. On Tuesday, the henna artist prepares a mixture then melts that mixture over a fire. The artist, a female, would then use an object to decorate the places of the brides’ body with the mixture, which was made into a hot wax that were covered with the henna. The artist starts at the brides’ hands, going as far as her wrists. Then, the artist does the brides’ feet, going as far as her ankles. Designs that the artist draw include lines, dots, circles, and drawings of grains (only on the hands). Based on the embroidery that the women use and the patterns that are used in that embroidery had to be of specific order due to the embroidery patterns and the design patterns. The patterns that are most commonly used were drawings of grain, dots (usually in groups of three) and triangles. The colors consisted of red, black, and brown. Some believed that the bride should have five dots on her hands, representing a force against evil. Others believed that the amount of dots drawn on the brides’ hand represented the number of
There are a number of activities that take place during the ceremony and each part has its own purpose and significance. As a whole, the procession takes place over a course of four days and within a decent amount of time of the first menstruation. However, in the event of the child being away at boarding school they will go home immediately or if this is not an option then the ceremony must be postponed. The ordering of events take place over the course of the four days directly relate to the myth of the origins of Kinaalda. For instance, in Marie Shirley’s Kinaalda the order and the events that take place resemble closely the events that took place during the mythical origin story. For Shirley’s own ceremony the events that take place include: hair-combing, dressing, molding, race one and race two, nighttime activities, and several others. To prepare for the events that will take place, the people involved do things such as shelling corn and cleaning the hogan. On the first day of the ceremony the girls involved have their hair combed to make the girl resemble Changing Woman and are dressed in their ceremonial clothing, which include adornments of silver and turquoise. When wearing the jewelry some feel that this is a testament of her future. If she wears large amounts of jewels then this will mean she will have a rich life full of success. Usually after the dressing is the lifting of the people. This is something that Changing Woman did during her own ceremony, as a way to thank the people for their gifts (Wheelwright, 1942). They are then to lay on their stomach to begin the process of the molding; this relates to the first girl’s kinaalda myth in which “she was molded and pressed so she would have a good figure” (T...
This event is celebrated differently by many diverse cultures, and as time goes by, some of the traditions change. Even though the traditions may alter, the whole point of this eventful activity stays the same. The point of this event is to recognize the young lady’s transition from childhood to womanhood. This is also known as “the coming of age.” On this one day, it’s all about the girl, nothing else matters!
His description of a wedding also seems very modern, but the importance of dance in the festivities shows another facet of Olaudah's people. The dance defined the different groups within their village. First, and most important, were the married men, followed by married women, single men, and lastly unmarried women. The groups also used the dance to relate stories or tell events that were important to them. This practice probably also strengthened the bonds within the groups.
The bride is then assisted in adorning herself for the public ceremony which begins with a feast at the family’s home.
In hula dancing, the hands are very important: they tell a story. However, more important are the chants. Chanting is an extension of speaking that started as a means of communicating to the gods. The hula can be performed with or without music, but not without the chant. Bamboo sticks, drums, and gourds, are some of the instruments that are played to support the chanting. The chants are very poetic and have many levels of meaning. They believe chanting is a very personal way of expressing feelings and thoughts on a higher level of communication. The topics of the chants may include warfare, death, sex, birth, chiefs, gods, the beauty of the island and water, or even surfing.
It is the celebration of life that is done symbolically using a chalice and a thame. It is part of the Beltane ritual. Symbolic version of creation in the union of the maiden Goddess with her loving God. Beltane is a celebration of sexuality, purification, and fertility. The planting of crops is finished, and many crops have grown into seedlings.
Leading up to the celebration the girls are taught a certain dance that must be performed at the ceremony. “the new initiates are brought into town for the first time since the initiation process began…” At the ceremony the Mende girls wear a Sowei mask and costume which is considered to be the embodiment of the river spirt Sowo. Once the mask and costume is on the person transforms and her actions are no longer hers but are the actions of the spirt Sowo. A sacred dance is performed and dance moves represent the strength and power of woman as members in the Mende community. “Sowo mask are divided into three structural components- the neck, face, and coiffure. Carved from a single block of lightweight wood, the masks weigh only two to four pounds. The mask displays a shiny black surface representative of the value assigned to smooth dark skin.” The rings around the masks neck demonstrates a trait that is considered beautiful in Mende cultures. Every mask has a different hairstyle, representing the style of the woman the mask is made for, you can see items such as shells, metal and claws on the coiffure.
A traditional white gown/ ball dress is worn by the bride. She usually has a vial and carries a bouquet of flowers in her hand.
Henna is a lot of things. It’s a medicine, it’s an art, it’s a plant, and it’s a way to bejewel yourself with no jewels. And in many cultures henna has become a very important part of life, for every ceremony, every holiday, every festival, henna is used. Henna is now being used in the US for temporary tattoos, so it has also become a healthy painless way to tattoo yourself. A lot of people tattoo their partners name, but if they break up, then that tattoo will always be there. Henna is a much better option for tattooing because it’s not permanent . Why should someone get tattooed with harsh permanent ink, when there’s a natural and safe alternative? Why should someone use painkillers for mild pain, when they can use henna? Until now, henna was looked at as a form of art, but it can be so much more if you use it effectively.
Another custom was the Kalinago used to decorate their bodies with a dye called roucou. This was made from vegetable dye and oil, which the Kalinagos felt toughened their skins and protected against insect bites.
Anna's artistic side has manifested itself in many other ways. She carried a sketchbook, making drawings of the various churches we visited, our family, or the creatures in her imagination. In her late elementary school years, Anna discovered the joy of using beads to make jewelry.
From henna to honeymoon: Wedding traditions in the Middle East. (n.d.). Retrieved November 29, 2017, from http://english.alarabiya.net/en/variety/2015/08/06/From-henna-to-honeymoon-Wedding-traditions-in-the-Middle-East.html
This process is to cleanse the body and to prepare for the rest of the process. The individual himself can rinse their mouth and fingers with water or a priest can say a prayer then wave a wand around the body of the person. Another key element of the ritual is the offering. Offerings can traditionally consist of “money, food and drink, material and symbolic objects.” (Ono)
The rings represent a woman who is healthy, well fed and who is in great physical shape. This condition is the prime state for one to start childbearing, in turn is ready to raise a family. After the rolls, there are thick strands of raffia palm fiber hanging. This covers the woman’s shoulders upon wearing. The women’s entire body is to be cover during the dancing performance by the mask and costume.
He usually arrives dressed in his wedding attire on the back of a horse, or sometimes on the back of an elephant. “The wedding altar (mandapa) is built the day of and the groom is welcomed by his future mother in law where his feet are then washed and he is offered milk and honey. His sister in law will attempt to steal his shoes and if she succeeds, the groom must pay her to get them back” (beau-coup.com). At the wedding venue the bride waits for the groom in a room covered in garland, when the groom arrives they exchange garland. After this, the brides family will welcome the grooms family to the wedding. Like Christian weddings, the father of the bride gives the bride away at the wedding, this is called a Kanyadaan. A priest will facilitate the marriage by reciting mantras or holy hymns, but the bride and groom marry each other. The bride and groom are considered married when the groom ties a thread that symbolizes his vow to care for the bride. He ties it in three knots that symbolizes the gods, Brahma, Vishnu and Masheshwara. The ceremony takes place around a fire and the god, Agni is considered the witness to the union. “The bride and the groom then circle the fire seven times, in a clockwise direction, called Saat Phere which signifies seven goals of married life which include religious and moral duties, prosperity, spiritual salvation and liberation, and sensual gratification” (Gullapalli