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Movie critique on dead poets society
Themes of the film dead poets society
Essay on the movie dead poets society
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Dead Poets Society positions the audience to see Welton as a rigid, oppressive and destructive place. Throughout the unravelling of Peter Weir’s Dead Poets Society, the audience are often faced with the reality that attendance at Welton College would be undesirable. The physical and mental stresses endured by students due to the harshness and unforgiving nature of the school is underlining in many instances. Strict and unyielding authoritarian figures compel pupils to live in a damaging and caustic world, and to be placed under immense levels of anxiety and tension. The cruel world in which our impressionable young characters are forced to live in results directly in the tragic death of Neil Perry. During the screenplay, Welton is repeatedly shown to be a school where pupils are entrapped. Religious followers of the “Empty Vessel Theory”, Welton’s authority confine students to the four walls of their school building, and to the four wall of their mind. This theory reinforces the feeling of imprisonment Neil felt before his suicide. The boys are educated by books, and rely heavily on note-taking and on the blackboard. Classrooms, illuminated by single bulbs and devoid of natural light, give definite impressions as to the students’ state of mind. The lack of luminosity illustrates the deficiency in vigour, vitality and vividness of the boys, and similarly defines the students’ attitude to school life in general – gloomy, mournful and depressed. Similarly, the boys’ faces are usually shrouded in darkness, emphasising the deficiency in cheerfulness, and in the ending of their free spirit and will. Imprisoned physically, mentally and spiritually, the boys are unable to wander on the path to self-discovery, and instead are forced to ... ... middle of paper ... ...boys are forever compelled to do as adults say. The lack of trust and love for the boys is telling in many scenes and the constant disregard for their opinions and views brings about the untimely death of a youngster driven to the edge. Throughout the screenplay, Weir proves that it is the horrendous surroundings of the boys which cause the death of Neil Perry. Young students, especially in their adolescent years, need to be supported and encouraged and to feel value in society. Welton’s authority confirm on many an occasion their inability to cater to such demands. They succeed only in quashing mental, physical and spiritual sustenance of their students. Parents, who sent their children to such an austere academy, should have thought twice. The scars inflicted at Welton last a lifetime – and drastically reduce the length of Neil Perry’s young life.
However, the family is described as a unit that allows people to interact with the larger social unit of a society. This is because the family is a unit within a large societal unit that involves different pressures especially for kids as they grow. Weiser (17) argues that every person has a way of living and determining their liberal life especially in the democratic world. In line with this point, the movie shows how Tom decided to lead his life despite the love of his doting mother. The destiny of the two boys, Tom and Matt, who live in good families is i...
...olent incidences contrast in specific details and their fathers personas, both children lose their innocence and gain the experience and knowledge to question life and make logical decisions.
...es your life and everyone around you. No matter what anyone says, you are a lot different after your life (or another’s) has been placed in the hands of others. The boys not only matured a lot, but leadership roles emerged. It became obvious that Gordie was a leader in the group less than halfway through. And as groups tend to do, they relied on his leadership more and more until the end. The group was faced with the additional challenge of dealing with difficult group members. But the group discovered the concept of synergy when they found if they stuck together and used teamwork, they are a lot stronger unified than individually.
To sum up, the boys at Devon have endured a lot as teenagers. They are faced with pressures and values that cause them to develop into adults, at an early age.
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The mother realizes then that the young boys, the future "Generals" who will soon live as men do "playing war", are far from innocent. Her rite of passage is a complete and sad transition from the mother of a child that she has some control over to the parent of an independent man, who will make his own choices and fight his own battles.
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While Tribunella does address the fact that “contemporary culture might harm or fail boys” (25) the question of not reacting to the limitations of boyhood remains unanswered. In contrast, Linklater’s film hints that time is the best cure because eventually, everyone will grow up. With it, the “subaltern status” (22) is left behind. Notably, Mason’s personality goes through a cyclical continuum.
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