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The theme of death in literature
The theme of death in literature
The theme of death in literature
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Recommended: The theme of death in literature
Daniel Plumhoff
Mrs. Hiller
Science Fiction I
Per
Alan Moore and Dave Gibbons’ Watchmen is a prime example of a “modern classic”. The densely layered graphic novel has received worldwide acclaim and become a perennial bestseller, garnering more attention and mainstream acceptance for the comic book form than it had arguably ever enjoyed previously as a medium. Obviously, a novel of this magnitude and complexity contains many memorable and important chapters and moments and any number of arguments could be made as to which of them are the most memorable and important. Instead, this argument will question which chapter within Watchmen is the most important to the actual understanding of the novel and the complex themes and motifs it presents.
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The face is of a statue in the cemetery where the Comedian is being buried, raindrops running down its face as though it is crying. This chapter focuses on the funeral of Edward Blake, known also as The Comedian. As such, this chapter centers around and is the first presentation of the theme of death, a common theme in Watchmen – both real and symbolic, or “ontological”. Ontological death is best described as “the phenomenon of ‘world collapse,’ which occurs when one experiences an incident so jarring to his/her personal reality that the thing which gives one’s fundamental life, or world, meaning – whether God or something else – no longer applies. Preconceptions are extinguished, pushing one into a ‘new world’ where a revised reality must established.” (Stanford Encyclopedia of Psychology, 2007. The Encyclopedia of Death and Dying, …show more content…
For example, throughout the flashback scenes. In the first flashback, Edward Blake’s attempted rape of Sally Jupiter can be seen as the “death” of the innocence of superheroes, in both the novel’s world and the real world. By showing one superhero sexually assaulting another, Alan Moore and Dave Gibbons effectively shattered all positive preconceived notions of the superhero and used this shocking depiction to let the reader know that Watchmen would be completely different than any other graphic novel before it, and with this scene began to force the reader to ask the question of what a “hero” really is, or if anyone can ever really be a “hero”, which is one of the most important and most recurring questions that Watchmen presents to its
In the essay “On the Fear of Death” Elisabeth Kubler-Ross focuses on dying and the effects it has on children as well as those who are dying, while in Jessica Mitford’s “Behind the Formaldehyde Curtain” focuses more on the after fact when the deceased is being prepared of their last appearance. Both authors, point out that the current attitude toward death is to simply cover it up. A successful funeral is when the deceased looks “Lyf Lyk” in Mitford’s Essay, but in Kubler-Ross’ it is dying at a peace with oneself, no IVs attached. Both authors feel that the current views of death is dehumanizing. Mitford points this out with the allusion that the funeral parlors are a theatrical play, while Kubler-Ross comments “I think there are many reasons
The funeral was supposed to be a family affair. She had not wanted to invite so many people, most of them strangers to her, to be there at the moment she said goodbye. Yet, she was not the only person who had a right to his last moments above the earth, it seemed. Everyone, from the family who knew nothing of the anguish he had suffered in his last years, to the colleagues who saw him every day but hadn’t actually seen him, to the long-lost friends and passing acquaintances who were surprised to find that he was married, let alone dead, wanted to have a last chance to gaze upon him in his open coffin and say goodbye.
Through the character Rorshach, The Watchmen explores the issues of nature verses nurture for him. Moore adds that a super hero, can be a psychological argument. A super hero is neither born nor shaped by environment, it is the creation of an alter ego to suppress childhood conflicting inner issues. Rorshach dealt with issues as a young child that rationalized in his mind to hide behind a costume and a mask in order to live.
Alan Moore’s “Watchmen” focuses on several characters throughout the novel making the idea of a main character moot. However, one character can be described as the most influential to the plot of the graphic novel. Rorschach can be seen as such due to the fact that he narrates a large portion of the novel, and his heroic code that he follows. Not only does he influence the plot by those two reasons, but also by uniting the characters after a long silence. The Comedian is the only character that almost perfectly fits as the character with the most influence on the plot of “Watchmen.” The death of his character allows for the plot to be set in motion. He has not only has he shaped every other character in the novel, but the symbol that represents his character can be found throughout the graphic novel. Although Rorschach can be interpreted as the most influential character of “Watchmen,” The Comedian influenced more aspects of the plot than any other character of the graphic novel.
Watchmen introduced and described all of the special personalities of each character and put them through life-or-death situations. Rorschach responded with the new person that he developed himself through rough times, ignoring the fact that there are actually good people out there. Dreiberg responded with his love for costumed heroes ever since he was a kid by dressing up as the Nite Owl, ignoring the fact that what he does for the community is worthless. Adrian Veidt was the one to start all of this trouble, believing that he could do so just because he was such a success. Importantly, each one of these characters acquired knowledge their ignorance being humility and their humility being wisdom.
To conclude, the graphic novel Watchmen presents the non-fantastic representation of a superhero, implying that not all heroes are like Superman. This notion is explored within the novel by mentioning the realistic motives of the characters choosing to become superheroes, by Rorschach’s representation and through the heroic reactions of the New Yorkers to a street crime. These elements all contribute to Watchmen’s uniqueness and complexity as a superhero comic.
Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. Together, the characters of Watchmen reflect an unflattering image of American identity. We sacrifice morals to defend principles, rather than saving people. We sacrifice ourselves for commercial gain and for the fame that comes from the worship of strangers.
To create living people should always be the goal in literature. It is how a writer can illuminate a new facet of existence and can only be achieved through the use of a sympathetic imagination. Hemingway erred however, when he argued, “A character is a caricature” (153). A caricature may be a character sometimes, but it may also be a fully realized and living person at others. As in Watchmen, when a caricature lives, it can be an extremely powerful thing.
In the novel Watchmen by Alan Moore and Dave Gibbons, interprets the achievement of order and law through the use of power and violence by superheroes. This novel consists a total of seven different characters to demonstrate how superheroes obtain peace in society through the use of violence. The writer portrays the plot in different characters’ perspectives by guiding readers in their point of view. This motivation also assists readers to examine the loneliness and the feeling of isolation during Dr. Jonathan Osterman, Walter Joseph Kovacs and Laurie Juspeczky’s life experiences.
The Watchmen is a graphic novel by author Alan Moore published by DC Comics as a 12 issue series from 1986 to 1987. It tells the story of a group of past and present superheroes and the events surrounding the mysterious murder of one of their own. The Watchmen depicts superheroes as real people who must confront ethical and personal issues because some superheroes don’t have super powers. Kick-Ass is superhero film based on the comic book of the same name and the film adaptation is directed by Matthew Vaughn. It tells the story of a typical teenager called Dave Lizewski who sets out to become a real-life superhero of the name of Kick-Ass. The Watchmen and Kick-Ass both subvert the typical features of superhero fiction genre and conventions
In North America alone comic book sales have reached 517.66 million dollars in the year 2013. It is estimated that comic books sales will go up 9.04% year after year. This data suggests that comic books still have a tremendous audience. This audience has managed to remain about the same throughout the years, being males between the ages of 16 and 25. With that being said the artists and writers realized this and started a trend of hyper sexualizing and portraying super women in an unrealistic light, in hopes of enhancing the growth of their fan base. This study aims to analyze “How superhero women are depicted and represented in comic books.”
When you think of comic books, what do you think of? If you were to ask your parents they would probably tell you Superman or Spiderman, maybe even Batman or Wonder Woman. Some might mention something more, something that appears to be a comic book, but once opened is revealed to be a work of literary genius; a comic such as Watchmen, or perhaps even V for Vendetta. An author and artist of renowned recognition and admiration wrote both masterpieces.
Even though there are superheroes existent in the Watchmen universe, a majority are human and thus exhibit routine human characteristics. They frequently “ponder what sort of person would put on fancy dress and punch muggers every evening,” but when they do themselves, their flaws shine though the costume, causing them to commit questionable actions (Barber). They are not perfect heroes, exposed by the fact that Moore created them as shadows of well-known superheroes like Batman, Superman, and Iron Man (Barber). Furthermore, there are no clear protagonists or antagonists because each character battles their own morality, adding to the human factor of the novel (Wu). Hence, humanity’s worth can be distinguished through an analysis of the morals
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.