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Marilyn Monroe's impact on pop culture
Marilyn Monroe's impact on pop culture
The impact of Marilyn Monroe on women in the sixties
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Warhol’s Marilyn Diptych, is typical example of Pop Art due to its subject, strong color, and representation. The piece showcases a still of Marilyn Monroe from her 1953 film, Niagara, the use of a still of a influential, popular actress is very typical of the style. With Marilyn Monroe being a symbol of popular culture, Warhol using a still of her from a well known film is a classical choice of subject. The image is a form of hand printing onto the silkscreen onto the canvas which is constantly varied due to the amount of paint put through the screen. Warhol then repeats the still over 50 times in different contrasts, first being with strong color on the left panel contrasting with the black and white which eventually fades. The vividness
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
During World War II, after the Japanese bombing of Pearl Harbor, Japanese Americans in the western United States were forced into internment camps because the government felt as though the Japanese were dangerous if they were not relocated. These camps were usually in poor condition and in deserted areas of the nation. The Japanese were forced to make the best of their situation and thus the adults farmed the land and tried to maximize leisure while children attempted to enjoy childhood. The picture of the internee majorettes, taken by internee and photographer Toyo Miyatake, shows sixteen girls standing on bleachers while posing in front of the majestic Sierra Nevada mountain range and desolate Manzanar background. Their faces show mixed expressions of happiness, sadness and indifference, and their attire is elegant and American in style. With the image of these smiling girls in front of the desolate background, Miyatake captures an optimistic mood in times of despair. Though this photograph is a representation of the Manzanar internment camp and, as with most representations, leaves much unsaid, the majorette outfits and smiling faces give a great deal of insight on the cooperative attitudes of Japanese Americans and their youth's desire to be Americanized in this time.
During the time of the painting the Vietnam War which had heighten and also the anti-war activism. His piece was a mix of “Vietnam death machine” and advertising for the war and what was taken place during that time. His work implicates the political message on the economic consequences of the war that was occurring. Just like pop art his work demonstrated and told a story of what was happening in society. It acted as a storyboard and news prompter for others that were not able to exhibit the effects that were being made. This piece has become an iconic pop art piece. The body of Rosenquist painting had a span to the work’s 23 panels, interspersed with spliced-in images of commercial products and references to war fragments which was known as the flak of consumer society meant to meet the needs of society., F-111 Through the of impact visual motifs, points to what the artist has described as the collaboration between the Vietnam death machine, capitalism, the media, and of course advertising. His work would always be looked as an iconic
Peter Lik is a pioneer in landscape photography and is extremely well known. He has spent over 30 years pushing the boundaries of fine art. He has been shooting scenes of Mother Nature his entire life. Born in Melbourne, Australia to hardworking Czech immigrants, he has always appreciated life's beauty and never taken it for granted. Peter's work can be traced back to the essential moment when at 8 years old he received the gift of a Brownie Kodak camera from his parents. This event set him on a course for destiny. Since his first snapshot of a spider web in his family garden, he has wanted to share with people some of the most beautiful places in the world. One of the biggest growing points in his career was when he took on a massive project
“Silver Liz as Cleopatra” is a piece completed by Warhol in 1963 and is currently on display at the Art Gallery of Ontario in Toronto. This specific painting portrays actress Elizabeth Taylor as the lead role of Cleopatra, the highest grossing film of 1963. Silver paint, and silkscreen ink and pencil on linen were all used in union to achieve the final result. Here the recurring images of the queen of the silver screen resemble a strip of film or a number of inexpensive and quick snap shots from a photo booth. The representation of Hollywood stars in his works were not an uncommon subject for Warhol as he was infatuated with the world of celebrities. His ability to utilize the methods and techniques...
Marilyn Propp does different types of artwork. Her most recent series of artwork are mainly woodblock printing. She is very minimal in regards to color usage in all of her woodblock print artworks. Also, all of her past woodblock prints was very minimalistic because there are not many objects found in each piece of artwork. “Deep Sea Drifters II” is Propp’s most extensive piece of woodblock print consisting of twelve woodblock panels while her previous works were only single panels. Other than woodblock printing, Propp also did paintings and drawings since 1989 until 2007.
If I were to direct Woyzeck, and could arrange the scenes in any particular order I would start with Act One Scene 14. In this scene little girls ask Marie to sing with them but she declines. Then the Grandmother tells a story; "Once upon a time there was a poor child with no father and no mother, everything was dead (105)." The classic phrase "Once upon time" serves as nice introduction to the piece, and begins the play from a point of innocence. Having said that there is also an inherent darkness present in the Grandmother's story. The lonely child mirrors Woyzeck and his fight for existence in a lifeless world. Following this scene, I would go to Act Four Scene One: Woyzeck tells Andres about a vision. Woyzeck says that a "fire's raging around the sky, and a noise is coming like trumpets( 94)." This vision clues the audience into the uneasiness that is present in Woyeck's inner thoughts. Additionally this scene establishes the importance of the Woyzeck and his psyche at the beginning of the play. There is a sense of danger and mystery present in the scene which provides a build for the rest of the scenes to jump off of ( in other words this scene serves as inciting incident). Next, I would have Act Four Scene 8 where Woyzeck describes his vision to the doctor. The doctor ends up ridiculing Woyzeck for peeing in the street, questioning his vision, and asking him if he has been eating his daily dose of peas. This scene would logically come next because it acts as twisted diagnosis of Woyzeck. This scene exemplifies the hostile relationship that exists between the doctor and Woyzeck, and eludes to the theme of dehumanization present throughout the play. After this scene, I would put in Act Four Scene Two and Three. In Act Four Sc...
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
Issue: The Lawrence Wilson Art Gallery is proposing an exhibition for the Perth International Art Festival. An artwork is being proposed that pushes ethical boundaries. This said artwork is ‘Helena’ by Marco Evaristti. Imagine you are a member of a UWA human or animal ethics committee and have to decide whether the artwork can be exhibited at UWA.
The image has a huge effect in society. A celebrity’s image can characterize, shape and circulate societal myths in Hollywood. Marilyn Monroe was an American actress, singer, and model. People think her figure and beauty make her become a popular icon and sex symbol in the 1950s. When people talk about the name of Marilyn Monroe, a blonde beautiful sexy female's image will appear in people's minds. What has the beauty standard shown us through Marilyn Monroe in the mid-20th century? Besides the beauty what other things did she need in order for her to be famous at that time? Marilyn Monroe's status as a sex symbol has influenced many artists since her time, even though the beauty standard has been different since then. If we look at the celebrities today, we can find many imitators of Marilyn Monroe: Madonna, Britney Spears, Lindsay Lohan, and even Lady Gaga. They do this not only because of marketing and media needs, but also because people today still “worship” the image Monroe created. A half-century has passed since Marilyn Monroe's death, so why is she still relevant today? As time has passed, Marilyn Monroe's image is becoming even more meaningful and valuable. Think about the image she has created, the main point I want to study is: how does a woman who passed away at thirty-six years old, after starring in only a handful of movies, has such on the impact on women, especially young women, in the 21st century? To find the answer of how she has an impact on young women today will also show how some of the young celebrities today became successful.
Warhol also used repetition of images in his work, and Campbell’s Soup Cans is not the exception. By repeating the same object he was able to saturate the viewer, showing that if you see the same thing enough times it diminishes its meaning. A specific image can be very interesting, but many images that look alike become a bunch of the same thing. If you see many cans of soup at the same time, no matter how elaborated each one of them is, all you will see is a group of cans.
Warhol, Andy. Marilyn Diptych. Tate Gallery. The Andy Warhol Foundation for the Visual Arts. London, 2009. web.
The purpose of the present paper is to discuss a very interesting piece of art, Fra Filippo Lippi's “Portrait of a woman with a man at a Casement”. I will begin by the analysis of the formal qualities of the painting such as the composition, the color, line, texture, proportion, balance, contrast and rhythm. I will then discuss how the work fits a certain stylistic category. I will demonstrate that the painting reflects the social and cultural trends of the period in which it was created.