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Recommended: Essay about war poems
War Poetry Analysis
There are many different approaches to war in the poetry I have read.
Some are very jingoistic and strongly encourage conscription. They use
a wide range of colloquial language and often use puns to play on the
emotions of the reader and make their poems more interesting. A good
example of a poem of this type is, "Who's for the Game?" by Jessie
Pope. This kind of war poetry has often been criticised by other poets
with a more serious and realistic view to war. One of the most famous
war poets, Wilfred Owen has a completely different approach. Having
been a soldier in the war, his work was greatly influenced by all the
death and suffering he had experienced. This gives a less idealistic
view, based more on fact, not encouraging people to enlist. The third
poem I have chosen shows a more modern opinion particularly to nuclear
war. It is completely different to both of the other poems I have
chosen because it is about a slightly different issue. It is also very
anti- war but unlike Owen it does not dwell on death and fear but
tells us how quickly the world could end.
"Who's for the Game?" is completely different to "Dulce et Decorum
est" and "Icarus Allsorts" as it takes the totally opposite approach
to war by encouraging people to enlist and is very positive about the
whole idea of war by portraying it as, "The red crashing game of a
fight." Jessie Pope uses rhetorical questions to make the reader
examine their conscience and draw them into the poem by asking them,"
Who'll tackle the job unafraid?" and "Who wants a seat in the stand?"
This plays with the readers emotions and makes them feel guilty if
they do not want to go and fight for England as it "is looking and
calling for" recruits. The poet gives a very idealistic view on the
soldiers injuries by saying," Who would rather come back with a crutch
than lie low and be out of the fun?" when we all know that this would
Thomas Paine in “Crisis, Number 1” claims it is right to leave Britain. He refers that god has told him and that he believes it is the right thing to do.”I have as little superstition in me as to any man living, but my secret opinion has ever been, and still is, that God Almighty will not give up a people to military destruction, or leave them unsupported to perish, who have so earnestly and so repeatedly sought to avoid the calamities of war, by every decent method which wisdom could
Britain afford to pay for a war like this? The only way to pay for a
Portrayal of War in the Pre 1900 Poetry Before 1900, war was always seen as a glorious thing. People truly believed in the words of the ancient writer Horace, "Dulce et decorum est, pro patria mori. " This phrase can be translated, as "It is a lovely and honourable thing; to die for one's country". Pre 1900 war poetry was strongly patriotic and glossed over the grim reality of death, preferring instead to display the heroic aspects of fighting. If death was mentioned, it was only in a noble and glorious context.
why did he have to lie when he knew that if they really got to know him they
are not free in service, you do what you are told and this is the same
and just 30 or 40 years of service cannot make up for the suffering they have been going
...horrific war, the men do not believe they will have psychological and physical power to continue on with life outside of the war.
The voices of individuals in shaping the perspective on Australian issues are presented in Bruce Dawe’s poetry. Dawe's ability to express the drama and beauty of everyday life has made his work readily accessible to the general public. Bruce Dawe’s primary purpose in his poetry was to depict the unspoken social issues, concerning the typical Australian suburban residents. His concern for these matters is evident through his mocking approach to the issues he presents in his poems. The poem “___” and the related text help shape our perspective on Australian issues through Dawe's use of techniques and context.
The next line expresses the way in which he has no grave stone, just a
Considered the leading English poet of the First World War, Owen is remembered for realistic poems depicting the horrors of war, which were inspired by his experiences at the Western Front in 1916 and 1917. Owen considered the true subject of his poems to be "the pity of war," and attempted to present the true horror and realities of battle and its effects on the human spirit. His unique voice, which is less passionate and idealistic than those of other war poets, is complemented by his unusual and experimental style of writing. He is recognized as the first English poet to successfully use pararhyme, in which the rhyme is made through altered vowel sounds. Owen’s distinct way of both writing and reading poems led to influence other poets in the 1920s and 1930s.
The writers of 'Joining the Colours' and 'The Send Off' both use poetry to express their feelings about soldiers leaving for war. Each have similar attitudes about the subject, but use different approaches to try and get their message across. Both question the popular concept of war, including ideas such as heroism and glory. Katherine Hinkson, the poet who wrote 'Joining the Colours', shows the scene from two different perspectives, that of the audience watching the soldiers and also her own point of view. Wilfred Owen simply shares his thoughts by describing the soldiers leaving from a station, although the effect is no less powerful. As Hinkson is a woman, she focuses more on a mother or wives point of view, whereas Owen gives more of the soldiers perspective.
 tired of the British government who sympathize with movement for national liberation abroad and parade British naval, and national pride.
He may have used this technique to make war seem if it had made men
‘The Falling Soldier’ is one of many poems by Duffy which deals with the subject of human mortality. Duffy expresses what could have been over a harsh reality; this is characteristic of her as also seen in ‘Last Post’ and ‘Passing Bells’ which both seem to be largely influenced by poet peer Wilfred Owen’s personal experiences of war. In the ‘The Falling Soldier’ Duffy paradoxically captures the essence of Robert Capa’s famous photograph of a man falling after being shot during the Spanish Civil War (1936). She employs the form of an impersonal narrative voice, using second person to question the possibilities, to explore the tragic and cyclical nature of war. The futile reality of war contrasts to her central theme in ‘The Bees’ anthology of bees symbolising the grace left in humanity.