In the chapter “Waiting between the trees.” from the Joy Luck Club, we encounter Ying-Ying’s 1st marriage, and how it affected her and others around her. Throughout the text it has this theme of marriage and relationships, and with ying ying she ended up killing her first child out of fury and depression due to the fact that her husband was cheating on her with an opera singer. My perspective on this chapter, the situation and story that Ying Ying describes is that it was all a “Lie”. The reason I describe Ying Ying’s first marriage is a lie because it is evident that the husband’s desire and intention to be in a relationship was for her physical aspects and that she was a virgin. To prove this, in the book Ying Ying describes a scene in which …show more content…
These trips began soon after we married, but they became longer after the baby was put in my womb.I remembered that the north wind had blown luck and my husband my way. So at night when he's away, I open my bedroom windows, even on cold nights, to blow his spirit and heart back my way. What I didn't know is that the north wind is the coldest. It penetrates the heart. This quote, to me, has a significant meaning. A meaning that goes deeper and it's almost said and described with emotion and longing. The reason why I state this is because Ying says that she opens her bedroom windows even on cold nights so that he would come back, to be with her and spend time with each other. She waits for her husband, She most likely misses him, therefore opening the window in her bedroom to let the North Wind in. But at the end of the quote she says, “What I didn t know is that the north wind is the coldest. It penetrates the heart. This quote has this aura of betrayal and lies. In my opinion, Ying is saying this in the future and talking about the past because the way she describes it and the way she expresses it shows this disgust and sadness that she went
In today’s society, many struggle to freely demonstrate their identity in fear of potential backlash and disapproval from others. While examining the two poems within this assignment, "sturgeon" as well as "the same as trees," I distinguished the overarching theme of identity crisis, and the inability for individuals to effectively express themselves. The first poem being analyzed is “the same as trees” by Nicola I. Campbell. As a member of the Métis community, Campbell’s life has not been simple. Often, people of Métis origin have difficulty navigating their European and Indigenous roots.
The Novel House of Leaves by Mark Z. Danielewski uses two characters of his own creation to construct the book in its entirety. The first contributor, Zampano, who is the author, who may or may not be trustworthy of the interpretation of The Navidson Record, because he is blind. Early on in his efforts to finish the book he dies under suspicious circumstances. At this point, Danielewski employees another to contribute, Johnny Truant, who composes the introduction and notes for the book. Zampano documents the Navidson Record which is about Will Navidson and his family. Navidson calls his brother Tom and a family friend, Billy Reston, to investigate a hallway that appears out of nowhere between two rooms. Once a labyrinth appears in the house,
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
However, as an adult Lim Hue-lieng removed himself from the Lim household and created his own life separate from his family. Then only to become part of his father’s house once again, he agreed to marry Lim A-pou (Wolf 50). They had two children together, but their relationship was formal at best. He hardly spent time with his wife (Wolf 51). Instead, he formed a relationship with his mistress and second wife, Lim So-lan. In Lim Hue-lieng’s instance, the tradition, although upheld, was not respected since he spent more time with Lim So-lan. His marriage to his foster sister hardly interested him and did not affect his life as much as his marriage to Lim his second
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
These types of expectations and pressure put into children in our society for many reason such as getting good grades and doing well at school. In Joy Luck Club June (Jing-Mei Woo) deals with the pressure in a more distinct fashion compared to the children in our society today, as she rebels from her mother’s expectations. The expectations that are set high apply pressure to kids in society and Jing. This affects everyone in their own ways, as some people quit after a while like Jing, and some try to keep up with the expectations and goals. June doesn’t try to keep up with her mother’s expectations and expresses herself to her mom in a frustrated manner.
In the 21st century, Society has put a label on what is considered normal, and what is considered shameful. If you compare our current time period to the 1950’s you’ll see major differences, the biggest being the culture. Have you ever wondered how the year 1955 was like? Or how people survived without technology? UW School of Drama’s production of Maple and Vine Directed by Sean Ryan, shows the effects that society in our time period has put on the main character, Catha portrayed by Tatiana Pavela. The 21st century has created expectations from men, and women that everyone strives to achieve, but it leaves a detrimental affect on people’s sanity.
The book I chose to read is called, Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder by: Richard Louv. I chose this book for a few different reasons. One reason I chose this book was because I’ m highly interested in the whole concept of the book and feel very passionate about its reasoning. I also thought it would be a great read to guide me towards a topic for my main project at the end of the Lemelson program. On the plus side, I “read” this book through audible, which enabled me to listed to the book on my drive to and from work everyday. I commonly do this because of my forty-five minute commute from Truckee to Spanish Springs.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
Ann-Mei's mother is forced into concubinage because of her lack of power as a women. She becomes the third wife. As a third wife she maintains very little status in the home of Wu Tsing. Ann-Mei's family disowns her mother because by becoming a third wife she has brought shame to her family. "When I was a young girl in China, my grandmother told me my mother was a ghost". Ann-Mei is told to forget about her mother and move on in her life. The fact that Ann-Mei is told to forget her mother because she has become something she could not control, is preposterous. She was raped and forced into concubinage. The lack of appreciation for a female causes this feeling of shame for the Mei family. Since rape and polygamy is accepted in China, it makes it appear that what Ann-Mei's mother has done is wrong, and what Wu Tsing did was right or normal.
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
The story of Princess Huo’s daughter is a story about a man by the name of Li Yi. Li Yi was from a good family and showed brilliant promise. Even senior scholars admired him. At the age of twenty-one, he hoped for a beautiful and accomplished wife. In Chang’an Li asked a matchmaker by the name of Bao to find him a wife. Li gave her expensive gifts and she was very well inclined to him. One afternoon, some months after talking to Bao Li was sitting in the south pavilion of his lodgings when he heard continuous knocking. Bao entered and Li asked her “What brings you here so unexpectedly, madam”. Boa had found Li a perfect match for a wife, and with the good news Li was ecstatic and leaped for joy. Saying “I shall be your slave as long as I live!” Bao informed him that she was the youngest daughter of prince Huo. Her name is Jade, her mother was the prince’s favorite slave. When the prince died, his sons refused to keep the child, so they gave her a piece of wealth and made her leave. She changed her name, and the people do not know the prince was her father. She is the most beautiful...
...ying in a marriage since divorce was frowned upon during that era. Her decision was a succession for all expectations put on a woman and wife by society.