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In the 21st century, Society has put a label on what is considered normal, and what is considered shameful. If you compare our current time period to the 1950’s you’ll see major differences, the biggest being the culture. Have you ever wondered how the year 1955 was like? Or how people survived without technology? UW School of Drama’s production of Maple and Vine Directed by Sean Ryan, shows the effects that society in our time period has put on the main character, Catha portrayed by Tatiana Pavela. The 21st century has created expectations from men, and women that everyone strives to achieve, but it leaves a detrimental affect on people’s sanity.
Maple & Vine depicts the story of Catha, a young woman who is suffering from depression, because
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of the miscarriage she experienced six months earlier. In order to avoid dealing with the reality of her unborn child’s death, she pushes her husband and co-workers away from the small bubble she has created for herself. When displaying Catha’s grieving, the costume designer, Pamela Dirnberger, dresses Pavela in sweat pants and a sweater with a pair of flats. This shows how Catha does not put an effort into her appearance, because she does not have the motivation to look presentable for anyone. The audience makes the connection that Catha has been avoiding doing anything productive, and has chosen to stay in bed and use her laptop to watch episodes of ‘Anne of Green Gables’ instead. When exemplifying Catha’s anger with Omar, Catha’s co-worker, Payela moves her face closer, until she is about an inch close to his, and then raises the volume of her voice and uses hand movements. The most common hand movement she used was when she had her hands to her sides, and flattened her palms on her desk when ranting about her life, she says “If it means you don’t have to wonder which of us is crazy. Me, for leaving? Or you, for working a 60-hour week just so you can pay for an apartment the size of a matchbox, while you spend the rest of what you make buying drinks to numb yourself while you complain to your husband…” (Maple and Vine, I.XII). Instead of avoiding the question, Catha has a catharsis moment and reveals how she has been feeling since her miscarriage occurred. Payela also shows how Catha’s attempting to fit in with the community, by seeking approval from Ellen and Dean. In order to convey to the audience Catha’s urgency of belonging in the society of dynamic obsolescence; Payela fidgets with her dress, and fluffs up the pillows to make her house look presentable. Catha evolves her communication skills throughout the play, an example is during the beginning of the play, when Catha is speaking on the phone with Marcus’ secretary, a client who tried contacting her for information about a book.
Catha immediately gets annoyed about being asked to hold and says “yes, you put me on hold? Do not do that again.” (Maple & Vine, I.V). Showing how little patience she has with people, during her time in the 21st century. She also has no filter at first, an example is when she is speaking with her co-worker, Omar she says “you know for a homosexual you’re not very funny” (Maple & Vine, I.V). This scene is an example of how blunt, and unconcerned she is when speaking with anyone, because she is only focused on how she feels. In the Society of Dynamic obsolescence, Catha changes how she interacts with people, an example is when Ryu comes home from work in a fowl mood and say’s “Work was shit” (Maple & Vine, II.VIII). Catha calmly tells him to watch his language, but in the past she also used foul language. As Catha starts to become more comfortable in society, she develops leadership qualities and comforts Ellen, when Dean leaves her. As she is comforting Ellen about falling in love with Dean, even though she knew he was gay, she say’s “it’s not stupid” (Maple & Vine, II.XIV). Catha in the 21st century probably would have had a different reaction, because she had no regard for people’s feelings then. Catha has become more patient, and uses some …show more content…
motherly skills, that she has gained from being pregnant. Catha’s super Objective is to get a fresh start, because of the effects her miscarriage has had on her.
The evidence to support this is when, Catha discusses with Ryu the possibility of living in the Society of Dynamic Obsolescence, she asks him “how long has it been since we met someone who seemed so...” (Maple & Vine, I.VIII). This angers Ryu, because Catha is drawing the conclusion that Dean is happy in a society/cult that avoids what is happening in the real world. As Catha is attempting to work past the loss of her child, and be there for her husband; she is torn about when and if she will ever accept the fact that, her unborn baby will never get the chance to live. Every time Catha’s husband brings up the suggestion of having another baby, Catha would avoid the subject entirely. Ryu would say “Hillary Rodham Clinton” (Maple & Vine. II.II). This would put Catha back into her defensive and timid state, making her take a step back from the progress she has
made. The inciting Incident is Catha’s miscarriage. In the scene with Ryu and Catha at the park, Ryu asks Catha, when was the last time she felt like herself and she says, when her and Ryu rented bikes together and rode them through Amsterdam. In order to make the mood lighter, Ryu jokes that food and bikes will make Catha feel better, so she blows up at him by saying “great, Ryu. Then we’re all set, we’ll just get some…bikes/and and” (Maple & Vine, I.VII). As she continues to communicate some of her emotions to Ryu, she says “maybe I don’t want to love something for all that time again just to have it, to have it/ stolen away” (Maple & Vine, II.VII). This scene makes it obvious to the audience, that Catha had a miscarriage that still affects her, and has a hold of her life. A major climax that occurs, is when Catha speaks with Ryu about making chicken stock. She has a turning point when she says, “It was amazing, Ryu. It took seven hours. I had to chop, I had to dice, I boiled the water. I skimmed, I strained. Things changed shape. Chemistry. When it was done-there was something there that wasn’t there before” (Maple & Vine, II.III). Catha’s view of her life begins to change as she starts takes a step to heal from her past, and then find comfort in a new hobby. I could feel her personality begin to change as she begins to communicate better with her husband, instead of avoiding conversation that had too much to do about her wellbeing. As the play progresses, Catha gets the news that she is pregnant. This marks the main climax, and it exhibits the progress she has made since having a miscarriage. Catha tells Ryu “I’m Pregnant.” (Maple and Vine, II.VIII). Being able to react like a regular housewife is a big step for her, and it is the new start that she was hoping for by coming to the SDO. Society has put expectations on men and women, that creates detrimental effects on people’s mental state. Having a fresh start, where no one knows you, can help give someone a clear piece of mind. It can also change the way someone sees the world by showing how a society with a small set of expectations can take the pressure off of being someone that other’s expect you to be. In order to have happiness in society, people are given limited options, either they can follow everyone else and chase the ‘american dream’, or they can ignore what society says they should want and create their own expectations of themselves.
The poem I have chosen for the assignment is Maple Valley Library, 1967 by Rita Dove. After reading the poem I concluded that the speaker is Dove when she was fifteen years old sharing Dove’s perspective of being in the library and checking out books. Now looking at the poem, it has five or six wide stanzas and one or two skinny stanza each having a range of long to short lines except for the last two stanzas being short. The poem is long reaching the two pages mark with a rugged look. Then looking at the rhyming there appears to be none in the poem that I can
Gender and culture are two concepts that were principally shown throughout the film. The film revolved around Toula’s traditional Greek family and how they exemplified gender roles, gender stereotyping as well as gender stratification. The film also epitomized on subcultures, countercultures, ethnocentrism, cultural relativism as well as cultural diffusion. It is forthrightly for a sociologist to relate trends in the film to prevailing trends occurring all around the
Mary Pipher goes on to say that the problem faced by girls is a ‘problem without a name’ and that the girls of today deserve a different kind of society in which all their gifts can be developed and appreciated. (Pipher,M). It’s clear that cultures and individual personalities intersect through the period of adolescence. Adolescence is a time in a young girl’s life that shapes them into the woman they become. I think it begins earlier than teen years because even the clothing that is being sold for younger girls says sexuality. Bras for girls just beginning in every store are now padded with matching bikini underwear, Barbie dolls are glamour up in such away that these girls believ...
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
... as a society, we are still allowing, even encouraging, the reproduction of the patriarchy through our choice of entertainment. We are allowing ourselves to be socialized into old-fashioned, out-of-date roles. While sitcoms make us laugh and provide us an escape from our troubles, they may be creating problems all their own – problems that, as a society, we cannot easily escape from. Certainly, that is no laughing matter.
Before finding out about her biological parents, Asha acts very immaturely and inconsiderately. The first example portraying Asha's unsophisticated behaviour takes place while Asha has a disagreement with her parents because of her poor grades. After her mother offers to helps, she replies, “'I don't need a tutor, and I definitely don't want your help,' Asha says choosing her words to sting her mother'” (Gowda, 150). Here, Asha is deliberately trying to hurt her mother's feelings and is acting very inconsiderately. Also, the fact that she is yelling at her mother, even though her mother is only offering to help, showcases her immaturity.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
Modern America, in accordance to course materials and personal experiences, overtly sexualizes people, specifically among the youth, engendering new versions of gender expectations, roles, relationships, and how society views people based on appearance, sexual promiscuity or supposed promiscuity, and so on. Easy A (2011) represents an example clarifying how gender socialization impacts today’s youth via several concepts such as slut shaming, slut glorification, challenging masculinity, dating/hooking up, gender expectations and social acceptance. This film primarily focuses on a female’s promiscuity. Olive, the main character, is automatically labeled slut, after a rumor she unintentionally sparked by a bathroom conversation. Soon, the rumor spread and Olive became “school slut” in minutes.
The Ugly Truth, a film which was released in 2009, displays many particular stereotypes and gender issues which we find within American society. Gender is made up of socially constructed ideas which are reinforced by society in regards to what it means to be masculine or feminine. We first learn gender from our parents; however they too had to first learn it from their families and society. Within the American society, the media takes on a large role in creating gender norms. The media is made up of films, magazines, television programs, and news papers. The Ugly Truth, although a funny film, perpetuates these stereotypes and ideas of gender provided by our society.
The Japanese maple trees were subjects for much poetry and art in seventh century Japan. However, both world wars took their toll on the many different collections of these trees, and they were often used as firewood. By the end of the 1940s, many cultivars had disappeared. However, in the 1960s there was a return of interest and since then over 320 varieties of the Japanese maple have been developed from the native trees that were left.
Sofia Coppola’s movie, The Virgin Suicides, 1999, brings to the forefront the reality of what life is like for five oppressed teenage girls living in suburbia in the mid-70’s. After examining numerous articles, a few of them made an impact on my perspective. The first of many articles is Todd Kennedy’s piece, Off with Hollywood’s Head: Sofia Coppola as Feminine Auteur. Kennedy discusses how Coppola has a tendency to lean toward directing films that cater toward females’ interest, either because of the visual imagery or women’s feelings of connectedness with the characters. The author reveals that The Virgin Suicides portrays women as becoming dominated by the environment surrounding them. The author gives an interesting point of view when he claims, “The film tells a story of the five Lisbon sisters whose identities exist only insofar as they are defined as the objects of the masculine desire” (44). Furthermore, the Kennedy asserts how the film serves as a prolonged exploration into the degree to which female characters are idealized, objectified, and defined by the image that the film- and their society- imposes upon them.
The image of female sexuality in our society has been corrupted in Levy’s opinion, tainted by the countless industries profiting off of the sexualization of women, who are the main driving force behind our current day raunch culture. Take Girls Gone Wild (GGW from henceforth), GGW is a perfect example of how the younger generation of women is effected by our current day raunch culture. GGW often targets women whom they see as the average looking girl, “the girl next door” so to speak. They are often college students ...
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
In the past women have suffered from inequalities where women have been stopped from achieving their goals and dreams. One can argue that this is not true, they can simply say it was a different time period, a different set of social norms, different traditions, but the reality is that women back in the days compared to today are still facing many issues with inequality it can also be seen in the way female characters are displayed among television and film. For instance, in the film “Fifty Shades of Gray” Anestia is a female character that is portrayed as a female who has no voice for herself and has to learn how to be submissive just so she can remain by the side of the man she claims to love which is Christian Gray. Anestia eventually learns to not have a voice as to what she truly wants and desires from him, and becomes okay with the idea of following his orders. This film has sent a message to young females that it is okay to not take a stand and not have a voice for themselves with situations they are not happy with. This film is a perfect example to demonstrate how female inequality is still being persuaded among our society through films and television. But films like Amelie are changing females life into encouraging females to take action and follow their
Gay reminds us that, “womanhood feels more strange and terrible now because progress has not served women as well as it has served men” (Gay 2011, 132). In other words, women have been portrayed as degrading and inferior to men due to the inevitable consequence of patriarchal western societies, in which women have traditionally been correlated with a less status than men. Women’s Realities, Women’s Choices demonstrates this theory as a conventional view of sex and gender by emphasizing that “women have been associated with the body and nature and men with ‘self, ’soul,’ and culture, profoundly affecting how women have been valued, treated, and constrained in their opportunities and choices” (Hunter College Women 's Studies Collective 2014, 152). In addition, an origin myth for Christians is that Eve was made as a companion to Adam, and by defying God, eating the fruit from the forbidden tree of knowledge and convincing Adam to do the same, she brought evil into the world. This suggests that “it is men, not women, who engage in productive labor and that women deserve the pain of childbirth” (Hunter College Women 's Studies Collective 2014, 28).This myth originated from Christianity is generally held to be acceptable at the expense of individuality and has had influence on society, which has lead the authors to question views of sex and gender. Therefore, in the film Coffy, men played a role of dominance in demanding women to satisfy their sexual