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The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
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... as a society, we are still allowing, even encouraging, the reproduction of the patriarchy through our choice of entertainment. We are allowing ourselves to be socialized into old-fashioned, out-of-date roles. While sitcoms make us laugh and provide us an escape from our troubles, they may be creating problems all their own – problems that, as a society, we cannot easily escape from. Certainly, that is no laughing matter.
Works Cited
Americans watching more tv than ever; web and mobile video up too. (2009, May 20). Retrieved from http://blog.nielsen.com/nielsenwire/online_mobile/americans-watching-more-tv-than- ever/
Seidman, R. (2010, February 17). TV ratings top 25: Olympics and and American idol battle for weekly supremacy. Retrieved from http://tvbythenumbers.com/2010/02/17/tv-ratings-top- 25-olympics-and-american-idol-battle-for-weekly-supremacy/42196
Klumas, Amy L., and Thomas Marchant. “Images of Men in Popular Sitcoms”. Journal of Men’s Studies 2.3 (1994): 269. ProQuest. Web. 27 Jan. 2014.
McCarthy, Tyler. “Sitcom success a reflection of changing society.” Daily Campus. 29 Jan. 2012. Web. 17 Nov. 2013.
Sitcoms." Fathering: A Journal of Theory, Research, and Practice about Men as Fathers 7.2 (2009): 114-39. Print. 17 April 2014.
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Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
The classic network era is one of the most easily recognizable and distinct eras in television history. Both Bewitched and I Love Lucy were huge sitcoms that took up issues of gender representation and patriarchy in their programs through the representations of the main male and female characters of their respective series. While both of these series pushed boundaries when it came to the representation of women, in the end, the costuming of these men and women, how the main characters are introduced, and the domestic environment that the atmosphere takes place in, all serve to reinforce traditional gender norms and reveals that patriarchy is dependent on maintaining dominant ideas about masculinity and femininity.
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the women’s magazines” (Douglas 136).
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
In the essay “Your Princess Is in Another Castle: Misogyny, Entitlement, and Nerds,” Arthur Chu argues that society forces the practice of competition between “nerds” and men to see who can prove their masculinity by “winning the girl” (5). Failure to obtain “entitlement” is followed by mockery, leading to misogyny and spiteful acts (32). Chu redundantly lists the television shows and movies that incorporate the idea of competition as their main point of focus. He uses Steve Urkel from Family Matters to provide the reader with a visual image of what the media is promoting: nerds “fixating” on unattainable women only to be shot down once again (6). Society uses the media to spread the illusion of competition that always has the same, perpetual
When people observe gender roles in a television show it is seen as an ideal—what they should aspire to be. Both men and women look for something to reaffirm what they believe is true, and in our current society, the main medium of providing information to a large public is the media. Should there be any kind of cognitive dissonance, studies have shown that people are more likely to passively agree to something even if they think it is wrong to avoid conflict (Annatucci and Gilligan 225). For example, a young boy is watching a movie with his friends in which a man has an affair. All his friends think the man in the film had every right to cheat on his significant other. Even if the boy does not agree with his friends, he will stay passive and agree with them, which in turn reaffirms and justifies the thoughts his friends are having. In cases such as these, it is not what is taught from families as much as the social interactions that further shape the morality and can change it among an
On a daily basis people are exposed to some sort of misrepresentation of gender; in the things individuals watch, and often the things that are purchased. Women are often the main target of this misrepresentation. “Women still experience actual prejudice and discrimination in terms of unequal treatment, unequal pay, and unequal value in real life, then so too do these themes continue to occur in media portraits.”(Byerly, Carolyn, Ross 35) The media has become so perverted, in especially the way it represents women, that a females can be handled and controlled by men, the individual man may not personally feel this way, but that is how men are characterized in American media. Some may say it doesn’t matter because media isn’t real life, but people are influenced by everything around them, surroundings that are part of daily routine start to change an individual’s perspective.
“The ways in which we are watching TV are thus changing, not just in terms of the increased prominence of interactivity but (disposable inco...
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