Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Poem analysis
Voice of the Country-House Poem
There exists a small genre of poetry, dating from the early
seventeenth century, known as the country-house poem. Ostensibly the
impulse of these poems was to praise and please a wealthy patron,
thereby gaining favour, status and wealth. A less apparent facet also
existed within these poems, and that was the poet's embedded
observations with regard to social values of the time that subtly and
effectively criticized and praised the existing system. The dexterity
with which a poet combined these opposing purposes, while avoiding
implicating the intended patron in the criticism ultimately ensured
continuation of the crucial patronage, which pervaded all aspects of
the period's social system. Ben Jonson's To Penhurst, often touted as
the prototype of the country-house poem, extols the Sydney estate as
the archetype of the country estate that is both bounteous and
cultured, while subtle irony reveals the innate criticism of the
system of which Penhurst is a part without endangering the
indispensable patronage.
In Jonson's time patronage was the cornerstone of the social system
that permeated all elements of existence and was therefore vital to
anyone who wished to succeed in building a secure place for himself
within that system. Since power and wealth rested in the hands of the
landowners it was they who extended patronage at their whim to those
who they felt merited the distinction. In a time of shifting loyalties
and preferences security, social status and a sense of self depended
on enduring patronage and the sometimes-difficult intent of the poet
to retain and increase any patronage became the pr...
... middle of paper ...
...lade was free to strike at the
ways in which the other households did not measure up to the same mark
thereby providing a channel for critical commentary based on the very
same social values used to praise. This skillful convergence of the
two emerged as vitally important in defining the country-house poem.
Works Cited
Evans, Robert C. "Literature as Equipment for Living: Ben Jonson and
the Poetics of Patronage". CLA Journal 30.3 March, 1987: 2.
Jonson, Ben. "To Penhurst". The Broadview Anthology of
Seventeenth-CenturyVerse & Prose Volume 1: Verse ED. Alan Rudrum,
Joseph Black & Holly Faith Nelson. Peterborough: Broadview Press Ltd.,
2001. 68-70.
McGuire, Mary Anne C. "The Cavalier Country-House Poem. Mutation on a
Ben Jonson Tradition": Studies in English Literature, 1500-1900. 19.l
Winter, 1979: 94.
American independence was achieved through the unification of colonists against the British crown. This unity required cooperation among the colonies and support for the newly formed Continental Army. George Washington was the general of the Continental Army and was expected to meet the expectations of colonists eagerly awaiting freedom. To encourage the general in his endeavors, poet Phillis Wheatley wrote “To His Excellency General Washington.” Using literary devices in the poem, Wheatley promotes the merit of the American Revolution.
...t P. and Stanley B. Greenfield, Old English Poetry: Fifteen Essays, Providence, RI: Brown University Press, 1967
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
The death camp was a terrible place where people where killed. Hitler is who created the death camp for Jews. The death camp was used for extermination on Jews. This occurred on 1939 – 1945. The death camps were in the country of Europe. Hitler did all this because he didn’t like Jews and the religions. The book Night is a autobiography written by Elie Wiesel. The poem called First they came for the communist written by Martin Neimoller is a autobiography.
Connie Fife is a Saskatchewan, Cree poet who writes using her unique perspective, telling of her personal experiences and upbringing. This perspective is revealed to her audience through the poems “This is not a Metaphor”, “I Have Become so Many Mountains”, and “She Who Remembers” all of which present a direct relationship to her traditional background and culture (Rosen-Garten, Goldrick-Jones 1010). To show the relationship of her experiences through her poetry, Fife uses the form of dramatic monologue, as well as modern language and literal writing to display themes about racism presenting her traditional viewpoint to her audience.
At one point in the book Mickey and his friends play a paintball game in school and every weekend I go with all my friends and play paintball. We all have a lot of fun and use different paint balls for our favorite colors so we know who shot each other. In the book Mickey says that “We then played some dumb paintball game where two people got hurt”. You must wear your gear at all times during a paintball game. Or else something like this might happen.
Pattern 1A: Three UCLA basketball players were arrested for shopping lifting; however, they were not prosecuted through China’s stringent judicial system.
Sylvia Plath was known as an American Poet, Novelist and Shorty story writer. However, Plath lived a melancholic life. After Plath graduated from Smith College, Plath moved to Cambridge, England on a full scholarship. While Plath was Studying in England, she married Ted Hughes, an English poet. Shortly after, Plath returned to Massachusetts and began her first collection of poems, “Colossus”, which was published first in England and later the United States. Due to depression built up inside, Plath committed suicide leaving her family behind. Sylvia Plath was a gifted and troubled poet, known for the confessional style of her work, which is how “Mirror” came to be. Although this poem may seem like the reader is reading from first person point of view, there is a much deeper meaning behind Plath’s message throughout the poem. Plath uses several elements of terror and darkness to show change to the minds of the readers.
“A Restoration comedy is like an eighteenth-century sitcom; it’s entertaining” (MacKenzie, “Behn”). However, the similarities between the two genres are more far-reaching than their equal entertainment value. For example, the cast of William Wycherley’s Restoration comedy, “The Country Wife,” consists of some central characters that are strikingly similar to those in the cast of the modern situation comedy, Seinfeld. Harry Horner from “The Country Wife” and George Costanza from Seinfeld both fit the male “wit” character type. Likewise, Lady Fidget, one of Horner’s lovers, and another woman, who’s one of Costanza’s fleeting lovers, both fit the female “wit” character type. Through the interplay of these characters, the Restoration comedy and the situation comedy both assert the superior power of the female wit, when compared to that of the male wit. Wits of both genders are characterized by their skill at lying, hiding their lies from the public, and seeking and obtaining selfish, short-lived pleasures; they are also characterized by their discerning nature and their gambling nature of risking losses to get gains (MacKenzie, “Wycherley”). However, female wits are more powerful than male wits when they take risks to secure pleasures because: female wits are not required to hold down a job or earn money; they gain greater returns from the risks they take, than men do, and they never risk losing their honor.
The author’s use of diction create an uplifting patriotic tone in in the poem “America the beautiful.” Bates begins each stanza with the same three words, “o beautiful for…” focusing not on America’s flaws but all the beauty in our country. For instance at the start of stanza four, she writes, “o beautiful for heroes / proved in liberating strife who more than self her country loved / and mercy more than life.
Douglass and London 1802 are both directed to a significant character in which has been prolific throughout their lives until their unfortunate death; however, the continuity of their achievements still survives greater than ever. Not only are these literary works structured in fourteen lined Italian sonnets, but they are also comprised of an ABBA rhyme scheme within their opening eight lines. The pieces written by Wordsworth and Dunbar are also homogenous in the essence that they invoked to accomplished men. “England hath need of thee: she is a fen of stagnant waters,” Wordsworth says to Milton to exaggerate the necessity of his return; just as Dunbar impels Douglass’s “strong arm to guide the shivering bark.” Just as these poems
Gratitude is the quality of being thankful, which is shown in both the Thanksgiving poem and Another Case of Ingratitude. The Thanksgiving poem expresses pure gratitude, whereas in Another Case of Ingratitude the homeless man shows gratitude in a way that is not common. In Another Case of Ingratitude, the homeless man displays basic gratitude for his food with a thankful expression on his face. He shows minimal gratitude with only a facial expression. He is clearly limited in his ability to be thankful. On the other hand, in the poem, the author states all the things in life that everyone should be grateful for, like friends, love, and good health. The author conveys abundant joy through his words. He is so thankful for all the things he is
Many may consider poetry to be a language of its own: full of feelings, emotions, and perceptions. All of us have our own experiences & sentiments; therefore we all have the ability to write our own poetry from our background without even realizing it. In my opinion, I do not think that the importance of American poetry should be stressed just to college students; I believe that our society as a whole should care about American poetry. Throughout history, poetry has been considered to be important, not only for entertainment purposes, but because of its unique value and the readers ability for their own interpretation. Not every single reader will walk away with the same perception of a poem; poetry is deeper than reading an encyclopedia. For example, if a student were to write a research paper on a specific animal, they may be able to look up facts about their diet, habitat, lifespan, etc. All of this information is for practical purposes; we may be able to grasp their lifestyle, however not their soul… a poem can turn this living creature into something majestic; or the total opposite. Behind poetry are experiences: beauty and ugly, customary and weird, good and bad. While I may look at a poem about hunting as beautiful and wonderful, my girlfriend would probably read the same poem and think it was disturbing and unnecessary; we may have read the same exact poem, but our past experiences allow us to have different views. This brings me to my main point, who is the reader and what type of poem is it? It may not always be something one can relate to, or even understand, but that does not mean we should not care. Poetry has evolved into something special over the years in America; readers and writers, who never even realized the...
In William Wycherley’s The Country Wife, William Wycherley enlightens the audience to capture several different ironical statements and questionable behaviors. The play fits perfectly into Greenwald’s definition of a comedy of manners: “[Critics] assert that a comedy of manners and the people who inhabit it represent the ostentatiously idle upper-class” (“Social Heirarchy” web). Wycherley also distinguishes several oddities in his characters not typically used to describe the upper-class. For example, Mr. Pinchwife, a wealthy newlywed husband, is so afraid that he is going to become a cuckold, that he does not allow his wife to leave the house (Wycherley act two). One of Wycherley’s goals in writing The Country Wife is to point out the flaws of society (“Q & A” web). Wycherley understands that no one is perfect and that a person’s virtues can be altered if pressures and outside influences become prominent. This is precisely how Wycherley uses Mrs. Margery Pinchwife’s character. Mrs. Pinchwife, a virtuous woman, still succumbs to the immorality of the city of London. Wycherley develops characters who precisely bring out Mrs. Pinchwife’s flaws. Mrs. Pinchwife takes the risks of public shame and a damage reputation to have an affair with Mr. Horner.
In verse 1 when it say’s ( I know you're somewhere out there ). It makes me think of my Great Grandpa Cowling. He’s somewhere out there but just not in this world. When you look at verse 2 it say’s ( talking to the moon ) Since i am the only girl out of 7 kids on my dad's side of the family, I got up to my room and start talking to myself.