Introduction
Vodun, the historical West African spirituality has long been the subject of mystery and misconceptions. The earliest depictions of Vodun, brought back from mission trips and explorations, showcase Vodun as a corrupted and dark practice giving it the label of “Devil worship.” Centuries later in the modern mainstream world Voodoo is still seen as the platform of magic and evil practices but never as what it is to practitioners, a genuine religion. A complex religion with structured rules and hierarchy, an extensive pantheon of deities, and a system of religious rituals for every occasion. Non-Africans see Vodun as this secretive belief, little do these people know that Africans view them the same way. For Africans, white people
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And what’s different is that they have explained other people’s culture in terms of their own, white people have their own magic in technology, Asian people have some mystical powers similar to their own àzě and bǒ (Ashforth 2005). In Togo, the local religion is heavily influenced by the history of the slave trade but also by Islam which arrived in the region during the 17th century. Several spirits were folded into Vodun and certain rituals were made as a combination of religious elements. In Benin, Christian missionaries brought their saints and holidays and people there combined the saints with their deities and took on the holidays. It is human nature to desire and envy the qualities of others whether it be other people or other cultures. Non-Africans people have recently begun to flock to West Africa for initiation, trying to gain a form of spiritual connection. Whereas Africans want to gain more power for Vodun practices and either for or against witchcraft. Some people are justifiably concerned about what this may mean for Vodun and West African culture, is it becoming too globalized, is it losing its traditional value, is this cultural appropriation, and does it make it alright for Non-Africans to initiate based on Vodun being an open religion, or should only indigenous people have access because it is their tradition? A quote from a Vodun priest sets the stage for the discussion, he said “‘If Vodun concerns human condition, it works for everyone, no matter where people live, and the skin color does not make any difference either” (Forte
Although the thought of being involved in such rituals is scary, I developed a deeper understanding and appreciation for the practices that Haitian voodoo participants, if it is appropriate to refer to such people as, engage in. The most impressive bit of information that I will keep with me is to be less judgmental of others; “people who practice voodoo believe in the same God as Christianity, but they also believe in communicating with other spirits, who serve various roles in healing, casting spells, and more” (Boudreaux, 2015a, p. 110). As a golden rule, I know that I should not be judgmental of others anyway, but I am human and am prone to quickly create stereotypes in my mind. I don’t always share those thoughts, but thinking makes me just as guilty as doing or saying. I am thankful for the reminder that all people are children of God, and I should research and learn about different beliefs before I make a judgmental decision, if I make that judgment at
It is amazing how two religions, such as Voodoo and Christianity, can be filled with so many awesome differences with respect to time eras, status, publicity, and language, and yet still have an almost identical core ideal. This also demonstrates that this core ideal of the use of humans as a mouthpiece of the divine has been a long lived concept which people, such as Mama Lola and her family, still believe in and practice today. Perhaps this proves there is some truth in the idea, and most likely, we will never know for sure, whether this concept, in it’s many different forms continues to live on, or if it dies out.
Vodou is a religion that is often misrepresented because of mainstream Hollywood movies. It is a religion that remains an enigma to outsiders, and as a consequence, many incorrect assumptions are made about its practices. To outsiders, Vodou may seem to be based on cursing others with voodoo dolls, sacrificing animals or people, and even being possessed by the devil. However, that is not the case in Mama Lola where an outsider, Karen McCarthy Brown is given an inside view on this secretive religion. Vodou is not as simple as popular culture insinuates, it is a complex religion that involves integrating magic, marriage, possession, and the role of women.
Voodoo (also known as Vodun, Vodou, Umbanda, Quimbanda, and Candomble) originated as an amalgam of African religions during the slave trade. As slaves were shipped from Africa to the Caribbean
According to Paul Touloute, human beings since their creation have always wanted to investigate the unseen world. These desires led to many religious and philosophical tendencies that account for many religions throughout the world. One of those religions, Vodou, commonly spelled Voodoo, evolved in Haiti as the predominant religion of the people incorporating traditions imported by enslaved Africans. In an attempt to investigate Vodou beliefs and for a better understanding of the religion, Karen McCarthy Brown immerses herself into the life of Alourdes Macena and their extended Vodou family kinship. Karen participates not only in the home-spun ritualistic ceremonies which is essential to pleasing various spirits, but also undergoes ritual marriages to the spirits Ogou and Danbala, and completes the initiation process one must undergo in order to become a manbo. The key goal of doing an ethnographic fieldwork is to go beyond what “actors’ say they do” (being the ideal) to “what actors actually do” (the real). Within the story of Mama Lola, the author Karen McCarthy Brown explores the spiritual tradition of Vodou through extensive research and participation-observation, which is a great way to go from the ideal to real absences. Karen Brown learns how Vodou operates, who the spirits are and what it takes to appease them, and of most importance, she learns about how Vodou is a religion of and for the people.
Haitian Vodou is the combination of supernatural and mystical components of African religions, along with the ritual basics of Roman Catholicism. They believe that there is one supreme God, but praise spirits, which are recognized as sacred ancestors, African gods, and even Catholic saints. Haitians call these spirits loa. Loas are “African deities who have been inherited through succeeding generations by the descendants of those who brought them to Haiti” (124). It is required to have ritual ceremonies for the loa, so that they can guide, protect, heal, and help those that practice Haitian Vodou. To begin calling down the loa, one must draw the vévé, which is the symbol for the loa on the prayer ground. During these ceremonies, there is a lot of dancing, singing, drumming, prayer, animal sacrifice, and food preparation. Just like Catholicism, a priestess or priest guides the worshipers in the ceremonies. Also in the course of a Vodou ceremony, which ever loa that is being called upon possesses participants to give advice or perform cures. To anyone that does not practice Haitian Vodou, the way these ceremonies are unorthodox, but to Haitians, it is their way of life and what they believe
When one first hears the word Vodou, immediately images of curses and little model dolls come to mind. We tend to synonymize it with words like sinister, evil and revenge. However, Vodou is nothing like what mainstream North American media has brainwashed people into believing. As best put by Patrick Bellegarde-Smith, “Vodou is far more than [a religion] it's a spiritual system” (Tippet and Bellegarde-Smith 145). Haitian Vodou is a spiritual system that syncretizes the practices of Roman Catholicism with West African spirituality. This paper will contextualize Vodou and give a brief history on what it is, explain how I came to gain an interest in Vodou and close off with an introduction to Chouk Bwa Libète a traditional Haitian Mizik Rasin—roots
Vodou gives a method for managing the issues exhibited through magical enchantment, custom, and situational morals that rely on their own context for judgment. Contrasted with the ethical codes of Christianity into which African slaves were constrained, the profound quality introduced in Voodoo was radical, as quite a bit of a wellspring of trepidation and power as the enchantment that whites generally feared in their slave
The first way traditional spirituality is shown is through Legba. Legba is an Igbo American visiting his grandparents in Lagos. He spends his time in a Cyber Café with his cousins participating in Nigerian Internet Fraud, 419. He gave himself the code name “Legba” because Legba is the “Yoruba trickster god of language, communication, and the crossroads” (194). He didn’t think he would be caught because “who would suspect an Igbo guy who was American using the name of a Yoruba god?” (195). He thought he was in the clear from being caught since he was an American man with religious names. However that was soon going to be the least of his worries. The room suddenly shook and everything came tumbling down. As Legba was pinned under rubbish he noticed something massive coming through the hole in the wall where the door used to be. Legba suddenly realized it was Ijele, the Chief of all Masquerades, Igbo royalty. Legba said, “One of the greatest spirits of Nigeria had come. While the alien was speaking, we were focused on our own things, on getting what we could get” (199). Legba is saying there were too caught up in their own world to realize everything that was going on in Lagos. But by the Ijele coming, he was woken up. He said, “I will never practice fraud again. Never. I swear” (199). The traditional spirituality of Legba and the Igbo people came to
...white people were the change-makers and shapers of Vodun, when actually black people adapted their religion to suite oppressive conditions. As time went on “Voodoo had become less of a religion than a political association [which was] and inherent characteristic of black religion from the slave period” (46). This happened not only in America, but in Haiti as well. This not only highlights the evolution of Vodun from religion, to a political force, but also the adaptability of Vodun as well.
To begin, most Africans have come from societies with traditional African religious backgrounds unrelated to Islam or Christianity. As a whole, African religious traditions combine belief in a Supreme Being with the worship of other gods and ancestors and use ritual and magic to mediate between human beings, nature, and the gods. In many African languages, there is no word for God, because in their tradition every thing and place embodies God. Many African religions have common tenets. They share a belief in a community of deities, the idea that ancestors serve as a way to communicate with these deities. They also share the belief...
As referred to in many parts of West Africa, the Dahomean religion of voodoo means “spirit” or “deity” in the Fon language and it is described as a highly structured religious and magical system. Many people during those times also referred to voodoo as hoodoo which is the negative term used for voodoo. With duties, symbols, rituals, and faithful adherents, this system of voodoo is both complex and functional. Most people have a response of fear which is based on exaggerated negative views of the supernatural world of voodoo. On the lighter side a laughter response is often motivated by an ignorance that associates voodoo with mere superstition. Then there is respect, this comes from one’s knowledge that voodoo is a functional religious system from West Africa.
All throughout history, the religion of Voodoo, or Vodou, has been hushed, covered up, and considered evil. This background essay will go through the history, the opinions and fears, and a few aspects of rituals. The exact history of the religion is unknown, which only adds to the ignorance and the confusion of Voodoo. Some say it came from the Italian exiles from the Italian Revolution (Hall, 1995) while others say that the origins are elusive (National Geographic). As many as four million individuals practice this official religion.
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
In most African societies, a witch is seen as the enemy of life and society. Laurenti Magesa affirmed “African Religion has a pragmatic approach to life: Everything that promotes the well-being of the community is good, and everything that destroys the community is evil.”