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Significance of folktales in african cultures
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Okorafor’s novel, Lagoon, depicts religion as causing both an internal and external conflict between several of the characters. First off, Father Oke is a major player in the portrait of Christianity. Father Oke is the bishop that Chris turns to when he is fighting with Adaora. Father Oke isn’t the typical man that comes to mind when you think of a “Holy Man”. He owns several nice cars, wears expensive clothing and is simply in the business for the money. The gateman at Chris and Adaora’s house said, “even though he was Muslim, he had nothing against Christians. But a Bishop displaying such extravagance seemed wrong” (41). As we can tell from the gateman’s observation of the bishop, it was obvious that he wasn’t afraid to hide his wealth. However, …show more content…
Similarly to Father Oke, she was a hypocrite. She was a prostitute who called herself a follower of God. However after all that had been going on in Lagos, she wanted to be taken by the water like the other three people in order to get away from everything. Before she dives into the water she asks herself “What have I done that is so terrible? Selling my body? It is just a body. I have a pure heart” (130). She is struggling with why everything is going so wrong and she claims that she is still a good person because she only sells her body, not her whole person. After Fisayo unsuccessfully tried to drown herself, she stated walking around Lagos with a sign that said, “REPENT. LAGOS WILL NEVER BE DESTROYED!” (177). She is ultimately trying to saver herself before God because she feels guilty for being a prostitute. But like many of the other people in Lagos, Fisayo started to go crazy. She shot and killed a little boy because she thought he was an alien and thus Fisayo ended up being killed by Ayodele. Fisayo’s character is a critique of Christianity because she calls herself a Christian but still works as a prostitute and kills innocent …show more content…
The first way traditional spirituality is shown is through Legba. Legba is an Igbo American visiting his grandparents in Lagos. He spends his time in a Cyber Café with his cousins participating in Nigerian Internet Fraud, 419. He gave himself the code name “Legba” because Legba is the “Yoruba trickster god of language, communication, and the crossroads” (194). He didn’t think he would be caught because “who would suspect an Igbo guy who was American using the name of a Yoruba god?” (195). He thought he was in the clear from being caught since he was an American man with religious names. However that was soon going to be the least of his worries. The room suddenly shook and everything came tumbling down. As Legba was pinned under rubbish he noticed something massive coming through the hole in the wall where the door used to be. Legba suddenly realized it was Ijele, the Chief of all Masquerades, Igbo royalty. Legba said, “One of the greatest spirits of Nigeria had come. While the alien was speaking, we were focused on our own things, on getting what we could get” (199). Legba is saying there were too caught up in their own world to realize everything that was going on in Lagos. But by the Ijele coming, he was woken up. He said, “I will never practice fraud again. Never. I swear” (199). The traditional spirituality of Legba and the Igbo people came to
As a result of the exposure to various beliefs and practices the religions of African slaves transformed into a hodge-podge of magickal practices
Santeria, Voodoo, the Cult of the Virgin of Guadalupe, and Rastafari all embody syncretism of Christian influence and traditional Indigenous beliefs of their followers. While the religions all express their syncretism in various manners, all regularly conduct rituals that deviate from traditional Christianity. These rituals exemplify the influence of the native cultures on these religions, and maintain the importance of tradition culture with the necessity of practicing Christianity during colonial times of religious oppression. Likewise, all of these religions frame their concept of what a “religion” is through their various unique rituals that serve to connect them to their native deities, as well as to the Christian God and Saints.
The influence of a supernatural god and the spirit world influenced every aspect of the Indigenous African community including health and healing, thus a holistic approach to health and healing was essential.
The terms voodoo, hoodoo, black magic and conjure arouse different ideas and interpretations such as fear, fascination, or repugnance. For some, the image of voodoo dolls, which are used to bring pain to the one’s enemy are associated with these words. Others might consider curses and spells used for evil intentions to be at the heart of voodoo. A more innocent notion of voodoo encompasses the idea that it is to be used for the communal good. All of these ideas came together and merged with Christian and Catholic beliefs after Africans were transported to the Americas and subjected to unimaginable horrors as slaves. Many historians define voodoo as “a syncretism between the African religion Vodu and Catholicism.” Voodoo is an entirely new creation, which was born as the African slaves were confronted with New World religions. These new ideas were “camouflaged as European saints, the Orisha divinities continued to be invoked, fed, and celebrated by their transplanted New World devotees, who in turn expected protection and assistance from their ancient spiritual guardian.” In some cases, slaves used the culturally accepted Catholic saints as a cover for their ancestral beliefs which were often seen as foolish and heretical by their masters. This new belief system “met new world needs that the settled and passive African modes could not match.” Voodoo held an important part in many slaves’ lives as remnants of their African beliefs evolved into a meaningful and powerful force. Voodoo was an essential element of survival for many slaves because it helped them cope psychologically with the physical torment they endured, it gave them a sense of power in impossibly difficult situations, and it served as a unifying force.
The rural Yoruba people believes that anyone that dies in their communities must have died at the hands of the evil spirit. The Yoruba’s have powerful spirits that they believe in. When a Yoruba woman is due for child birth, she would called a traditional high priest to come and perform some rituals to help the pregnant woman have a safe delivery. When a traditional Yoruba person falls sick, he or she always go to the spiritual priest to find out what is happening to that person. After they have gone to meet the spiritual priest, they would be given some answers or result on what the person was suffering from or the cause of the illness. Even though their maybe hospitals around them, the typical Yoruba traditional person would rather go to their ‘’Baba Lawo’’ which means the traditional doctor who they think has the power to heal the sick. The Traditional Yoruba’s don’t believe in western medicine. They sometimes think that the administration of western medicine would kill their sick family member or loved one instead of healing.
...izable religious leaders can be wrong, as witnessed with the “Whale Rider.” A Religion is the basic practice that gives meaningful purpose to life filled with insecurity. However, what we can notice through the film is that some roles are often miscued by the gender of the assumed chosen one. At the heart of any religion is the ability for an individual
The Mbuti believe in a creator of all things, but not in a westernized view. It does not play a large part within their society, but more in the male ritual, of coming of age. The Mbuti God was viewed as the creator of the forest or simply the forest (the forest would protect him pg. 72). The Mbuti’s relationship between the forest and the tribe is very personal and sacred, achieved though song, music, fire and smoke. While the Mbuti God is the protector of the tribe, the men will do the physical protection of their women and family. The Mbuti look at the Forest as the mother and father, whom provide everything that they need (pg. 92). Food, water, shelter, love… all is available in the forest. If tragedy hit, then the forest is sleeping. The
With a socially imposed and personal devotion to attain a highly regarded status in his clan, Okonkwo’s life was one that valued traditional authority, customs, and kinship. As a protagonist, Okonkwo’s story exemplifies the altering role of the state as the marching boots of colonialism enter his village, Iguedo. In Chinua Achebe’s novel Things Fall Apart, he illustrates the societal life of the Umuofia clan prior to the arrival of and the encounter with early colonizers - offering an Igbo account of the transformation of local institutions. Once wielded by elders and the spiritually divine, the power of control fell into the hands of foreigners. Worship of ancestors, the supreme deity Chikwu, and other Earth gods transferred to the God revealed in the Bible. The interactions between the institutions of rule, belief, environmental management, and trade are each delicately reliant on each other, so that in Iguedo the ability to rule fails to exist without belief, religious believes are derived from the environment, and the mercy of environmental conditions dictates agricultural trade. Through the life and death of Okonkwo, the novel presents how the experience of the Igbo and their interaction with the state witnessed unquestionable change.
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
Due to the spread and subsequent splintering of the faith during the Trans-Atlantic slave trade, as people from West African countries were shipped throughout the Americas (North, Central, and South), these spiritual forces have been defined in a variety of different ways, with different inter-religious analogies being used in an attempt to clarify the subject. However, in his book The Handbook of Yoruba Religious Concepts, Baba Ifa Karade, an initiated practitioner of the Ifa religion, writes about the orisha in a way that, while simple, manages to avoid oversimplification. Additionally, his interpretation is free of the excessively esoteric jargon present in many insider descriptions of religious concepts, African or
http://moodle.oakland.k12.mi.us/internationalacademy/pluginfile.php?file=%2F68302%2Fmod _ folder%2Fcontent%2F0%2FAfrica%20Essay%2FAchebe%20Interview%20An%20African%2 20Voice.docx&forcedownload=1>. Arinze, Francis A., and Kalu Ogbu. The "Igbo Religion" www.ic.galegroup.com.
Kaduna: Baraka Press, 2004. Magesa, Laurenti. A. African Religion: The Moral Tradition of Abundant Life. Nairobi: Pauline Pub., Africa, 1998. Mbiti, John S. Introduction to African Religion.
As the English began to colonize the Igbo society, there were few natives who opposed it, they others just felt that the English would come and go, but they were wrong. Soon, the English began to introduce "white man's religion." This new religion was completely the opposite from what the natives were accustomed to. Christianity was rather intriguing to many of the natives and many of them turned away from their families and everything they were to become a member of this new religion. Before this, they natives had been very superstious, but as they new religion flooded over the peoples, their superstiousocity began to lessen and their belief in the many gods they had previously believed in.
Traditional African Religion The Religious Sphere There is widespread belief in a supreme God, unique and transcendent. Africans have a sense of the sacred and a sense of mystery; there is high reverence for sacred places, persons and objects; sacred times are celebrated. Belief in the afterlife is incorporated in myths and in funeral ceremonies. Religion enfolds the whole of life; there is a difference between life and religion.
African mythology play a big part in passing down values and beliefs of the African culture. African myths “include supernatural beings who influence human life” (Mythencyclopedia) and usually drive the everyday lives of the people. Myths were a direct way of teaching younger generations about the higher beliefs and religion; in most cases they will include supreme god who the tribes won’t worship directly but through other gods lesser in status. The supreme gods and goddess are also referred to as deities, which are accompanied by spirits who are “are less grand, less powerful, and less like humans than the gods, who often have weaknesses and emotions”(Mythencyclopedia). Another characteristic found in a myth would be the asking of basic questions like who created the world. Who created man? Why does man have to die? This type of myth speaks of a world before the current one, it helps teach generations how the world took its form and acquired its customs. African myths were an essential part of African literary history and a big part in preserving the culture.