Victor's Paralysis In Frankenstein

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Victor Frankenstein suffers decision paralysis in any time of crisis. While valiant in his struggles to create life, he immediately becomes the coward, assuming his creation to be a menace and running from it in terror: “one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs” (Shelley 51). It’s hard to trust Victor to be a reliable narrator, when he claims helplessness with such vigor, for example, in the second encounter with his monster, he recounts, “I thought of pursuing the devil, but it would have been in vain” (70). When the creature kills little William and frames Justine, Victor does nothing to save her from her unjust execution: “a declaration would have been considered as the ravings of a madman and …show more content…

First, we can identify a literary element: if Victor stops the monster before he commits murders, the book would not be interesting. But it is more—perhaps it is because we are so quick to trust and empathize with Victor, as he is the narrator throughout the tale, that we must come to see, through his indifference, he is actually more evil than his creation. When I first read the book, I pegged Frankenstein as good. Even though he admits to being the murderer several times, such as this lamentation: “I, not in deed, but in effect, was the true murderer” (88), to me, he is only crying for help, like Justine’s coerced confession (81-82). However, through the above analysis, we find that Frankenstein is apt to be an unreliable narrator, biased to support his inaction. His warning of the monster: “he is eloquent and persuasive; and once his words had even power over my heart: but trust him not” (216), may better describe himself. As in legal tort, he has a “duty to rescue” his family from his now malevolent creation, yet he continually ignores it; his best idea is repeatedly shouting “wretched devil!” and “abhorred monster!” (95), followed by promising to create a woman, only to “[tear it] to pieces” (170). For the monster, this is sadistic torment, but the doctor excuses himself again, claiming it to be preferable to “[inflicting] this curse upon everlasting generations” (170). In the words of Edmund Burke, “no passion so effectively robs the mind of all its powers of acting and reasoning as fear,” and I see that Frankenstein is crippled by fear, wavering on any decision. Shelley has written a subtle allegory between the lines: do not believe narration immediately, as even if it appears trustworthy, it is always written in the interests of the narrator. Frankenstein tells us many times that his fate is sealed: “destiny was too potent, and her immutable laws had decreed my utter and terrible destruction” (33), but he really is a

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