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Frankenstein
(A Discussion of How Mary Shelley’s Frankenstein Depicts Victor as a Hero)
With many works of classic literature throughout the ages defining the ideal or epic hero, it is clear that idealistic heroes are figures humanity has admired for many years. Both literal and fictional heroes are a goal or an idea to strive for. These heroes can be someone that a listener or reader strikes a connection with due to similar personality traits or upbringing. Due to the public desire for heroes in stories, writers create all sorts of different archetypes of heroes to fit every imaginable audience member and their desires for an ideal hero. However, Mary Shelley takes a rather unique approach to define a rather tragic, yet consistently unsuccessful
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hero in her novel, Frankenstein. Due to Victor Frankenstein's desire to undo his mistakes, failure to do so, and lack of courage, he is a unique example of a cowardly tragic hero, rather than a sadistic villain. While Victor Frankenstein consistently makes mistakes in Mary Shelley’s, Frankenstein, he still possesses the valiant urge to undo his heinous actions.
A very prideful man, Victor spent his time preparing to essentially play God and create life from death. Seeing the hideousness of his creation, Victor quickly flees the scene and abandons the creation. Allison Green goes to say, “Victor Frankenstein is fixated on the boundaries between life and death, and death and life,” (Green). Upon hearing the monster’s story, Frankenstein is immediately compelled to strike down the monster and undo his work. “Begone vile beast!” (85). Despite his actions, Victor’s heart is in the right place when he plans to destroy his hideous creation. Anna Clark states, “Victor is a singular character inwardly focused on his own flaws.” (Clark). Perhaps it is this inward focus that prevents him from taking decisive …show more content…
action. Despite his intentions, Mary Shelley’s,Victor Frankenstein is often found paralyzed with fear unable to make a decisive choice to stand up and protect those suffering at the hands of the monster. At all chances he has to make a definitive choice on his plans for the monster, his conscience is always swayed and in a state of flux. Victor is incapable of protecting those he loves due to his lack of conviction. Attempting to play both sides against the middle, Victor almost switches his allegiances between the monster and humanity several times. Arielle Bevington explains, “Dr. Frankenstein's life certainly has Greek Tragedy written all over it, especially his hubris in thinking that he could play God, (Bevington). Incapable of saving his maid from conviction, Victor fails to protect those closest to him. “Sitting quietly, I found myself without the voice to speak up for her,” (140). In addition to the death of the maid, both his maid and fiance suffer at the hands of Victors lack of action. Had he taken other courses of action, perhaps his loved ones would still be alive. Giving her protagonist the unique aspect of lacking courage, Mary Shelley sets up a tragic hero doomed for failure.
Rather than give him the chance to overcome his fear and hesitation to save those he loves, Shelley gives him courage far too late for it to make a difference. Chris Nelson says, “Frankenstein is unable to kill his creation and dies after his life is destroyed completely,” (Nelson). If Victor were to pursue his goal of destroying the monster with the same vigor of his whining and contemplating, he would be a tragic hero. However, his lack of courage that leaves him essentially catatonic in crucial moments is what sets him up as a unique character. Jonathan Marks tells, “Much like the lion without courage, Frankenstein is a man without the courage to fix his errors,” (Marks). With a dash more courage, the novel based on the choices of Victor would take a very different
route. In conclusion, the combination of Victor’s internal goals, lack of action, as well as lack of courage contribute to his diagnosis as a flawed tragic protagonist. Falling into the small niche of heroes that fail to accomplish their goal, Victor is truly unique. “His voice grew softer and sunk into silence” (194). While some see this figure as closer to a villain, I do see him as a very flawed human at his core. Frankenstein does not seek to bring these trials to the world, yet he is without the capabilities to undo the damage that he created. A work of genius, Mary Shelley has created a truly unique archetype of protagonist through her creation of Frankenstein.
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
Volume II, Chapter II of Frankenstein is a key turning point as Victor and the Creature he created, finally met, however things do not go smoothly as Victor starts to hurl abuse at the Creature. In addition to this chapter we learn that Victor is very hard-hearted as he immediately takes a dislike to his own creation because he had a concept that the Creature he had created was beautiful and fine-looking. Victor also tries to play God just like God in Christianity. God created Adam and Eve - Adam first and Eve after because Adam demanded for another person - we see that later in the book the creature demands a lady creature just like Adam. However, in this later stage of the book, Victor says. He however failed at this because he abandons the Creature which then creates a harsh reality for him and the people around him.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Victor Frankenstein posses what could only be described as mental courage. Victor displays his courage at multiple times throughout the story. The first time, in chronological order, is when Frankenstein creates the monster. When Victor is creating the monster he begins to fall ill. An aspect of courage is to continue on a task even in the face of sickness, danger or death. As the process of creating the monster continues Frankenstein slowly become more and more ill, yet even with the crippling sickness that he faces he continues on his work. His will to continue despite his illness shows a physical courage, the more traditional idea of courage.
After bringing life to something seemingly horrible, Victor Frankenstein reveals his personality of avoidance and arrogance. Instead of facing the creature he created, he runs away from the problem. His motivations for the experiment vary, but there is one clear one that he even admits. "The world," he says, "was to me a secret which I desired to divine" (Shelley 18). Victor tells us that he's curious, and more importantly that he's always been this way. Victor has been raised in a very loving family. His father and mother were kind parents who loved all of their children, and even adopted some children. Victor, however, grows up a little indulged and perhaps because of this, he is selfish. He is stubborn and unyielding about many things. For
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
In Mary Shelley’s Frankenstein we are introduced early in the story to one of the main characters Victor Frankenstein and subsequently to his creation referred to as the monster. The monster comes to life after being constructed by Victor using body parts from corpses. As gruesome as this sounds initially we are soon caught up in the tale of the living monster. Victor the creator becomes immediately remorseful of his decision to bring the monstrous creation to life and abandons the borne creature. Victor describes his emotions and physical description of his creation as follows:
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Many readers have sympathised with Frankenstein’s creation, the unnamed monster, because he is badly treated by most people who he comes across. Victor created the monster with dead body parts that he got though grave robbing once he got all of the parts it took him 2 years to build a body. Victor is very obsessed with his work because he would not let any one help him or see him his fiancée is very worried he might be doing something he would regret.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
He created a life, and then spontaneously he quickly decided to run away from his creation. Victor’s actions after creating what he created were really irresponsible, and did not correctly took care of the circumstance’s he put himself in. The creation was never actually evil, but he felt abandoned by what could had been called his father. Frankenstein, the monster, was only a seeker for companionship. He strongly desired to feel loved, rather than abandoned. Society’s evil behavior toward the monster is what altered the monster’s conduct and followed to how he acted.