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Frankenstein analysis
Frankenstein monster analysis
Frankenstein scene analysis
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Jack Worthing from The Importance of Being Earnest, and Victor Frankenstein from Frankenstein seem to not relate to each other at all. However, upon closer inspection, the two are comparable: both Jack Worthing and Victor Frankenstein show their lack of responsibility through the lies they tell to evade their duty. As Jack grows more bored of the country, he begins to create another personality called Ernest where he can visit the city freely and avoid his responsibility. Similarly, Victor avoids his responsibility of raising up his creation by running from it. He also does not tell anyone else about his “issue.” Although Jack’s motives for avoiding his responsibilities may be more selfish, Victor’s evasion is much worse due to the fact that …show more content…
he is steadfast on his decision to conceal his responsibility, which causes misfortune on not only himself, but also others around him. At the beginning of each story, both Victor and Jack have a selfish reason for avoiding responsibility. While Jack's motive remains as self-gratification for the entire story, Victor's motive becomes less selfish out of a desire to protect others.
Dr. Frankenstein’s responsibility originated from the creation of a creature, who he was supposed to nurture and care for it. Instead, he ran from it because “breathless horror and disgust filled [his] heart,” (Shelley 59). This original retreat, a result of Victor’s abhorrence of his creation, was only augmented after the unsupervised creature started to kill Victor’s family and friends. Now, Victor chooses to run away from his creation because “...the strange nature of the animal would elude all pursuit, even if [he] were so far credited as to persuade my relatives to commence it. And then of what use would be pursuit?” (Shelley 85). As one can observe, Frankenstein is at first avoiding his responsibility for a more selfish reason. Once his mistake starts to be involved in crime, he avoids the responsibility of telling the police, or really anything, about the creature so that nobody will get in the creature’s destructive path. In a way, Victor grows much more concerned with others than himself, as he does not want people to waste their resources on fighting something that is so hard to take down. He would rather take …show more content…
all the responsibility of handling his creation than get others involved, which shows a rather selfless motive. Jack, on the other hand, is avoiding his in-home responsibilities of caring for Cecily purely for personal reasons, and never changes his mind on his decision. He reasons that “a high moral tone can hardly be said to conduce very much to either one's health or one's happiness,” meaning that his tasks at home require a break from time to time, so he made his brother Ernest to get into the city and distract himself and get “into the most dreadful scrapes,” meaning that he would rather go to the city to party, drink, and do things that were otherwise impossible to do in the country (Wilde 8). Another motive is exposed when Jack begins to talk about his plans for his decoy “brother.” He says that “if Gwendolen accepts [him], [he is] going to kill [his] brother…” (Wilde 9). This is yet another selfish reason to avoid responsibility and be deceitful, because he is saying that the creation of Ernest is a ploy to get Gwendolen to marry him. When Jack or Victor is forced to take responsibility, neither try to face the issue head-on, and instead run from it, quite literally. An example of Victor doing this is right after he created the monster. In his own words: “I beheld the wretch— the miserable monster whom I had created … one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs...I feared every turning of the street would present to my view. I did not dare return to the apartment which I inhabited, but felt impelled to hurry on, although drenched by the rain which poured from a black and comfortless sky,” (Shelley 59-60). Victor takes one look at his creature, and runs from it, possibly due to terror of the actual creature, or more plausibly due to him realizing that he has to take care of it. Even a while after the decision was forced on him, he continues to run from it until the creature gets the revenge it wants. This is very similar to Jack’s reaction to responsibility, as previously mentioned. He avoids his duties by travelling to the city to eat, drink, and go to clubs while acting as someone else named “Ernest.” One can note that Jack avoids responsibility only sometimes: he still cares for Cecily, but not full-time. Victor, on the other hand, does not intend on caring for Frankenstein at all, and keeps hating him throughout the story. A characteristic seen in Jack but not Victor, however, is the fact that if caught in deception, Jack will continue to deceive in order to make his story make sense. A prime example of this is when he is talking to Algernon, who has found a note in Jack’s cigarette case from someone named Cecily who calls Jack “Uncle,” interrogates Jack about Cecily. He responds to Algernon by saying, “Cecily! What on earth do you mean? What do you mean, Algy, by Cecily! I don't know any one of the name of Cecily.” Then, Algernon prods at Jack’s statement even more, and Jack continually changes his statement to best fit the evidence that is stacked against him: ”Well, if you want to know, Cecily happens to be my aunt,” and eventually admits, “[M]y name is Ernest in town and Jack in the country, and the cigarette case was given to me in the country,”(Wilde 6-7). This trait of Jack’s that makes him lie all the time is not seen in Victor’s actions at all. Upon looking at the evidence, one can conclude that Jack has a more harmful motive, since he was only thinking of himself when he thought to avoid responsibility.
He wanted to be accepted by a woman as well as have a happy life. Victor, on the other hand, decided to keep this secret away from others so that they would not have to go through the same things that he did. He would also save people’s time, energy, and possibly lives because no-one would try to interfere with the creature’s work. On the subject of the two characters’ reactions to being forced into responsibility, although the two characters both essentially do the same thing to avoid responsibility, which is to run away from them, Victor’s reaction is worse, since he does not make any indication that he will eventually care for his creature. Jack chooses to avoid the responsibilities, but still goes back at some point or another to carry out his task of caring for Cecily in the country. Jack also mentions that he will stop avoiding responsibility if he is able to marry Gwendolen: “If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won't want to know Bunbury.” (Wilde 9). Finally, the result of Frankenstein’s evasion of responsibility was much more adverse compared to Jack. Jack’s lies conveniently helped his case, since they inadvertently became the truth. His journeys to the city had gotten him a wife, helped him understand his origins, and
let him have a good time doing it. The effects of Victor, however, was a completely different story. His lack of responsibility and refusal to accept any of it caused him and his family to ultimately die. While he was being tortured by his creation, Frankenstein kept running but the creature was always following, always finding and killing victims to indirectly cause pain in Victor’s life. Ultimately, because of his refusal to take any responsibility for his actions at any time, Victor’s decisions harmed both him and his friends loads more than those of Jack.
In Shelley?s Frankenstein, Victor brings a monster to life, only to abandon it out of fear and horror. ? gThe beauty of the dream had vanished, and breathless horror and disgust filled my heart? (Shelley, 35). The reader must question the ethics of Victor. After all, he did bring this creature upon himself.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
When a crime is committed, the blame is usually placed on the criminal. This is because a crime cannot take place without a criminal. However, a lawbreaker generally has reasons for his misdeed. For a crime to occur, a criminal must have incentive. Consequently, the causes of a wrongdoer’s motivation are also responsible for the offence. In addition, crimes can be avoided if the proper precautionary measures are taken. Therefore, anyone who could have stopped a crime from happening is partially accountable for it. In Mary Shelley’s Frankenstein, a creature created by Victor Frankenstein kills several of Victor’s loved ones. These murders could be blamed on the creature, but he is not solely responsible for them. The root cause of the murders is Victor’s secrecy. His concealment causes his obsession, a lack of preventative measures against the creature, and his fear of appearing to be mad.
After bringing life to something seemingly horrible, Victor Frankenstein reveals his personality of avoidance and arrogance. Instead of facing the creature he created, he runs away from the problem. His motivations for the experiment vary, but there is one clear one that he even admits. "The world," he says, "was to me a secret which I desired to divine" (Shelley 18). Victor tells us that he's curious, and more importantly that he's always been this way. Victor has been raised in a very loving family. His father and mother were kind parents who loved all of their children, and even adopted some children. Victor, however, grows up a little indulged and perhaps because of this, he is selfish. He is stubborn and unyielding about many things. For
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
Dr. Frankenstein, the so labeled decent, no-fault man, is actually irresponsible, stubborn, and extreme in his actions throughout the novel. From the very first encounter with Victor Frankenstein we get a hint if his insaneness when he asks R. Walton, "Do you share my madness?". That is the first thing that he says when he recovers from his illness. Right from the start we know that something is awry with Victor. Dr. Frankenstein's irresponsibility shows through many times in his feelings toward his creation. While he was in the process of shaping his creation, Frankenstein gets so caught up in his work and his yearning to be remembered for all time that he does not consider what will happen after life is breathed into his creation. He is so consumed by his work he does not sleep for days on end, go outside, eat meals, or write to his family. Frankenstein even admits that he could not control his obsession with his work, "For this I had deprived myself of rest and health". What sane person puts his work before his own health? After his cre...
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
To begin with, Victor describes how his mother, Caroline Beaufort, meets his father, Alphonse Frankenstein, after Caroline’s father died in poverty. Victor mentions, “He came like a protecting spirit to the poor girl, who committed herself to his care; and after the interment of his friend, he conducted to Geneva, and placed her under the protection of a relation” (Shelley 28). Even though Caroline is younger than Victor’s father, she has no choice, but to marry him. Without marrying Victor’s father, Caroline will still be in poverty with nobody to support her. Caroline’s decision to marry Victor’s father symbolizes a woman in need of a man to protect her.
As a romantic novel Victor is responsible, because he abandoned his creation. As an archetype novel, Victor is the villain, because he was trying to play god. Finally, Victor as a Gothic novel, Victor is at fault, because, he and the creature are two different parts of the same person. If Frankenstein is looked at as a romantic novel, Victor, not the creature, is truly the villain. When Victor created the creature, he didn't take responsibility for it. He abandoned it, and left it to fend for itself. It is unfair to bring something into the world, and then not teach it how to survive. The creature was miserable, and just wanted a friend or someone to talk to. On page 115, the creature said, "Hateful day when I received life! Accursed the creator. Why did you form a monster so hideous that even you turned from me in disgust." This line shows the agony the monster was in, because of how he looked when he was created which led to even Victor running away from him. If Victor didn't run, he could have taught the monster and made his life happy. After the creature scared the cottagers away he said, "I continued for the remainder of the day in my hovel in a state of utter ...
He created a life, and then spontaneously he quickly decided to run away from his creation. Victor’s actions after creating what he created were really irresponsible, and did not correctly took care of the circumstance’s he put himself in. The creation was never actually evil, but he felt abandoned by what could had been called his father. Frankenstein, the monster, was only a seeker for companionship. He strongly desired to feel loved, rather than abandoned. Society’s evil behavior toward the monster is what altered the monster’s conduct and followed to how he acted.