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Technological Evolution of Filmmaking
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Victor Fleming was a producer, director and cinematographer. Possibly one of the most underrated in his field. Fleming was amazing at his work. Fleming started his career as a stuntman before turning his work to the other side of the camera. He worked with many great stars and made quite a few famous. He is credited with Gary Cooper and Clark Gables fame. His most notable films include “Gone With the Wind,” “The Wizard of Oz,” and “Captain Courageous.” One would think being the director of two enormously huge hits would guide his name into many households. Ironically Victor Fleming isn’t a widely known name. Most directors want to stand out but Fleming was alright following the crowd. He cared and loved his job. He took on huge jobs, and doing so landed him the director's chair for “Gone with the Wind.” “Gone With the Wind” is one of the most epic, dramatic, romantic stories ever told. Fleming entered the production three weeks into filming as the first director was fired. Many of the cast members were happy to see him off as they said he was hard …show more content…
Fleming was amazing at his work. He worked with many great stars and made quite a few famous. One would think being the director of two enormously huge hits would guide his name into many households. Ironically Victor Fleming isn’t a widely known name. He cared and loved his job. He took on huge jobs, and doing so landed him the director's chair for “Gone with the Wind.” “Gone With the Wind” is one of the most epic, dramatic, romantic stories ever told. “Gone With the Wind” challenged the standard modes of filmmaking at the time. Doing so in many different ways including and certainly not limited to the cast, directors, writers, setting, filming, money, etc. “Gone With the Wind” was a hard to comeby film. “Gone With the Wind” will forever be remembered as a film which beat the many odds stacked up against
Arguably the most popular — and certainly the busiest — movie leading man in Hollywood history, John Wayne entered the film business while working as a laborer on the Fox Studios lot during summer vacations from university, which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies, and dramas. Wayne was cast in small roles in Ford's late-'20s films, occasionally under the name Duke Morrison. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western The Big Trail, it was a failure at the box office, but the movie showed Wayne's potential as a leading actor. During the next nine years, be busied himself in a multitude of B-Westerns and serials — most notably Shadow of the Eagle in between occasional bit parts in larger features such as Warner Bros.' Baby Face. But it was in action roles that Wayne excelled, exuding a warm and imposing manliness onscreen to which both men and women could respond.
They called him “the boy wonder.” A man who was well beyond his time when it came to techniques and producing cinematic content. Irving Thalberg was a genius, a visionary and an innovator but, above all this, he was a producer. He used his passion and talent to meticulously sculpt films into becoming high profiting masterpieces that reeled the public in. Films such as The Grand Hotel (1932), Mutiny on the Bounty (1935) and Camille (1936) display his brilliance and have been cemented into film history. Much of Thalberg’s success was due to his creative process his ability to gravitate towards amazing stories and great works was miraculous and earned him
His direction of the actors was executed extremely well. He knew exactly what he wanted from them, and did not give up until it was as he had expected. Some of his setbacks in Apocalypse Now support this opinion. He wanted every part to be performed perfectly.
When talking about Billy Wilder as a director a popular, controversial topic is whether or not he is considered an auteur. There have been many critics who have attempted to prove that Wilder is not an auteur but many have fallen short on providing a strong and convincing argument. Billy Wilder is an auteur for many reasons; the most obvious reason though is by comparing his four most famous movies. Wilder was very involved in the process of making the film and was often the writer, producer and director of the film. By being so involved he was able to make scenes his own, especially since Wilder wanted every detail of the scene written out in the script. He also has similar themes of cynicism towards different elements of human nature but would lighten the mood of the film by adding a comedic element to the scene. Wilder also enjoyed pushing the boundaries of screenwriting and to be able to get an approval from the Production Code Administration, he had to add comedy to the script. Another reason that proves Wilder as an auteur is through his work with famous actors and actress. Wilder had a knack for dealing with difficult actors and was often able to make them who he wanted. Finally Billy Wilder stuck to very traditional uses of camera angles and movements that set him aside from other directors. Billy Wilder was not only an influential director but also an auteur through his involvement in writing, directing, and producing the film, the cynicism mixed with comedy shown through the characters, and his traditional use of camera movement and angles compared to other directors during the 1950’s.
Before Citizen Kane, filmmaking was easily predictable and virtually all the movies used the same stagnant camera angles, same lighting, and similar sets. Citizen Kane broke all the settled rules and introduced exceptional storytelling and Cinematography methods to the Hollywood.
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
The Wizard of Oz spawned countless sequels, both in live format as is Wicked and film sequels such as Oz the Great and Powerful. These films have never matched the emotional impact and substitute computer generated graphics for the real thing. Highly esteemed film critic Leonard Maltin said “No movie ever can, or will, replace 1939’s The Wizard of Oz…(Oz the Great and Powerful) just won’t have the same resonance.” The legacy left with The Wizard of Oz is considered to be one of the greatest influential movies of all
Citizen Kane is a timeless movie that revolutionized the film industry by bringing new techniques and ways to go about making a film that changed the Cinema forever. Orson Welles created a timeless picture by dedicated himself to the Mise-en-scene, he pushed the boundaries and found different ways to utilize what he already knew. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to
To all intents and purposes, the directors did not make the Westerns; it was the Westerns that made the directors. Only John Ford and Sam Peckinpah had the excellence to rise above this material, and make something new of it.
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
John Ford John Ford was an American motion picture director. Winner of four Academy Awards, and is known as one of America’s great film directors. He began his career in the film industry around 1913. According to Ellis, Ford’s style is evident in both the themes he is drawn toward and the visual treatment of those themes, in his direction of the camera and in what’s in front of it. Although he began his career in the silent film area and continued to work fruitfully for decades after the thirties, Ford reached creative maturity in the thirties.
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
Many people believe Marlon Brando was the greatest actor of the 20th century. His life was filled with wonderful, interesting, but also encountered troubling times. Marlon Brando was a rebellious boy who later grew up to be known as the “world’s greatest actor.”
... in every sense "the father of the French New Wave". The opinion that Rosselini’s work had become the introduction to a new style of film was enforced by many of the up and coming directors of the time and his work is still appreciated in the modern film world.
despite him being my favorite director and I just watched it few weeks ago. By watching that film you can see his unique style and the technique he used to shot that film which is amazing.