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Citizen kane a level film analysis
Film analysis citizen kane
Film analysis citizen kane
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Orson Wells’ film Citizen Kane received terrific reviews as soon as it opened in 1941. While the average movie buff would not value Citizen Kane as much, for the critics, directors and film students: it provides a technical handbook as to the nuts and bolts of how a film is to be assembled. It has now been chosen as the greatest American film in a number of polls due to the many remarkable scenes and performances, cinematic and narrative techniques and experimental innovations in photography, editing and sound. Citizen Kane is a 114-minute film school providing lessens after lessons in deep focus and rear projection, extreme close-ups and overlapping dialogue. Although appearing as a biographical movie (Biopic), it refused to follow the conventional …show more content…
norms and used multiple narrators and multiple prospective. The script explodes with quotable one-liners and exchanges, such as when Kane meets his estranged friend and employee, Jed. "I didn't know we were speaking," says Jed. "Sure, we're speaking, Jedidiah," Kane replies. "You're fired." Although said to have “shared" some of its techniques from Hitchcock's Rebecca (1940) and other earlier films, It uses an art form to effectively communicate and display a dynamic view of life. Its components brought together the following aspects: 1. Use of Subjective Camera: With unconventional lighting, backlighting, high-contrast lighting, darkness and low-key lighting and inventive use of shadows and irregular camera angles. It used deep-focus shots with depth of field and focus ranging from extremes of fore ground and background. This made everything in focus at the same time, a technique unheard in classic Hollywood cinema. 2. Frequent use of Curtain wipes (Transitionary dissolves): Such as the scene where the camera ascends in the opera house to the rafters to show the workmen's disapproval of Mrs. Kane's performance. 3. Overlapping, Talk-Over Dialogue: As in real life where people so not wait for the other to stop talking before they do, so the movie allowed characters to talk over each other and finish one another's sentences, a practice which was never used before. 4. Long, uninterrupted shots and lengthy takes of sequences: The story is told from several prospective and opinions by a number of characters - providing a life-like contradictory, out of sequence and enigmatic portrait. 5. Flashbacks flash forwards and non-linear story telling: The movie has cast of characters those ages throughout the film. Before Citizen Kane, almost all the films were organized chronologically. They began at the beginning and ended at the end. However, Citizen Kane begins when dying a Charles Foster Kane whispers "Rosebud." It also used clips of actual news footage as wells as staged shots of the actors. 6. Scarce use official close-ups of cast and elaborate makeup techniques: Since the story takes placeover50years, the actors age throughout the film. But, rather than just covering the lead character with latex wrinkles and grey hair, he wears a complete body case with custom-fitting body pads to show him aging over 27 different stages of life. 7 In Citizen Kane, the sequences are tailored to the music, as opposed to the traditional movies where the musical scores were written after the film was finished.
The film uses a mournful music when Kane announces his death, the trumpets in celebrating his life, loud crowd at the rally and echoes of loneliness in his home when his loved ones have gone. 8. Classic Hollywood movies had no ceilings as the lamps needed to light the scene were hung above the sets. Citizen Kane used a cloth canopy to simulate presence of an actual ceiling. 9. Most of the actors in Citizen Kane had never been in a movie. They has appeared on stage and on radio and lacked the conventions of traditional Hollywood culture. 10. Excellent Editing: There are many examples of extraordinary editing in the film, such as the brilliant summation of entire life of Kane's marriage in fifteen seconds. Before Citizen Kane, filmmaking was easily predictable and virtually all the movies used the same stagnant camera angles, same lighting, and similar sets. Citizen Kane broke all the settled rules and introduced exceptional storytelling and Cinematography methods to the Hollywood. "Fifty years later. Citizen Kane is as fresh, as provoking, as entertaining, as funny, as sad and as brilliant as it ever was. Many agree it is the greatest film of all time. Those who differ cannot seem to agree on their candidate." - Film Critic Roger
Ebert
Citizen Kane, directed by Orson Welles, was an exemplary and ground-breaking work. In narrative structure and film style, Welles challenged classical Hollywood conventions and opened a path for experimentation in the later 1940s. Gregg Toland’s deep-focus cinematography and Welles’ use of low-key lighting are often discussed aspects of the movie. True, these were areas of innovation, but when watching the movie in class I was particularly struck by the use of camera movement, or “mobile framing” as described in Film Art. In this historical analysis, I will take a detailed look at how Welles and Toland use camera movement to develop and challenge the Hollywood style. By referring to other movies viewed in Professor Keating’s class, including The Cheat, Wings, Applause, Double Indemnity, The Last Laugh and Bicycle Thief, this paper traces one aspect of innovation and diffusion in the movie many call the greatest film ever, Citizen Kane.
The Cameraman (1928), an MGM Buster Keaton feature, is one of the last truly great feature films of the silent era. From the artistic balance it finds between the simplicity of an all-too-familiar storyline and the complexity of technique and cinematography, to the very-entertaining and captivating performances of its actors, the film that was nearly lost to the annals of motion-picture history is a multi-faceted gem that is joyous to watch.
When the more thoughtful and intimate parts of the movie present themselves, a slow paced piano is used to match the solemn moment. Sections of the movie have a positive and optimistic outlook, for example, when Karl walks through the small country town to the house of his new found friend. Karl is obviously filled with awe and enthusiasm for his resurrection into life, this is reflected through the music. An intimate moment in the movie is between Karl and the boy. Karl tells an extremely sad story. A soulful slide guitar and whistling accompanies this story, the music is extremely sad and is the emotion for the kind hearted but seemingly emotionless Karl. Another touching and emotional part of the movie is when Karl visits his father. Whilst Karl walks to the run down house of his elderly father, harmonious voices sing a haunting gospel tune.
One of the most devastating and forgotten battles of World War II was the battle of Dresden. The book Slaughterhouse Five, narrated by Kurt Vonnegut, attempts to describe the war and its destructiveness. The war provides no advantages to the lives of soldiers and in some ways destroys the mind of the soldier as well. Billy after the war is deceptively successful. He has a good job and a family, while in reality he has no connection with his kids, and most of the time cannot express what is on his mind. The destructiveness of war shown throughout the book causes much harm to the lives of civilians and soldiers after the war.
Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
Citizen Kane is a timeless movie that revolutionized the film industry by bringing new techniques and ways to go about making a film that changed the Cinema forever. Orson Welles created a timeless picture by dedicated himself to the Mise-en-scene, he pushed the boundaries and found different ways to utilize what he already knew. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
The story of Charles Foster Kane was truly one that could go on as timeless. Born in poverty Kane was given away with the promise of having a better life. In a material point of view Kane lived a very fulfilling life filled with anything he ever wanted. Although throughout the movie, Kane despised the situation in which he was brought up in. Being placed under the care of his mother’s banker really influenced the way he viewed the world. He considered himself a people’s person a sort of hero for those in worse situations than his own. The mass appeal for this character along with the truly original storyline and plenty other factors led many people everywhere to gain a huge appreciation of this movie. Despise its early failure following its