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Analyze the movie citizen kane
Analyze the movie citizen kane
Film analysis of citizen kane
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Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that …show more content…
In many scenes, dark and opaque shadows are cast onto the faces of many characters. These heavy shadows are symbols used to emphasize the hidden emotions and true self of Charles Foster Kane. Shadows prove to be mysterious in the way that they hide things from the light. In the film, the “light” is the truth about Charles, and shadows symbolize the fact that people can never fully understand the thoughts that make a man who he is. For example, Thompson spends the entire movie searching for the meaning of Kane’s life. However, Welles never exposes the face of Thompson, leaving him in the shadows for the entire movie. This is symbolic of the fact that people are in the dark when it comes to understanding the lives of others. It is impossible to truly know what a person feels on the inside, because everyone has unique past experiences that influence their lives. Charles Foster Kane is one of the most famous men in the whole world. In fact, when he died, he has one of the largest attendances at his funeral in history. Many people love Charles, yet no one was aware of the misery and agony that he feels inside, rooted in his lost childhood. The shadows used on the people around Kane and the people in his life symbolize the difficulty in interpreting the life and feelings of another …show more content…
Throughout the film, the question that lingers is who or what is Rosebud, and what does it mean in the life of Charles Foster Kane. The word itself proves Welles’ message that it is nearly impossible to recognize and identify with the meaning in a man’s life. Thompson even says “I don't think any word can explain a man's life” as he searches for the meaning of Kane’s life. However, to Charles, the word Rosebud means everything. Rosebud represents the only thing that Charles ever truly wanted. To him, Rosebud is the loving childhood that he once had that was replaced by a sad, business-like lifestyle. This resulted in not only in a loss of Charlie’s childhood, but it also caused him to loss his ability to love or be loved ever again, which was his only true desire. To Charlie, Rosebud was the explanation for his miserable life that he keeps hidden in secrecy. The physical “Rosebud” is simply a sled from Kane’s past, but the symbolic significance of the word captured a large part of the life of Charles Foster Kane. Thompson spends the entire film searching for the meaning of this word, and his failure proves that one person cannot successfully interpret the life of another. To Thompson, Rosebud is just an unfortunate missing piece of a puzzle that prevented him from finding out the true Charles Foster Kane. In reality, it represents Kane’s private, isolated
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
In the beginning, Thatcher believes that obtaining the newspaper company ‘The Inquirer’ is seemingly useless however Kane believes that this newspaper company can be used to “look after the underprivileged”. Emphasising the purpose and the ideals of Kane, however, this belief doesn’t last. As his paper grows in stature these morals begin to degrade. He starts to lie in the newspaper, which is shown in a line that was adopted from Hearst “you provide the prose poems, I’ll provide the war”. This parallelism provides the start of yellow journalism where the news is supposed to shock and therefore sell the paper even if the story is false. The start of the degradation of morals is shown by the chiaroscuro lighting as Kane signs the “Declaration of Principles”. As he signs this he is shown to move from the light into the shadows, foreshadowing Kane 's descent into corruption due to the hunger for power. This is coupled with the camera shooting Kane from a low angle symbolising Kane 's escalation in power which is shown to be the cause of the fall into corruption. The corruption of Kane is also shown in his relationship with Emily and the deterioration of their relationship. This is conveyed mainly through the montage scene which depicts Kane and Emily being close in proxemics implying initially the bond that they share however as time
Citizen Kane is a 114-minute film school providing lessens after lessons in deep focus and rear projection, extreme close-ups and overlapping dialogue. Although appearing as a biographical movie (Biopic), it refused to follow the conventional
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
The shadow consists of the life and sex instincts. The shadow is a component of the unconscious mind, and is made up of one's weaknesses,
Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.
The last form the shadow takes are the images people that Ged has come across in his life, “An old man it seemed, gray and grim, coming towards Ged; but even as Ged saw his father the smith in that figure, he saw that it was not an old man, but a young one. It was Jasper: Jasper’s insolent handsome young face, and silver-clasped gray cloak, and stiff stride. Hateful was the look he fixed on Ged across the dark intervening air...and it became Pechvarry. But Pechvarry’s face was all bloated and pallid like the face of a drowned man, and he rea...
The absolutely stunning film, Citizen Kane (1941), is one of the world’s most famous and highly renowned films. The film contains many remarkable scenes, cinematic techniques, as well as innovations. Within this well-known film, Orson Welles portrays many stylistic features and fundamentals of cinematography. The scene of Charles Foster Kane and his wife, Susan, at Xanadu shows the dominance that Kane bears over people in general as well as Susan specifically. Throughout the film, Orson Welles continues to convey the message of Susan’s inferiority to Mr. Kane.
This is similar to how under the surface, the 1920s was not what it appeared to be. Daisy Buchanan, for example, is rich and beautiful. People see her as just a pretty face and believe that she can’t think for herself. In reality, this is just a front she puts up in order to protect herself from being emotionally damaged by Tom’s affair. George Wilson appears to be lifeless and a pushover, but once Myrtle dies he goes out and murders Gatsby. The best example of this, though, is Jay Gatsby. He is nothing like the audience anticipates him to be. From the moment the reader picks up the book, Gatsby is known as the Great Gatsby and people expect him to be incredible. The first few chapters include rumors that Gatsby murdered someone, is related to the Kaiser, and is a German spy. The perception of Gatsby is that of The Wizard Oz, there is greatness in his mystery. Due to this mystery, rumors spread and build him up to be an incredible and brilliant man. It is brought to light that Gatsby isn’t as great as the title says. He is self-conscious, careless, unhappy, and alone. The moments when he is at his worst are before he dies and is waiting for a phone call from Daisy. The author describes that “...Gatsby himself didn’t believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had
Sarah Street said, “in Citizen Kane Welles is criticizing fundamental contradictions within monopolistic journalism and political rhetoric.” He wasn’t only showcasing his talents in film he was conveying a real message to the public. He was criticizing the way people’s agenda can truly affect the world as seen through Hearst these individuals have great power, but often lack honesty in the way of doing things. Another critic Armstrong says the script “asks you to ponder the meaning of someone's life. What makes living worthwhile? What makes a person happy: money, love, power? How do we make sense of that life--by what was said, what was done, or by what is left?” This great description entails many of the other elements Welles wanted to face. Although Kane had all he ever wanted what did he accomplish and what was he missing and searching for all his life. This draws back to the main search in the story for Rosebud. Welles while creating a wonderful visual piece also had the thrilling unique story to go along with
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
The use of imagery or personification increases the suspense in the story, ‘Shadows cower’ is a very descriptive way of showing how frightening the mansion is. It sounds as if the shadows which are linked to darkness themselves are afraid of a greater evil. We wonder what this great evil could be that makes evil itself tremble. Another personification used is ‘candles writhing’. Candles are usually associated to gothic stories, as it is only small source of light within a vast darkness of the room.
Stories have an opportunity to leave the reader with many different impressions. When you look a different characters within the stories the ones that leave the greatest impressions are the ones that tend to scare us. The figures in Bob Dylar’s “Where Are You Going, Where Have you been?”, in Nathaniel Hawthorne’s “Young Goodman Brown”, and Stephen King’s “The Man in the Black Suite” all instill a bit of fear in the reader. They are symbols that represent the devil or devil like attributes in people and the uncertainties of human nature.
An undeniably common theme shared between There Will Be Blood and Citizen Kane is the pursuit of the American Dream. Both Daniel Plainview and Charles Kane share an immense strive for ambition, achieving their success, and failures, in much different ways, with ultimately the same outcome, isolation due to negligence. The drive both protagonists share leads to their wealth, as well as their many losses, personal, physical, emotional, and psychological. The American Dream consists of the achievement of wealth, status, success, and love, which both Plainview and Kane struggle to achieve throughout the two films. The films illustrate how pursing this American Dream eventually leads to downfall, corruption and complete isolation. Ironically, the