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Henry ford early life
The life of Henry Ford
Henry ford early life
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John Ford
John Ford was an American motion-picture director. Winner of four Academy Awards, and is known as one of America’s great film directors. He began his career in the film industry around 1913. According to Ellis, Ford’s style is evident in both the themes he is drawn toward and the visual treatment of those themes, in his direction of the camera and in what’s in front of it. Although he began his career in the silent film area and continued to work fruitfully for decades after the thirties, Ford reached creative maturity in the thirties. Ford, unlike other directors continued to do some of his finest work after the nineteen thirties. Nevertheless, he shaped his art into personal and full expression during those precedent-setting years. (Pg.200)
Ford directed more than two hundred movies throughout his career. Following in his brother’s foot steps; Ford produced, directed, and wrote many films. Throughout his career, which spanned nearly fifty years, he worked for such studios as Universal, Fox Film Corporation, RKO, United Artists, 20th Century Fox, Republic Pictures, and Warner Brothers. John Ford was born to Irish immigrants on February 1, 1894 or 1895, in Cape Elizabeth, Maine. His birth name was Sean Aloysius O’Fearna (Feeney). He changed his name when he began his career in the film industry. John’s brother, Frances Ford took him under his wing and showed him the ropes. He started out in Hollywood by doing stunt work, camera work, and film editing. In addition, Ford performed in such movies as Lucille Love, Girl of Mystery (1914), The Mysterious Rose (1914), The Broken Coin (1915), The Hidden City (1915), The Bandit’s Wager (1916), The Lumber Yard Gang (1916), and Chicken-Hearted Jim (1916). He even pl...
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...erved. Copyright © 1997-98, 03/01/1999
5. Robinson and Lloyd, The Illustrated History of the Cinema. New York, N.Y.: Macmillan Publishing Company, 1986
6. Sklar, Robert, Film an International History of the Medium. New York, Harry N. Abrams, Inc., 1993
7. Http://us.imdb.com/name?Ford,+John, 03/01/1999
Ford, John. Orig. Sean Aloysius O' Feeney o-'fe-ne . 1895-1973. American motion-picture director, b. Cape Elizabeth, Me. Director of The Iron Horse (1924), The Informer (1935, Academy Award), Stagecoach (1939), The Grapes of Wrath (1940, Academy Award), Tobacco Road (1941), How Green Was My Valley (1941, Academy Award), My Darling Clementine (1946), Wagonmaster (1950), Rio Grande (1950), The Quiet Man (1952, Academy Award), Mister Roberts (1955), The Searchers (1956), How the West Was Won (1962), Cheyenne Autumn (1964), etc.
Bibliography:
Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings, Fifth Edition. New York: Oxford UP, 1999.
Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.
Arguably the most popular — and certainly the busiest — movie leading man in Hollywood history, John Wayne entered the film business while working as a laborer on the Fox Studios lot during summer vacations from university, which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies, and dramas. Wayne was cast in small roles in Ford's late-'20s films, occasionally under the name Duke Morrison. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western The Big Trail, it was a failure at the box office, but the movie showed Wayne's potential as a leading actor. During the next nine years, be busied himself in a multitude of B-Westerns and serials — most notably Shadow of the Eagle in between occasional bit parts in larger features such as Warner Bros.' Baby Face. But it was in action roles that Wayne excelled, exuding a warm and imposing manliness onscreen to which both men and women could respond.
After the church was abandoned, John T. Ford saw great potential. He was the original, and first, architect of Ford’s Theatre. Ford had huge ambitions for the space, and he was determined to make things work no matter what obstacle was hurled his way. After multiple renovations, a new architect stepped in. His name was James J. Gifford.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
Gerald Ford was born on July 14, 1913 in Omaha, Nebraska. His real name at that time was Leslie Lynch King, Jr. His mother’s name was Dorothy Ford. When Ford was an infant, his parents divorced. His mother then married Gerald R. Ford, Sr. After that, his name changed from Leslie Lynch King, Jr. to Gerald R. Ford, Jr.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
When talking about Billy Wilder as a director a popular, controversial topic is whether or not he is considered an auteur. There have been many critics who have attempted to prove that Wilder is not an auteur but many have fallen short on providing a strong and convincing argument. Billy Wilder is an auteur for many reasons; the most obvious reason though is by comparing his four most famous movies. Wilder was very involved in the process of making the film and was often the writer, producer and director of the film. By being so involved he was able to make scenes his own, especially since Wilder wanted every detail of the scene written out in the script. He also has similar themes of cynicism towards different elements of human nature but would lighten the mood of the film by adding a comedic element to the scene. Wilder also enjoyed pushing the boundaries of screenwriting and to be able to get an approval from the Production Code Administration, he had to add comedy to the script. Another reason that proves Wilder as an auteur is through his work with famous actors and actress. Wilder had a knack for dealing with difficult actors and was often able to make them who he wanted. Finally Billy Wilder stuck to very traditional uses of camera angles and movements that set him aside from other directors. Billy Wilder was not only an influential director but also an auteur through his involvement in writing, directing, and producing the film, the cynicism mixed with comedy shown through the characters, and his traditional use of camera movement and angles compared to other directors during the 1950’s.
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
The movies that he made at the end of the decade were the ones that established him as an actor of merit. Howard Hawks emphasized the willful side of Wayne’s screen persona by giving him the part in Red River (1948). He played the part of Tom Dunson, a difficult, unlikeable yet compelling character. Two other films directed by John Ford quickly followed.
Through these extensive genres, Welles made a brand of himself. He was known for playing in theaters, receiving the American Film Institute’s Lifetime Achievement Award, the D.W. Griffiths Award, and was named number sixteen on the Fifty Greatest Screen Legends List of the American Film Institute. In Welles films, famous actors like Everett Sloane and Joseph Cotton made constant appearances. His filmin...
To all intents and purposes, the directors did not make the Westerns; it was the Westerns that made the directors. Only John Ford and Sam Peckinpah had the excellence to rise above this material, and make something new of it.
Ford improved the story by adding reality through stereotypes creating a believable film. Though the stereotypes he added would be unacceptable in a movie made today, they were considered acceptable for some people in the 1950’s.
When Henry Ford was born on June 30th, 1863, neither him nor anyone for that matter, knew what an important role he would take in the future of mankind. Ford saw his first car when he was 12. He and his father where riding into Detroit at the time. At that moment, he knew what he wanted to do with his life: he wanted to make a difference in the automobile industry. Through out his life, he achieved this in an extraordinary way. That is why he will always be remembered in everyone’s heart. Whenever you drive down the road in your car, you can thank all of it to Henry Ford. Through his life he accomplished extraordinary achievements such as going from a poor farm boy to a wealthy inventor who helped Thomas Edison. When he was a young man, he figured out how to use simple inventions, such as the light bulb. He then taught himself the design of a steamboat engine. His goal was to build a horse-less carriage. He had come up with several designs and in 1896, he produced his first car, the Model A. When Ford’s first car came out, he had been interviewed by a reporter and when asked about the history of the car, he had said “History is more or less bunk.” Ford worked in Thomas Edison’s factory for years and the left to become an apprentice for a car-producer in Detroit. While working there, he established how he was going to make the car.
Boggs, J.M., Petrie, D.W. (2008). The Art of Watching Films (7th edition). Boston: McGraw Hill.