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Essay on history of African theater
Identity crises in society
Identity crises in society
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On Thursday November 16th, I had the opportunity to see Vejigantes performed by the Pan-African Theatre Ensemble. The play calls to attention acceptance in a world where embracing heritage can be a tough decision. The play follows three women in one family. The grandmother, Mama Tona, being black, her daughter Marta being black and Puerto Rican and the grand-daughter Clarita being black, Puerto-Rican and white. The main struggle follows the daughter and her difficulty accepting her black heritage. At a time where being black caused controversy and derogatory terms were used against them, there was an immediate struggle to just accept who you are. Marta, in order to do what is best for Clarita, marries a white man so that her daughter can slowly …show more content…
I couldn’t understand its purpose, and thought it was unnecessary in progressing the plot of the show. The projections were another thing I did not understand. I particularly did not even enjoy them in the first place, also seeing no purpose for them. The content of the projections did not make much sense, the actors in their regular clothes and without the accents they put on during the show. They played at random times during the show, confusing me and not helping the story progress. I did not understand the director’s purpose of these projections, and wished there was more to know about them. Despite the things I hated about the show, they all involved design and not the actual telling of the story. I was very grateful to be able to see this show. It taught me a lot about the struggles that some black women face to accept who they really are. In a world where black female empowerment is on the rise, seeing the difficulty some women have is understandable. However, I think the story does a really good job of joining this family of strong women together in order to help them love themselves and each
Recently, I had the pleasure of seeing the fall production of Argonautika at the Westmont High School Theater directed by Jeff Bengford and written by Mary Zimmerman. Mary Zimmerman’s adaptation of Argonautika carefully selects which pieces of a Greek story to emphasize, where to begin and end the story, and which characters to feature. Argonautika is very much an ensemble piece, with every actor standing out in multiple roles. Her version focuses on Jason and Medea and begins with an invocation by the chorus that summarizes the story of Helle and Phrixus. The last showing on November 21st of Argonautika by the Westmont High School Performing Arts Department, was exciting beginning to end. Bengford’s production Argonautika greatly captures the intentions of Mary Zimmerman’s playwright into an exciting play for the audience.
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
At times I wondered if the African American stereotypes were being played up a bit. In the way some of the Jones family talked, the cab driver and the assistant at the bank. Another
This shows us how white people thought of African Americans as inferior, and they just wanted to dominate the society making no place for other races to express themselves. Even though African Americans were citizens of the state of Mississippi they were still discriminated against. This documentary does a great job of showing us the suffering of these people in hopes to remind everyone, especially the government, to not make the same mistakes and discriminate against citizens no matter what their race is because this will only cause a division to our nation when everyone should be
In The Colored Museum, Wolfe suggests that people should claim and honor their cultural baggage. However, de does it while disclosing how difficult that may be for an African American through a series of characters. I believe Wolfe exhibits this with characters struggling with stereotypes, susceptibility, and acceptance. Characters such as Janine, LaWanda, and Aunt Ethel show the struggle of African Americans dealing with stereotypes and how those false identities influence whether they claim or trash their baggage. Scenes such as Soldier with a Secret, The Last Mama-on-the-Couch Play, and Symbiosis have the theme of susceptibility. These characters validate the threat of claiming your baggage. Finally, acceptance is evident in scenes such as The Gospel According to Miss Roj, Lala’s Opening, and Permutations in which characters embrace their culture.
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
I chose this video because it raised my awareness by questioning the difference between positive role models, such as The Cosby Show, and positive images for all African-Americans. The issues discussed and comments made by the cast piqued my interest and helped change my perspective on the history of African-American representation in the media, especially in the realm of television. Color Adjustment contains more than just endless ‘talking heads’ – it has elements of fact, history, and professional opinion all blended together in an engaging format. It was extremely exciting to hear the TV producers like Hal Kanter and David Wolper talk about their own productions in retrospect. Most importantly to me, Color Adjustment changed my perspective on African-American representation in the media by challenging me to think about images...
This movie is a wonderful production starting from 1960 and ending in 1969 covering all the different things that occurred during this unbelievable decade. The movie takes place in many different areas starring two main families; a very suburban, white family who were excepting of blacks, and a very positive black family trying to push black rights in Mississippi. The movie portrayed many historical events while also including the families and how the two were intertwined. These families were very different, yet so much alike, they both portrayed what to me the whole ‘message’ of the movie was. Although everyone was so different they all faced such drastic decisions and issues that affected everyone in so many different ways. It wasn’t like one person’s pain was easier to handle than another is that’s like saying Vietnam was harder on those men than on the men that stood for black rights or vice versa, everyone faced these equally hard issues. So it seemed everyone was very emotionally involved. In fact our whole country was very involved in president elections and campaigns against the war, it seemed everyone really cared.
The genius of the film is that it synthesizes a multitude of cultural and musical elements and still manages to function rhetorically on separate but parallel levels of communication. The fundamental message for Jamaican audiences was to document, authenticate, and value the Jamaican reality. As Henzel notes in his running commentary, a special feature of the DVD, Jamaicans cheered the film's opening scenes wildly, simply because they recognized themselves and their world in a powerful global medium that had paid them no mind until then. "There is no thrill in moviedom like people seeing themselves on the screen for the first time." The experience and the legacy of colonialism accustoms people who suffer it to literature and film that depicts the lives and perspectives of the colonizers, not the colonized. As Jamaica Kincaid explains in a memoir of a Carribean childhood, all of her reading was from books set in England. Her land and its people were not worthy of literary attention. While finally getting such cinematic attention is a joyful, liberating, and affirming interaction for the Jamaican audience, it has an ironic dimension too in that the downpressed are joyous because at last they see themselves if not through the downpressor's lens, at least on his screen.
The ballad of Klook and Vinette is an abstract natured, a general love story, as throughout the play it talks about love, relationship, death, tragedy, drama, passion, and memories. A big part of the play deals with narrating what happens to Klook and Vinnette before the play even starts. The characters of the play are drifters who are running away from their past and end up getting caught up in a tragic love story. The play starts with Klook running away from police and the sound of siren chasing him. He starts thinking of how he got here, and that’s where lights went off and gave a note of “Three months ago”. Klook remembers of how he fell deeply in love with a girl who he was casually flirting with.
Gabriel, Deborah. Layers of Blackness: Colourism in the African Diaspora. London: Imani Media, 2007. Print.
Some negative opinions I have is that most individuals watching these types of shows probably do not even consider the fact that history might be repeating itself. People talk about how horrible it was for people to pay money to stare at “freaks.” However, people continue to stare at the same type of people in the comfort of their own homes. These shows are considered acceptable today because they are disguised as an inspirational, educational, or at the very least informative. Second, the participants in these shows are only paid a fraction of what the show earns. Therefore, it is just like the past when P. T. Barnum made millions off the “freaks” he showed and the “freaks” walked away with a lot less money. Next, I believe that shows like “Little Women: LA” give the whole community of little people a bad name. Audiences tend to make generalizations about their community as a whole based on the actions of a few people. Lastly, these programs cause the viewers to associate the participants as either a hero or victim. Some audience members view a person as a hero for putting themselves out there on television for everyone to see. They also might believe that they are making a difference for others with the same disabilities, deformities, or medical problems. Others are viewed as victims because some programs show how they are discriminated against or how difficult their lives are. This can make the audience members not only pity them but others who may be like them. The biggest negative that I see that still exists today is the fact that people who are different are being used as a source of
Krasner, David. Resistance, Parody, and Double Consciousness in African American Theatre: 1895-1910. Basingstoke: MacMillan, 1997. Print.
Hay, Samuel A. African American Theatre: An Historical and Critical Analysis. New York: Cambridge University Press, 1994.
Knowledge of the setting of the play is imperative to understanding the pressures and emphasis on race and skin color. The Blood Knot takes place in Korsten, Port Elizabeth, a non-white town in South Africa sometime in the mid-twentieth century (Fugard Scene 1). During this time in South Africa a phenomenon termed the apartheid played a major role in the state’s society. In his work “Some Problems of a Playwright from South Africa,” Athol Fugard describes the apartheid as, “the appalling scenario of oppression and injustice in my country,” (Fugard 382). The apartheid was a governmentally supported system of strict colonial, racial segregation that took place throughout the mid and later portion of the twentieth century until the late 1980s, wher...