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Psychological aspects of art work
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Vaslav Nijinsky was a famous Russian ballet dancer born around 1889, and died in 1950 whose career ended because of his recurrent psychological problems. Nijinsky started early on his career and sustained homosexual relationships to his benefit in various occasions, but later married Romola in a to South America, with whom he had two children, Kyra and Tamara (Acoella 1999; Fearne, 2009). The onset of Nijinsky’s illness is not clear, and may have been a contribution of specific environmental factors, his need to perform for an audience (Järvinen, 2014), and genetic factors, his brother was institutionalized (Acoella, 1999), although it would be risky to assume the latter. Nevertheless, because of Nijinsky’s thoughts captured in a diary he started on 1919, one can clearly perceive he had delusional thoughts of grandeur (Nijinsky, 1999, p. 126) and persecution (Fearne, 2009), reflecting racing ideas flowing in the paper. In addition, it could be pointed out that he had difficulties communicating with others and some to perceive him as shy and hard to approach (Järvinen, 2014). The progressive development of his illness was emphasized when he institutionalized; at this point, other symptoms appeared, seemly with the help of the drugs he was taking (Ostwald, 1991, p. 235). 1) …show more content…
This mood swing includes periods where he had diminished emotional expression and euphoria sometimes in less than a week apart. • Racing ideas are present in his diary (Nijinsky & Acoella 1995; Nijinsky,
The legal system is considered a place where justice is served and criminals are sent to prison. However, this is not always the case, as seen with Robert Baltovich, who suffered a serious miscarriage of justice. Baltovich was accused and unfairly convicted for a murder that he did not commit. The investigation into the murder of Elizabeth Bain was unfairly skewed to gain a conviction against Baltovich. The bias against Baltovich, in the murder investigation, and his subsequent trial was a disservice to him and to Canadian society.
We first meet Dmitri Gurov, a married middle aged man with children, who has been unfaithful to his wife many times. He has a great contempt for women and refers to them as “the lower race”. But strangely can’t get enough of them, “ It seemed to him that he had been so schooled by bitter experience that he might call them what he liked, and yet he could not get on for two days together without the lower race”. He is a player, a playboy. He doesn’t feel comfortable around men so he focuses his energies on the ladies, “In the society of men he was bored and not himself, with them he was cold and uncommunicative; but when he was in the company of women he felt free, and knew what to say to them and how to behave; and he was at ease with them even when he was silent”. He tells women what they want to hear so he can get them to bed, “ In his appearance, in his character, in his whole nature, there was something attractive and elusive which allured women and disposed then in his favour; he knew that, and some force seemed to draw him, too, to them.” This keeps life simple for him.
Rosicky had been a tailor in the Old Country and had immigrated first to London, where he was miserable and poor. At age twenty he left London for New York, and for a time he was happy there, becoming "a good workman" (Cather, "'Neighbor Rosicky" 241) and experiencing the cultural life of the city, including opera and the ballet. As time goes on, however, he ...
Podznychev adds a second element, opening the door on the social practices of his time, particularly those of young men in their prime. He himself did not get married...
Three hundred years ago, ballet was introduced to Russia for the first time by the Czarita's Elizabeth and Anna. Their intention was court entertainment, but little did they know they made a move that would change the face of classical ballet forever. Although ballet originated in Italy and France, Russia certainly gets credit for stylizing and perfecting the art form. From opening the Imperial Ballet School to the formation of the Vaganova technique, from the splendor of Anna Pavlova to the defection of Mikhail Baryshnikov and Rudolf Nureyev, Russian ballet’s past has been a rollercoaster. In the aftermath of the January 17, 2013 acid attack on the Bolshoi artistic director, Sergei Filin, the ballet world is under intense scrutiny of what really goes on behind closed doors. To fully understand why all this controversy is swirling around a single art form based on grace, poise, and performance, we will need to understand the root of the issue. The country of Russia.
Tchaikovsky had three notable relationships in his life. The first was with Désirée Artôt, who left him for another man after she and Tchaikovsky spoke of marriage together. Afterwards he began to have homosexual inclinations over wh...
According to the Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition (DSM-IV); A person who suffers from this disorder must have a depressed mood, or have lost interest in things that would have normally brought them pleasure; for a minimum of two weeks. This must be different then the person’s normal behaviors, and it may not be caused by a general medical condition. (American Psychiatric Association, 1994)
Fyodor Dostoevsky's remarkable insight into the psychology of man is seen here in the development of Raskolnikov's dream on the beating of a horse by drunken peasants. The dream is significant on several planes, most notably in the parallel of events in the dream with Raskolnikov's plan to murder the old pawnbroker. It also serves as perhaps the most direct example of the inseparable tie between events of the author's life with the psychological evolution of his protagonists, as well as lesser characters, through the criminal minds of Raskolnikov, Rogozhin, Stavrogin, and Smerdyakov, and into the familial relationships of The Brother's Karamazov.2
Human mind is a double edge sword: it gives us wonderful and destructive ideas in the same time. In loneliness, the mind can create profound suffering. In 1886, Leo Tolstoy wrote the Death of Ivan Ilyich and shed a light on loneliness and suffering. Through narrating Ivan’s inner struggle with his illness, Tolstoy showed how social isolation can exacerbate mental suffering. The book started with Ivan’s funeral and moved rapidly through his early life. Ivan lives a life with comfort and social conformity. However, this seemingly ordinary and happy life ended when he fell putting up the curtains. As minor signs of illness show up, he starts to struggle with isolation and fear. His doctors’ irresponsiveness to his questions started his mental suffering and this suffering exacerbated as he is isolated from his friends and family. As Ivan is tortured by both physical and mental pain in loneliness, he finally listens to “the voice of his soul, to the course of thoughts arising in him” (45). In a series of reflection, he asks himself deep philosophical questions about the meaning of life and death. However, the loneliness created by the isolation from his doctors,
"To me he seemed like a trapped man, whose only wish was to be left alone, to the peace of his own art and to the tragic destiny to which he, like most of his countrymen, has been forced to resign himself." Nicholas Nabokov on meeting Shostakovich in 1949 in New York
She appears to be unable to successfully interact with those around her. The interaction Nina has with her fellow dancers appears to be strained and superficial. Nina exhibits behavior that indicates she views all other dancers as competition instead of potential comrades’ or friends. Being very introverted and unable to share any part of herself with those around her, even her mother, who appears to be the only person that has been remotely close to Nina, causes her to seek companionship with parts of herself instead of healthy relationships with others. Nina exhibits signs of generalized anxiety disorder, social anxiety disorder, and paranoid personality disorder through these abnormal behaviors.
Turgenov’s Fathers and Sons has several characters who hold strong views of the world. Pavel believes that Russia needs structure from such things as institution, religion, and class hierarchy. Madame Odintsov views the world as simple so long as she keeps it systematic and free from interference. This essay will focus on perhaps the most interesting and complex character in Fathers and Sons: Bazarov. Vladimir Nabakov writes that "Turgenov takes his creature [B] out of a self-imposed pattern and places him in the the normal world of chance." By examining Bazarov this essay will make this statement more clear to the reader. Using nihilism as a starting point we shall look at Bazarov’s views and interpretations of science, government and institution. Next we will turn to the issue relationships. Finally we examine Bazarov’s death and the stunning truths it reveals. These issues combined with the theme of nihilism will prove that chance, or fate is a strong force which cannot easily be negated. Nihilism as a concept is used throughout Fathers and Sons. To gain a better understanding of the ideas behind this term let’s look at what Bazarov says on the subject. "We base our conduct on what we recognize as useful... the most useful thing we can do is to repudiate – and so we repudiate" (123). The base concept of nihilism is to deny or negate, and as we learn later in the same paragraph, to negate everything. With this ‘destruction’ of everything from science to art there is no building for nihilists, as Bazarov says "That is not our affair" (126). Nihilists view the current structure of society as concerned with such trivialties as ‘art’ and ‘parliamentism’ while ignoring real life issues such as food, freedom, and equally. Nihilists are aware of these social woes and hence mentally deny to recognize any of the present authority or institutions which only serve to perpetuate a myth. Bazarov agrees with the statement that nihilism "confine[s] [oneself] to abuse" (126). "... I don’t believe in anything: and what is science—science in the abstract? There are sciences as there are trades and professions, but abstract science just doesn’t exist" (98). For Bazarov anything that is not tangible and concrete doesn’t exist. Psychology, quantum mechanics, neurochemistry would be scoffed at by Bazarov. It seems peculiar that Bazarov would say, "... nowadays we laugh at medicine in general, and worship no one," (197) while at the same time he pursues a career as a doctor.
The ability to observe different varieties of things on a daily basis is a huge part of everyone’s lives. The power of the individual mind comes from its capacity to apply these observations, which may sometimes incorporate some misconceptions that result in dire repercussions. In “The Devil,” Leo Tolstoy tells the story of Evgeny Irtenev, a young man who finds himself in a position of relentless lust after inheriting his father’s country estate. Before finding the right woman to marry as well as being accustomed to readily available sexual services, Evgeny arranges numerous encounters with a married peasant woman, who he continues to see until he meets his prospective wife. After being in a perceivably happy marriage for more than a year,
Just like painters use different kinds of strokes or poets different rhythms, choreographers use various types of movements to embody different emotions, feelings, ideas or images. “The ballet’s function is ‘symbolic’; each step is ‘a metaphor’, (...) Only our poetic instinct can decipher [a ballerina’s] ‘writing of the body’. Her dance is a ‘poem freed of all the apparatus of writing’.” Due to the fact that the Wilis were spirits, the ballerinas wanted to give the impression of floating. Thus, the romantic fragile, ethereal, supernatural, ghost-like figure was exceptionally achieved through pointe work which introduced a whole new arena of movement that enhanced the qualities of grace and lightness so desired by the choreographers. Now one of the basic elements of ballet, dancing on pointe embodied the romantic ballerina’s pursuit for the ethereal as a romantic ideal of feminine perfection. One of the choreographers, Perro...