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Art and its impact on society
The life of vincent van gogh
Vincent van gogh research
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Van Gogh Art is a severe Goddess, who in return for her smiles demands many sacrifices. No one did more to please her, and no one was so insufficiently rewarded as Van Gogh. Several times the blows that she dealt him were painful enough to make any reasonable man resign. Only fanaticism and faith in her would permit one to leap the abyss between reality and desire. With cruel, merciless method, art asked from Van Gogh everything. It was a loan that multiplied with time and was never paid back. It haunted him within the recesses of his soul, it flirted with him and raises his hopes, it took away from him everything that was dear, and when it could finally take no more, it decided to take his life. Vincent Van Gogh was born on 30 March 1853 in the small village of Groot-Zundert, Holland, to Theodorus Van Gogh and Anna Cornelia. He had a normal childhood and was in no way distinguished from his peers by any uncommon character traits. At the age of 16 he was apprenticed to Goupil & Cie, art dealers from Paris with a branch established in Hague by his uncle Vincent. The working place afforded him enough time to become acquainted with the classical painting masters and the different schools of painting at that time. Because of his extreme honesty, he was considered a poor salesman and the company chose to transfer him to the London branch. The change did not improve his standing and soon enough he exchanged the clerical position for that of a pastor. He was sent to Borinage, a coal-mining district in Belgium. Van Gogh thought he had finally found his vocation. He was an educated man amongst the illiterate miners and their families. Ironically enough, he found more virtue, patience, and holiness among this cla... ... middle of paper ... ... reducing him to a mere madman whom everybody ridiculed. The years were like crows above this wheat field. That is what he would paint. He laid layer after layer of thick yellow and black. He painted the yellow wheat, the black crows, below a dirt path leading to a dead end, somewhere among the field, and above a furious sky, venting his anger upon every unlucky blossoming plant. He loved life. He loved it passionately, madly, he loved it to insanity but it was time for him to leave. He pulled out a revolver from his pocket and aimed it in his stomach. A deafening noise disrupted the silence of the wheat field and the finished canvas rolled on the ground together with the body. Vincent was dead. Works Cited Stone, Irving. Lust for life . New York: Grosset & Dunlap, 1934. Van Gogh, Vincent. A self-portrait. New York: E.P. Dutton & Co., Inc, 1963.
Reference 9 and 10- "The life of Van Gogh" Steven Naifeh and Gregory White Smith, pages 760 and 746. Published in 2011.
By the age of 27, van Gogh had been in turn a salesman in an art gallery, a French tutor, a theological student, and an evangelist among the miners at Wasmes in Belgium. Vincent felt a strong emotional attachment to the miners. He sympathized with their dreadful working conditions and did his best, as their spiritual leader, to ease the burden of their lives. These early works evidence were dark and serious, sometimes crude. Unfortunately, this unselfish desire would reach somewhat obsessive proportio...
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
Van Gogh, being the son of a Lutheran minister, was very much drawn toward religion. Van Gogh decided to prepare himself for ministry by training in the study of theology. He failed at the courses and could not be the minister he hoped to become. Even though he failed the courses, he still had the desire to be a minister. His superiors sent him as a lay missionary to Belgium instead. There he wanted to be like his father and help out the unfortunates as a preacher. He tried to fight poverty through the teachings of Christ. Van Gogh's mission had to be discontinued. His approach to fighting poverty did not make his superiors happy. In 1879, he moved to his father's home in Ettan and stayed a while. He then left Ettan and went to The Hague.
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
Vincent van Gogh was a poor artist in 19th century Europe that was constantly tortured by psychiatric issues. Van Gogh was born in Zundert, Netherlands on March 30, 1853. His father was a pastor and raised him with a very religious lifestyle and he originally set out to be a pastor himself. He was fired from his preaching job because of his intensity and fierceness and decided to be an artist. His many disorders eventually got the better of him and he was admitted to the St. Remy mental institution where he did the much of his art. After his release in May of 1890, van Gogh fell into deep depression and eventually committed suicide in July of that year. In my opinion van Gogh’s importance was shown through his different use of color that was looked down upon by the critics of the time but led to a new style of Post-Impressionism at the end of the Impressionistic era. Also, his large amounts of paintings, over 2,100, portray a large amount of subjects which virtually anyone can relate to. Finally, his importance is verified in the sheer price of his paintings, the most expensive, Portrait of Dr. Gatchet, was sold for 82 million dollars.
Van Gogh was born on March 30, 1853, in the rectory of Zundert in Barbant (Burra). His father was a soft-spoken Dutch clergyman. The only thing Van Gogh got from his father, was the desire to be involved in the family church. Even at an early age, Vincent showed artistic talent but neither he nor his parents imagined that painting would take him where it did later in life. One of his first jobs came at the age of sixteen, as an art dealer’s assistant. He went to work for Goupil and Company, an art gallery where an uncle had been working for some time. Three of his father’s brothers were art dealers, and he was christened after the most distinguished of his uncles, who was manager of the Hague branch of the famous Goupil Galleries (Meier-Graefe). His parents were poor, so his rich uncle offered to take him ...
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.
how much he admired him that the painting he did was thought to be the
He took lessons and practiced until he mastered his artistic ability and surrounded himself around other artist to gain knowledge of the skill. He traveled where he could enjoy the beauty of the landscapes away from city life to capture the beauty and serenity which inspired him to create his artwork. Gogh’s biggest fan was his brother. Financially, Theo took care of the starving artist who no longer could not afford to. The obscure images that Gogh has created was not selling, Vincent initiated adding color to his art pieces in hopes that the pictures would begin to retail, to help repay his brother (Van Gogh Museum in
During his time spent as a salesman, for the art gallery, Van Gogh developed a love for fine art. Van Gogh began to become unstable and the Paris Gallery released him in 1873. Upon leaving Paris, Vincent (wanting to be useful) trained for the ministry in 1877, at Amsterdam University. After failing to land a post in the Church, he became an independent missionary and practiced among the Borinage miners. “His experiences as a preacher are reflected in his first paintings of peasants and potato diggers; of these early works, the best known is the rough, earthly Potato Eaters (http://sunsite.auc.dk/cgfa/gogh/gogh_bio.htm).
Vincent van Gogh, one of the most inspiring artists to both the world and on a personal level. Being a fan of his artwork, it was an easy choice to decide to watch the film Lust for Life, which portrayed Mr. Gogh’s life through the good, and through the not so good. While watching the film, I learned more about Vincent than I could have imagined a movie could represent. The movie was a marvel and it really showed how Vincent was an amazing artist, even though he might not have been the best human in terms of health. For the entirety of the paper, the following content, unless otherwise stated, will come directly from the movie Lust for Life by Vincent Minnelli (1965).
I was lucky enough to visit the Van Gogh Museum in Amsterdam in November of last year. The museum was located in somewhat of a museum park. The Rijks museum and the Stedelijk Museum are located on the same block. A beautiful landscape of ponds and trees are centered around them. The Van Gogh Museum has an audio tour available in all languages via a handheld tour guide. Unfortunately, funds limited me to get the audio tour, but I was able to nonchalantly follow a British couple around most of the five floors. The museum chronologically directes you through a collection of Van Gogh's and his contemporery's works.