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Vincent van Gogh, one of the most inspiring artists to both the world and on a personal level. Being a fan of his artwork, it was an easy choice to decide to watch the film Lust for Life, which portrayed Mr. Gogh’s life through the good, and through the not so good. While watching the film, I learned more about Vincent than I could have imagined a movie could represent. The movie was a marvel and it really showed how Vincent was an amazing artist, even though he might not have been the best human in terms of health. For the entirety of the paper, the following content, unless otherwise stated, will come directly from the movie Lust for Life by Vincent Minnelli (1965). For a better understanding, the movie will be quickly summarized. In the beginning, Vincent van Gogh, being trained to be a priest like his father, is seen by the church as unsuitable for the job. Knowing this, he pleads with the church to allow him to do work under the name of God so that he way serve him. In return, they send him to a run-down mining town with little faith because of the poor conditions of the town. Vincent then starts to …show more content…
Vincent was shown to be a man of God and his words, just like his father. Vincent was shown to be hard-working on both his paintings in the town of the miners when he joined the on their daily routines. While he does have some good personality traits, Vincent also portrayed some traits that maybe were not so good. Vincent is seen a forceful man with the women in his life. In most of the scenes with a woman that is personal in his life, Vincent can be seen as a forceful man, not necessarily to the point of injuring the woman, but enough to show a darker side of Vincent. He is also portrayed to be quite unorganized in life. Paul Gaugin shows this in the scene where he first moves to Arles with Vincent and he helps straighten up Vincent’s house and his
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
The film Citizen Kane is a mystery beginning in Xanadu, Florida, with Charles Foster Kane on his deathbed. Holding a snow globe, he utters “Rosebud” before dying. Reporter Jerry Thompson sets out to tell Kane’s story, as well as discover the meaning of Rosebud. Thompson begins to interview all of Kane’s known friends and associates. First, Kane’s second wife, Susan Alexander Kane, is interviewed, but refuses to speak about her late husband. The story then moves to Charles Kane’s childhood. Mary Kane, his mother, discovers a gold mine on their property in Colorado, bringing them out of poverty. Playing with a sled, Charles discovers he’s being sent away to be raised by a bank in New York. Walter Thatcher arranges a trust fund to be received by Kane upon turning 25. Years
“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having the opportunity to see the Vincent Van Gogh/Antonin Artaud exhibition, The Man Suicided by Society. The exhibition captured Antonin Artaud’s text about Van Gogh’s, “exceptional lucidity that made lesser minds uncomfortable,” or better known as his mental illness that had a major effect on his artwork [Musee d’Orsay]. In this exhibition, Vincent Van Gogh’s works visually present his life experience having spent 9 years in a mental institution and the way his imbalanced mind played a direct role on the outcome of his artwork. The darkness of Vincent Van Gogh’s illness that had a major impact on his art, was a form of expressionism which led to a collection of works that both told his life story, and later, led to his own suicide.
In Joseph McElhaney's essay, “Vincente Minnelli: Images of Magic and Transformation,” he argues that character transformation is central to Minnelli’s films and that this transformation takes place in two ways: through the process of education in a world dominated by teachers of various types; and through a process of enchantment and seduction at the hands of artists. In Emmanuel Burdeau’s essay, “Minnelli’s Message,” he argues that throughout Minnelli a “dance of hesitation” occurs in which characters change their minds about something. Vincente Minnelli’s 1958 film, Some Came Running, addresses both of these arguments in the sequence when the main character, Dave Hirsh, deals with the hesitation of a woman he wishes to marry.
Reference 9 and 10- "The life of Van Gogh" Steven Naifeh and Gregory White Smith, pages 760 and 746. Published in 2011.
Vincent Willem van Gogh was born in Groot-Zundert, Netherlands on March 30, 1853. He was born into a middle class family that sometimes struggled financially. His grandfather was a famous preacher and his father was a minister so religion was pretty important within his family. The other passion within the family was art. His mother was an artist and three of his uncles and later his brother were art dealers. He got his first job at age 15, at his uncle’s art dealership. The fact that Vincent’s family was struggling at this time gave him the responsibility to leave school and go to work. Despite his family 's misfortune, van Gogh was fluent in 4 languages and his concern with art and religion kept growing. At the age of 20, he was transferred to the Goupil Gallery in London. It was there that he fell in love with art and English culture. He visited galleries in his spare time and in many aspects increased his understanding as a whole. In this period of time he started to fall in love with a woman named Eugenie Loyer. Vincent was prepared to ask her to marry him, but Eugenie didn’t feel the same as he did so she rejected the proposal and this caused van Gogh to suffer a mental breakdown. In this time he turned to God and threw away all unnecessary possessions except for the bible. He was fired from the Gallery for telling the customers “not to buy the worthless art.” Vincent then started teaching at a Methodist school and preached on the side a little. This was the first time in his life where he started to contemplate becoming a minister. He studied for a year planing to take the entrance exam to become a minister at the School of Theology in Amsterdam. He was denied entrance after refusing to take the Latin exam calling it a “de...
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
Vincent was an influential post-Impressionist painter born in 1853, Netherlands. With Theo van Gogh’s association, Vincent met reputable Impressionist painters such as Émile Henri Bernard and Eugène Henri Paul Gauguin. Impressionism served as a platform for Vincent in developing his own style . He explored with colours, a stark contrast from his usual dark and sombre style. The influence of Japonisme charmed Vincent into residing in Arles where he began painting landscapes. Thereafter, Vincent voluntarily checked into Saint-Rémy sanatorium where his works reflected strong colours and lights of the countryside around him. His manic depression and epileptic condition, led to his suicide on July 27th 1890.
Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are obvious differences, the core of his passion and eccentricities can be seen.
It was through these session that I started to unravel Vincent page by page. What I speculated to be a reticent, mundane teen, was in truth overflowing with color. Never would I have imagined to discover his affection for constructing contraptions from spare garage parts. And never ceasing to amaze me, I realized that Vincent had always had a strong adoration in all his activities, whether studying for school or enjoying his hobby.
It begins with a fade in of the main theme when Vincent recognizes that he will be able to go on his space mission, although his fraud of passing Jerome’s urine sample as his own has long been discovered. Dr Lamar says, “You are going to miss your flight Vincent.” The close up of Vincent looking at the Dr Lamar and the music is introduced. The lighting in the round tunnel changes from the initial green to very light pinkish colour, when we see it from the inside, and is bright and smooth. This set design and Vincent’s slow and steady walk create a calm and peaceful atmosphere. Vincent says, “Of course they say every atom in our bodies was once part of a star. Maybe I’m not leaving. Maybe I’m going home.” The spaceship crew’s faces are in the shadow and only partially lit from the outside. Jerome in the incinerator has also only the lower part of his face illuminated, the rest is in the shadow. However this small amount of light hitting his face is bright and resembles sunlight. This gives the scene a positive touch that one would usually not expect from a suicide scene. To accomplish his goal he has taken burdens like doing jobs he did not want and even pretend to be another person. His final statement has an air of intimacy that recommends he probably does not have the intention to return to earth. As a predestined outsider of society he has never been able to display his true personality, but was always
Perspective is based on Jesus in this painting due to his outward “radiant glow of divine light” (1) extending to the other people in the painting. The main focus is on Jesus and the rest of the figures are diffused in an outward fashion from Jesus himself. The artist himself expresses an emphasis on individualism by implementing himself within the painting by appearing “twice in the Last Judgement: in the flayed skin which Saint Bartholomew is carrying in his left hand, and the figure… who is looking encouragingly at those rising from their graves” (2). This is an action that only a Renaissance painter would do, which is displaying individuality through a self-portrait because of the possibility of being judged for selfishness. Light and shadowing is prominent within the art which is shown in the painting when the lighter, more brighter colors are focused in the middle and then fade into darker tones while moving outward into the
The film follows one of Vincent’s painting, Portrait of Armand Roulin, try to deliver a letter to Vincent’s cousin while Armand (Douglas Booth) simultaneously tries to figure out if Vincent really killed himself or if he was murdered. Throughout the film you witness Armand interact and come across other well-known paintings by Van Gogh. Now—that plot line may sound interesting but, it gets old very quick because there are not many twists and turns to keep the audience
“I had seen paintings before, but never so many” thinks Griet as she first enters (Chevalier 17). This is the first step in her awakening of artistic expression. Of course, Griet’s father was a tile painter so she has seen her fair share of paintings but not the amount or kind that is in this home. She sees a “picture of Christ on the Cross […] Christ had thrown his head back in pain, and Mary Magdalene’s eyes were rolling. I lay in bed gingerly […] every detail was fixed in my mind” (Chevalier 30). Griet is not used to seeing works of this intensity, especially religious ones, and is made uncomfortable by it. It depicts Jesus as he is being crucified, which disturbs her. As Brieber explains in his article, “context affects the experience of art, the amount of time people spend on art, and, in turn, that viewing time is related to art experience” (Brieber 7). Art experience is more than just first impressions; it is the amount of time one spends with the artwork and the context one comes from. Griet is at first shocked by the piece because of her background, adding to her art experience. Over time she may develop entirely different perceptions about the art around her, changing her artistic experience and