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The influence of ancient Greek culture
The importance of greek mythology
The influence of ancient Greek culture
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Joana Silva Mr.Jefferies block 4 09/30/15 Loyalty: is this always good thing?! Cupid and Psyche, bacuis and philemon, and phigeliom all show the value of loyalty but not all nessisairly being positive. in the myths there loyalty is displayed through there actions and there devotion towards each other and the gods, and also by what they say to one another. loyalty is important in greek culture because its highly valued by people and the gods and is more often that not rewarded. cupid and psyche both demonstraite there loyalty by there actions towards eachother and by what they say to one another, even though cupid was told by his mother the godess aphrodite stay away from psyche because she had a hatred for her, cupid was loyal to psyche and when cupid is decived by phsyche and she is faithless to him by taking the lantern to reveal his identity, cupid gets mad for a little while but in the end comes back to psyche and still shows he cares for her and still shows his loyalty "psyche grew glad again, since she knew that cupid was caring for her...she made her way slowly up a great tower, thinking to throw herself down from it and die. once again, however, cupid cared for in the story it ends in negative loyalty when they both take their lives to show there loyalty to eachother "he could harldy think of her fate.. he would rememebr it for the rest of his life and know that it was all of his fault... with that though he came to the conclusion....he gripped, his dagger and plundged it into his body with all of his strength"(pg 124. blue book) he had such a great and strong love and devotion to her that he wasnt able to live without her and that he was so loyal to her that he desided to take his own life to be wth her and to connect and realte to that Thisbe loved pyrumus so much ,and had so much loyalty for him that she desides to kill herself when she finds him lying breathless and dead on the floor "her eyes fell on the lifeless pyrmus and then here eyes fell on the sword, thisbe shut her eyes and thrust herself forwards with all of her strength onto the swords tip"(pg.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
Characters like Telemachus, Menelaus, and Penelope are similar to what they feeling for the people they love and care about. Telemachus situation is that he does not want to accept that his father Odysseus is death. So he goes on a voyage to find out what really happened to his father. As he arrives at Sparta Menelaus finally tells Telemachus that Odysseus is alive and is held captive by Calypso. This gives him hope that his family will finally be complete. Penelope in the other hand is devastated she has been weeping on her bed since the news broke that Odysseus is death. Also, not knowing that his son Telemachus is on a voyage and his life is in danger. Finally, Menelaus who has been wandering the sea for seven years and discovering that the death of his brother and the loss of his friend’s because of the Trojan war and the dangers of voyaging. So, he made himself a favor that is better to stay home and live honorably. The moral of the story in this section is that in the end the people you love will matter the
In Antigone, she loses 2 brothers, and then a lover, and finally her life. Oedipus loses his
Throughout Greek mythology and tragedy, there is a strong overall theme of honor and hubris. This appears both to be a virtue and a type of human weakness. Hubris is defined as excessive pride toward or defiance of the gods, leading to nemesis. It is widespread among the gods and high-ranking mortals in Greek society. Characters are presented with the option to follow their own will, keep their honor intact and face the consequences, or listen to the gods and higher powers, give up their dignity and honor in hopes of a greater outcome for their life. In the text, we can observe both approaches and how the outcomes varied. Specifically in the text of Hippolytus, characters attempt to overcome obstacles and dilemmas with solutions of hubris and morals or taking heed of advice given by higher powers; however, these solutions do not always resolve the problem and the mortals fate is often unavoidable due to the strong influence of the gods.
or loyalty to Him. The gods of Hellenic texts, like in Oedipus at Colonus, the
She planned to tell Demetrius of the duo’s exploits to earn some of his attention, despite the fact that Hermia was her friend. “He will run after her. If he is grateful to me for this information, it will be worth my pain in helping him pursue my rival Hermia” (1.1.3. 21-21)She loved him so much, she would even rat out her friend to get his approval. Once she had his love, she felt like she had all that she wanted and, therefore, she felt like she had nothing else to pursue. Like she had no
However, the protagonists do not win in the end. This is yet another melodramatic quality found in both "Pyramus and Thisbe" and in Romeo and Juliet. It seems that they should, and will, be together in the end and be allowed to love each other freely, but that is not the way it turns out. Instead, the young lovers are dead by play's end because of pride and hate. The entire audience watching this spectacle is left feeling the same way and asks, "But why couldn't they just be together?
In a society in which social position was vital for having a successful family, the Greek and Roman families internally struggled with one another. This constant conflict stems from the father’s desire for control and the society’s high placement of power. In the Greek myth Demeter and Persephone, Zeus’s interest for his selfish gains prompts him to “ ( give ) Persephone to the Lord of Dead to become his queen “ ( Rosenberg Demeter 96). Zeus does not ask Persephone nor Demeter, his beloved wife, presenting that he does not show any opinions on their feelings. Although Zeus in reality just wanted to have a powerful family with the addition of Hades, his love for power overrode his love for his family and created a tension between the other members and him. In another Greek myth, Jason and the Golden Fleece, shows man’s love for supremacy through ...
Love, in classical Greek literature, is commonly considered a prominent theme. Love, in present days, always appears in the categories of books, movies, music, etc. Interpreted differently by different people, Love turns into a multi-faceted being. In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes of Love; Agathon enunciates that the correct way to present an eulogy is first to praise its nature and gifts.
Trust is a word that in mythology, is hardly shown. When one god betrayals another, there are horrific consequences and punishments. Most of this horrendous punishments including the one I will be talking about, are explain by Hesiod in his book The Theogony. In this book Prometheus is punished for tricking Zeus by making him choose from rich and fat innards hidden inside an ox’s paunch, or bones wrapped in white fat. He also gets punished for steeling fire for the mortals, not once, but twice. Most gods and goddesses are worry about what benefits them the most and they do not care if they betrayal each other to get what they want. Therefore, betrayal plays a huge role in mythology not only among gods that just know each other, but also among
As the tale unfolds, it becomes clear that Phaedra is aware that her love for Hippolytus can never be fulfilled, and the shame that she feels from this passion is true. After confessing her love to Hippolytus in Act 2, scene 5, she curses the Gods for torturing her soul by making her love someone against her will, and she even goes as far as to ask for death. The power of shame has overcome her, and she feels that if she can not be with the man that she loves then she wishes to die by his sword as if she were a "monster". When Theseus returns home, her shame is heightened by the presence of him, and by the thought that her incestuous love will be made aware to all. However, this shame quickly turns to the offensive when she allows Oenome to plot a reverse of guilt and accuse Hippolytus of loving Phaedra. The power of shame is no more evident then at this point in the story, because Phaedra, feeling the height of shame after admitting her love to Hippolytus, must face both her husband Theseus, the man she should love, and Hippolytus, the forbidden love. Feeling confused and helpless, Phaedra allows Oenome to place the blame on Hippolytus, and this begins her change from feelings of shame to guilt.
For instance, Odysseus develops two relationships outside of his marriage – one of which was a goddess. Penelope remains loyal to her heroic husband, and even avoids suitors by unraveling the shroud she weaves for Odysseus during the day. The handmaidens that assist circumspect Penelope act as reminders to her consistent virtue and loyalty to her husband as they outline what not to do. The handmaidens are untruthful to Penelope and report her actions to the suitors, engage in festivities with the suitors, and do not stand by her side when she needs them. Penelope undergoes the struggles because she knows that her Odysseus will return to her, and he is a man worth waiting on. However, of course, Penelope does not know about these relationships that Odysseus has taken part in. Though, Penelope still believes that Odysseus is a good man and is proud to be his wife. Odysseus wants to return to his wife but he has everything and more with Calypso on her island. He could have stayed there and would have been very happy there, however he would not have earned his kleos for his quests. If he stayed with Calypso then no one would hear his great tales of battle or his amazing cunning abilities. Penelope is great and all, but she’s no
Loyalty to the household is one of the foundational values of Grecian cultures. Both Antigone and the Odyssey portray the benefits of this devotion to kin, yet also expose the tensions that can arise while keeping an allegiance to a household. Polis, the city-state, was grounded in the concept of oikos, or households. Ancient Hellenic women were expected to uphold certain standards within society, such as burying the dead family members, pledging allegiance to the household of the betrothed, or marrying into a new household following the death of a husband. Consequently, massive repercussions, even death, could arise if a woman did not fully pledge allegiance to a betrothed household or abandoned her current family without justifiable cause.
Duty is not taken lightly by these Mythological-Ancient-Greek-gods! When events turn and Oedipus realizes what he has done, he keeps his promise he made to his city. He finds himself in a sticky situation realizing he has killed his father and married his mother and decides he must follow suit; He banishes himself and “he rips off her brooches, the long gold pins holding her robes-and lifting them high, looking straight into the points, he digs them down the sockets of his eyes,” gouging his eyes out and leaving him blind (Sophocles 128.) Similarly, Medea is just as dutiful as Oedipus. Medea feels it is her duty to save her children from the harsh punishment they would receive as mortals on earth. She knows the punishment they will receive will come from a place of anger and hatred if they are left to deal with the consequences of her actions. Medea decides “as soon as possible I must kill my children and leave this land before I give my enemies a chance to slaughter them with a hand that’s moved by hatred” (Euripides 169.) Along with her instinct to be dutiful, Medea is also a mother with the instinct to protect her children… no matter how much harm she has already
Although written in the olden times, one of Apuleius’s story collections in the book of Metamorphoses entitled "The Tale of Cupid and Psyche" relates to the modern age issue of marriage and relationship. It reflects and gives hope to some relationships that started wrong but ended up good. I will examine the story of “The Tale of Cupid and Psyche” and will relate its relevance to the modern times. “The Tale of Cupid and Psyche” is a tale about the relationship that the God of Love, Cupid, has with a mortal named Psyche. Venus, the Goddess of beauty and the mother of Cupid, was offended when people believed in a rumour that Psyche, the most beautiful of the three daughters of the king and queen, is Venus’s daughter from a union with a mortal.