Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Pride in greek mythology
Hubris in greek myths
The greek hubris mythology
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Pride in greek mythology
Throughout Greek mythology and tragedy, there is a strong overall theme of honor and hubris. This appears both to be a virtue and a type of human weakness. Hubris is defined as excessive pride toward or defiance of the gods, leading to nemesis. It is widespread among the gods and high-ranking mortals in Greek society. Characters are presented with the option to follow their own will, keep their honor intact and face the consequences, or listen to the gods and higher powers, give up their dignity and honor in hopes of a greater outcome for their life. In the text, we can observe both approaches and how the outcomes varied. Specifically in the text of Hippolytus, characters attempt to overcome obstacles and dilemmas with solutions of hubris and morals or taking heed of advice given by higher powers; however, these solutions do not always resolve the problem and the mortals fate is often unavoidable due to the strong influence of the gods.
In Hippolytus, the first example of hubris occurs when Hippolytus angers Aphrodite through his devotion to only the goddess Artemis. He takes a vow of chastity and refuses to partake in any sexual acts. Aphrodite sees this as an act of self-righteousness and considers it blasphemy, stating, “He will none of the bed of love nor marriage” (Hippolytus 14). This anger Hippolytus has caused Aphrodite leads her to seek revenge on him, aiming to challenge Hippolytus’ hubris and devotion to his values and his worship of Artemis. Hippolytus, having been framed, is left with two decisions: remain honorable to the oath to not tell of Phaedra’s love, or face the wrath of Theseus. He decides to remain honorable which ultimately is a decision that kills him (Hippolytus 983-1035). This shows how much H...
... middle of paper ...
...vice of gods and other powerful individuals. In some instances, the advice given by the higher power is not always the best option or right thing to do, as in the case with Philocteses. Other times, characters such as Medea, Phaedra, Theseus, and Hippolytus, are given advice that could potentially help them, but choose to maintain their honor, regardless of the consequences. Though the characters strive to be virtuous with their honor, it also leads them to their eventual doom. There does not seem to be a clear, effective solution for the problems that these characters face, promoting the importance and power of the influence of the gods. The mortals are often bent against their free will and are powerless against the gods, rendering them an unavoidable fate. One has to wonder how or if the characters fate would change had they listened to the advice given to them.
“There is no safety in unlimited hubris” (McGeorge Bundy). The dictionary defines hubris as overbearing pride or presumption; arrogance. In The Odyssey, Homer embodies hubris into the characters Odysseus, the Suitors, and the Cyclopes. Odysseus shows hubris when he is battling the Cyclopes, the Cyclopes show hubris when dealing with Odysseus, and the Suitors show it when Odysseus confronts them at his home.
“Oh for shame, how the mortals put the blame on us gods, for they say evils come from us, but it is they, rather, who by their own recklessness win sorrow beyond what is given,” (1.32-34) is a simple quote reminding us the entities in charge of all characters in the poem The Odyssey – the gods. Hubris, or excessive human pride, is most detested by the gods and likewise is most punishable by them. The Odyssey is a story about Odysseus and Telemachus, two heroes who throughout their adventures meet new people and face death many times. Telemachus goes to find his father after he learns from Athena that he is still alive. The two meet, and Odysseus attempts to go back to Ithaca after he was lost at sea, and on his way there becomes one of the most heroic characters in literature as we know it. Like all heroic characters, Odysseus began to display hubris as he learned how true of a hero he was. James Wyatt Cook, a historian and an expert on The Odyssey, wrote about how hubris can affect the characters that display it. He says, “Because Homer’s Odyssey is essentially comic, that episode [opened wind bag destroys ship] is only one of a series of setbacks Odysseus experiences before reaching his home in Ithaca and recovering his former kingdom and his family. Such, however, is not the case for those who display hubris with tragic outcomes.” (Cook 1) Initially, Odysseus learns about Aias who died as a cause of the excessive pride he portrays. Proteus warns Odysseus when he says, “…and Aias would have escaped doom, though Athena hated him, had he not gone widely mad and tossed outa word of defiance; for he said that in despite of the gods he escaped the great gulf of the sea, and Poseidon heard him…...
The great Saint Augustine once said, “It was pride that changed angels into devils; it is humility that makes men as angels” (Enchiridion of Augustine chap. 27). Hubris “a great or foolish amount of pride or confidence”. This is a very important word in the play and for the characters. It is displayed in the play because it makes it more interesting in so many ways. Many of the conflicts are caused because of hubris. In a way it is good to have pride, but an excessive amount of pride can be harmful. In the play Antigone, Creon is the one that has the most pride.
During her speech, Aphrodite states her plan which inevitably comes true. She tells: “this young man, this enemy of mines, shall be driven to his death by his father’s curses: something made possible by the three wishes granted Theseus by Poseidon, king of the sea…I must exact from those who do me wrong.” (Hippolytus 49-50). Aphrodite’s desire to punish those who disrespect her without any care for the lives she destroys in the process, illustrates her apparent abuse of power. Her elaborate scheming which uses Theseus and Phaedra without their will in her expedition to obliterate Theseus, is careless in nature and extremely ungodlike. What Aphrodite believes is justice is more so a medium through which she is able to exert her power as a god and satisfy her ego
One of the clearest points of honor and honor culture within The Odyssey is found in the encounter of Odysseus and the Cyclops. While the punishment that Poseidon rains down on Odysseus may be seen to stem from his arrogance in announcing his name to the Cyclops on his escape, “I called back with another burst of anger ‘Cyclops-/ if any man on the face of the earth should ask you/ who blinded you, shamed ...
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
There are many historic and fictional figures where hubris led to their downfall. Hubris is defined as being arrogant and having pride for your self. There are many people that are led to their downfall because of hubris. People that are hubris are blinded and can’t see what they did wrong. Those who contain hubris only think about themselves and can’t see the big picture. They think the world revolves around them and think they are the best. They are always going to be successful but suddenly will drop down. They will do anything to make themselves look good. There are many people that contain hubris. Oedipus is a fictional character in the novel Oedipus the King by Sophocles. The novel focuses on hubris. Oedipus is a man that is blinded by hubris through his whole life. Oedipus killed his father and married his mother. Oedipus killed his father because he was filled with hubris and did not let him pass the intersection so he got mad and decided to slay him. Dr. Frank Tassone a historic figure was also filled with hubris which is what led to his downfall. Dr. Frank Tassone was the former superintendent of Roslyn. Hubris was the reason for Dr. Frank Tassone’s downfall. Dr.Tassone is very arrogant and believes the “world revolves around him”. Dr. Tassone was taking the schools and the parents money. He did not think it was wrong to take their money. Dr.Tassone was blinded for money. Bernie Madoff was also filled with hubris and was blind for money. Bernie Madoff was an American stockbroker and investment advisor. Bernie Madoff loved and was obsessed for money. Bernie thought that his company Bernard Madoff Investment Securities LLC was the best. Another person that is filled with hubris is Alex Rodriguez. Alex Rodriguez is an ...
Grene, D., and Lattimore, R., eds. ?Antigone? and ?Prometheus Bound.? Greek Tragedies: Volume 1. The University of Chicago Press: Chicago, 1991. 178-232, 65-106.
The sin of hubris is one of the evilest sins and rightly so. It ends up costing Odysseus twenty years at sea all because he told Polythemus his name. Hubris caused Odysseus’s crew to have unjustifiable faith in him even when Odysseus stood by while six men got gobbled up. The sin caused Odysseus to lie to his own wife just to get emotion out of her and feel better about himself. Odysseus used hubris to make himself feel superior enough to bring death upon suitors when gods are usually the ones to enact such a deed. Throughout Odysseus’s long and treacherous odyssey, he shows the corrupt trait of hubris, in the form of cockiness when he talks to key characters on his expedition home.
Often readers will criticize the champions of classical and medieval epics for egotism. Critics cite examples from the Odyssey, the Aeneid, and Beowulf of conceit and egocentric behavior. Odysseus, Aeneas, and Beowulf display a well-known arrogance befitting their accomplishments. The motivation for this arrogance, to complete these tasks, to perform these feats, is often over-generalized to the point of inaccuracy and confusion. One must not let such misinterpretations interrupt the humanization of these characters. Through the examination of the desires and behavior of these epic heroes, we can discover an underlying need for recognition or honor. In classical and medieval western epics, the hero’s desire to complete a given quest is fueled by their desire to gain or maintain honor or fame.
Through these examples of hospitality, pride and fate, one can learn of many important Greek principles. Hospitality was an extreme point throughout the epic, it was greatly emphasized for many different reasons and gestures. Also, As a quality that was shown, pride was key to respect but could lead to problems too. Lastly, fate was in the power of the god, which is shown to be true, and not only on chance. These values that the Greeks present help maintain a social rule of the culture, and provide a basis for personal growth and morals.
Aeschylus’ Prometheus Bound portrays a greek god detained by a superior for disobedience against the latter’s rule. On the other hand in Euripides’ Hippolytus portrays lust and vengeance of the gods and the extent that they can go to to avenge it.
Throughout the Iliad, Homer portraits the extent to which honor plays a role in the lives of Greeks and the manner in which they are willing to sacrifice in order to reach their goals. The Iliad is set during the Trojan War, a particularly long and bloody war, fought not over boundary disagreements, and not over political conflicts, and not to protect the nation. Rather, it was a war fought to defend the personal honor. The possession of women was important to a man’s standing and honor. Paris’ theft of Helen struck a huge blow to the honor of Menelaus and becomes the initial cause of the Trojan War. Consequently, Menelaus, the Spartan ruler, called upon his brother Agamemnon to gather the Greek forces to launch the war against Paris demanding the return of Helen and reinstating the honor for the king. The war lasted for ten years and cost innumerable Greeks’ lives and brought incurable pain upon their families. To Greek heroes, honor is more important than their life as much as that life would be meaningless without it, and they even willingly sacrifice their lives in order...
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.