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Theories of grief
The 7 stages of grieving prologue
The 7 stages of grieving prologue
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Recommended: Theories of grief
A Study of Universal Grief in “Extremely Loud and Incredibly Close” Modern psychology describes five stages of grief that people go through when confronted with tragic circumstances. The five stages are denial, anger, bargaining, depression and acceptance. This system was devised by Elizabeth Kubler-Ross and David Kessler in their collaborations on death, dying and grieving. The fact that these stages are experienced by so many shows that grief is a universal process. The term universal means that people anywhere in the world and at any time in history share the same feelings and psychological experiences. Though people experience loss in unique ways, they experience the grieving process in the same way, and the five stages are a universal process in coping with the loss. Oskar Schell, the nine year old protagonist of Jonathan Safran Foer’s “Extremely Loud and Incredibly Close” is the central figure in an exploration of the stages of grief. After Oskar’s father Thomas is killed in the World Trade Centre attacks on September 11th, 2001, the boy goes on a transformative journey through New York City, searching for clues to a lock, as well as searching for a way to make a better world reborn out of horror. Certain parts of the novel’s plot, as well as certain characters, are representative of the five stages of grief, and we will see that Oskar makes the necessary and universal trip through the grieving process and comes out at the end a more understanding and healing person. Denial and anger are the first two stages of the grieving process. Denial is the step in the process that delays the emotions that accompany grief. Denial is first shown by the way Oskar and his mother, when his father Thomas does not return home... ... middle of paper ... ...process of grieving is painful and has no set time limit. For some it can take a short time, for others a lifetime, but the stages are undeniable. Denial, anger, bargaining, depression and acceptance are natural steps in coming to terms with tragedy. The process is universal, meaning that people in all walks of life go through the same process. Several characters in “Extremely Loud and Incredibly Close” are shown as being in various stages of the process, but all are journeying toward the final stage of acceptance. Oskar Schell goes through the entire process during the course of the story, and though the scars from the tragic death of a parent may never fully heal, the grieving process, in its logical progression, is also a healing process. Oskar accepts that his father is gone forever, but the memory lives on, and the boy can begin to rebuild his shattered life.
I felt emotional while on page 100, paragraph 7 where he stated: “I guess I should have told someone, but I was too humiliated”. The fact that his father had abandoned the family and his brother who is his No 1 confidant was down with leukemia didn’t give him the courage to speak out, he was scared to the point of losing his mind, he became depressed, irritable, hypervigilant and ashamed thereby hating
Extremely Loud and Incredibly Close by Jonathan Safran Foer is a non-fiction novel written by an American author. The book mostly follows the three main characters, Oskar, his grandmother, and his grandfather, Thomas Schell, Sr. Oskar is a nine-year-old boy from New York whose father died in the World Trade Center on 9/11. He is exceptionally intelligent and curious and goes on a quest through New York City’s five boroughs to find the lock which belongs to a key his father had in his closet. Between chapters, a separate story is told of his grandparents marriage and life in Dresden, Germany. His grandfather, Thomas Schell Sr. is mute and collects stacks of daybooks in which he writes what he needs to say. His first love, Anna, died in a bombing while pregnant with his child. Shortly after starting his new life in the United States, he runs into Anna’s sister, they get married, and he leaves her after he found out his wife was pregnant. His wife, Oskar’s grandmother, lives across the street from Oskar and his mother and helped raise him.
Every day thousands of people die and their families have to deal with the loss and depression that comes with this.I have personally gone through this experience and had to deal with the grief. When someone goes through a loss they usually go through five stages (D.A.B.D.A) : Denial, Anger, Bargaining, Depression, and Acceptance. In Hatchet Gary Paulsen uses survival and Character development to Show the reader how going through a major loss with no help puts emotional and physical struggles on you.
There are three main characters that the reader gets to see deal with grief in Extremely Loud and Incredibly Close. The first of which is the main narrator, nine year-old Oskar Schell. Oskar is in the denial stage of grief because he is keeping his father alive by going on one last grand adventure to find the story behind the key, thus keeping him alive. But of course, there is no reason for Oskar to have the key. Oskar tells Mr. Black, “There are so many ways to die, and I just need to know which one was his” (Foer, 257). Notice how his isn’t focusing on his father’s death here, he is focusing on the logic behind his father’s death. Right now, in his mind, it isn’t logical and therefore cannot be dealt with. Furthermore, it also detaches Oskar from the death because he views it more as a math problem than a traumatic event. He isn’t suggesting that he wants to know how his father died so that he knows what his last moments were like. He doesn’t want to know if he felt pain or if he was scared. He doesn’t even want to know, in this moment, why his father died; a question many of us would expect him to ask because, historically, many of us are still asking it. That’s not the emphasis he places on the question. Oskar wants to know how so he can categorize it, understand it, and move on without actually facing it.
Denial was also used through the novel as a defense mechanism so that the person can protect themselves from the pain he or she was feeling at that point in time. When Oskar father Thomas Schelle, has gone missing him and his mother both decided it would be a good idea to “fill a suitcase with a poster of Oskar's father and post them all around town they refused to believe that Thomas could have been dead”(For 229). When Oscar and his mother put up these posters it gave them a sense of belief and hope that their loved one may still be alive. Another person the denied the death of a loved one was Oskar grandfather, they believed he was“trying to remake the girl he knew seven years before”, his beloved Anna, who had died in the bombing of Dresden (83). Many Psychologists have said that “ People grieve because they are expecting their loved ones to magically appear even though he or she is really gone”. Living in denial is very hard for a person and it is hard to move on into their day to day routines. Denials help delay the other stages of the grief and this stage usually lasts the longest. One of the first feelings that we experience after Denial is anger. Anger comes after the numbing of shock that something bad just had happened. Oskar puts all of his anger towards his mother because he thinks that his mother does not love his father anymore because he believes she is not honouring his name and memory. Seeing his mother being happy and continuing on with her life makes him think that she does not miss his dad (Foer 170). Oskar was releasing all of his build up anger towards his mother because he felt that it was her fault and that she was moving on without
The form of the novel, a scrapbook of documents saved by Thomas’s grandson, Oskar Schell, introduces Grandfather Thomas Schell through a letter he wrote to his unborn son. It indicates distinctive features of a trauma victim, specifically self-pity and the inner urge to repeat the traumatic event over and over in his mind. It almost acts as a confession from Th...
Jonathan Safran Foer says in his novel, “for reasons that need not be explained, you made a strong impression on me” (215). This quote is exactly what you will think once you finish the book. Reading this text provokes new ideas and will make you think more about what you’re doing with your life. The novel Extremely Loud and Incredibly Close by Jonathan Safran Foer is a hardcover that has been challenged in public school systems since it came out. The novel is about Oskar Schell, a nine-year-old, who lost his father in the 9/11 attacks. After looking through his dad’s closet, he found a key and set out on a quest to make sense of his dad’s death. The novel Extremely Loud and Incredibly Close is a work of realistic fiction that should be available to everyone. Even though the novel has a questionable word choice, the meaning of the text is more important. The themes in this novel are the strong messages that support why this novel shouldn’t be banned, these being identity, love, and coping mechanisms.
Published in 2005, Jonathan Foer's fiction novel Extremely Loud and Incredibly Close takes it's readers on an intriguing journey into the life of a boy named Oskar Schell. The novel follows the nine-year old as he travels around all of New York City in search of secrets behind a mysterious key and the connection it has to his father, Thomas Schell, who died in the September 11 terrorist attacks on the World Trade Center. On his journey, Oskar accumulates many friends who aid Oskar’s grief as he aids them with theirs. As Oskar’s story blossoms, so do those of his Grandfather and Grandmother, who co-narrate the story with their grandson. These three narrations come together to introduce and develop a theme of grief. All characters within the novel grieve over something. They grieve of the loss of a father, a son, a sister; they are grieving over a marriage that lacks love; they are grieving for solutions that can never be resolved. Foer uses an assortment of characters to acknowledge a theme of grief that is slowly eliminated by Oskar’s uplifting spirit.
What happened to Oskar’s father will permanently be etched in his heart, hence, Oskar feels as if no matter how happy he tries to be, it will only be overshadowed by that tragedy: “I couldn’t explain to her that I missed him more, more than she or anyone else missed him, because I couldn’t tell her about what happened with the phone. That secret was a hole in the middle of me that every happy thing fell into” (Foer, 71). Everyone can relate to Oskar that there are just some instances or events in life that will always be memorable and their power to inflate or deplete him or her. The use of pathos in this novel indicates the never-ending regret or questions that Oskar has about his adversity: “Why didn’t he say goodbye? I gave myself a bruise. Why didn’t he say ‘I love you’?” (Foer, 207). Oskar’s experiences prompted him to mature and step up from in life at an early stage of his
In the book, Extremely Loud and Incredibly Close, by Jonathan Safran Foer, a nine-year-old boy named Oskar Schell experiences the tragic death of his father at a young age. Although his father died on September 11th, Oskar embarked on a mission to find a hidden message that he believed his father left him. Throughout this book, the movie, “The Blind Side” and in my own life the characters seek a way to find comfort in their lives and overcome challenges.
Many experts would agree that there are different stages in grief. Denial, anger, bargaining, depression, and acceptance are stages that many grief stricken people must endure to manage life after a traumatic death. The story “The Fly” by Katherine Mansfield has only a few characters in it, but those few characters show the different stages of grief. The characters illustrate how different the grieving process is when the circumstances of the deaths are the same.
Upholding its reputation, the raven brings death to the main character. As the man interacts with the raven, he is progressing through the stages of dying. The stages of dying are denial, anger, bargaining, depression, and acceptance. This may seem familiar as they are the same stages of grief. The stages of grief and dying both originated from the Kübler-Ross model of “death and dying.” Having one model for both the grieving and d...
Several significant details throughout the novel have shown through this passage. This has shown us a better view of the novel. Oskar is a little kid of a gruesome matter. This is more unusual for his age because his life has been defined by the death of his father. Oskar imagines how the number of dead people is increasing even though the earth stays the same. He also described how there isn't going to be room to bury anyone else. This is an example of how Oskar uses his time to figure strange details to avoid bigger emotions of the reality of his father death and disappearance. In the novel, Oskar is convinced that his father died during the 9/11 attack on the world trade center. Oskar tremendously tries and when he thinks he is up to no
This futility causes them to internalize much of their pain. Instead of communicating the trauma outwardly, they go on an inward search for meaning. This search is a personal and isolating experience, and it brings both characters farther from the present and the loved ones around them. Oskar says, “Every time I left the apartment to go searching for the lock, I became a little lighter, because I was getting closer to Dad. But I also became a little heavier, because I was getting farther from Mom.” (Foer
Death is one of the hardest conflicts to get over. Along with death comes with grief, this dynamic duo ruins lives, motivation, and emotional wellbeings. Throughout the novel the three main characters being; Oskar, Oskar’s grandma and grandpa, all having to deal with grief after the death of Oskar’s father. Grief becomes one of the main obstacles the characters tries to overcome. Grief centers around Oskar, his obsession with the death of his father gradually increase, and he fights the illogical reasoning of death.