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Stories about my personal narrative
Stories about my personal narrative
Importance of personal narrative
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S. Todd Atchison, a post-colonial writer from the University of North Carolina, discusses in his article, “Why I am writing from where you are not”: Absence and presence in Jonathan Safran Foer’s Extremely Loud & Incredibly Close, the distortion of language and how people acquire an inability to comprehend and communicate after experiencing traumatic events. Likewise, Sascha Scheuren, a student of English Studies at the Rheinischen Friedrich-Wilhelms University of Bonns, used his thesis, Trauma in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, to comment on the emotional involvement and shift in communication that occurs when we are confronted with the chaos of trauma. As Safran Foer’s novel encounters the events of September 11th, we are enabled to focus on the survivors of these types of traumas and how they are affected. Specifically, Thomas Schell is a character used to represent the chaos of trauma survivors as they attempt to cope with the past in their present and live a life that has been changed.
Thomas wasn’t prepared for what would happen in his life. He was a young man growing up in Dresden Germany, and his only concern was his girlfriend and their unborn son. However, disaster struck when Thomas became the victim of the allied bombing of Dresden during World War II. He lost both of his loved ones that day, along with a great part of himself.
The form of the novel, a scrapbook of documents saved by Thomas’s grandson, Oskar Schell, introduces Grandfather Thomas Schell through a letter he wrote to his unborn son. It indicates distinctive features of a trauma victim, specifically self-pity and the inner urge to repeat the traumatic event over and over in his mind. It almost acts as a confession from Th...
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...tactile ruptures of his memory. Oskar gave Thomas a purpose to being alive, and though he can never fully recover from the past recollection of his traumas, he can keep living, keep thinking, and continue to survive.
Works Cited
Atchison, S. Todd1, statchis@uncg.edu. ““Why I Am Writing From Where You Are Not”: Absence And Presence In Jonathan Safran Foer’s Extremely Loud & Incredibly Close.” Journal of Postcolonial Writing 46.3/4 (2010): 359-368. Humanities Source. Web. 5 Apr. 2014.
Foer, Jonathan Safran. Extremely Loud & Incredibly Close. Boston, MA: Mariner, 2005. Print.
Scheuren, Sashca. “Trauma in Jonathon Safran Foer’s Extremely Loud and Incredible Close.” Thesis. Philosophische Fakultätder Rheinischen Friedrich-Wilhelms-Universität Bonn, 2010. Trauma in Jonathan Safran Foers Extremely Loud and Incredibly Close. Academia, June 2010. Web. 4 Apr. 2014.
It was very sad to read about Frau Holtzapfel’s sons. First, Michael Holtzapfel, He fought in the battle of Stalingrad. “Stalingrad happened to my hand. I was shot in the ribs and I had three of my fingers blown off” (Zusak 466). This was an awful time for Michael Holtzapfel. Getting shot in the ribs and three fingers blown off, must have been extremely painful! Next, there was Robert Holtzapfel, he also experienced a tragic explosion. “His legs were blown off at his shins and he died with his brother watching in a cold, stench- filled hospital” (Zusak 469). This is so devastating, I could only imagine the emotions Michael felt that day, so sad. This adds characterization of the narrator because I remember the narrator saying in the beginning how
Ida Fink’s work, “The Table”, is an example of how old or disturbing memories may not contain the factual details required for legal documentation. The purpose of her writing is to show us that people remember traumatic events not through images, sounds, and details, but through feelings and emotions. To break that down into two parts, Fink uses vague characters to speak aloud about their experiences to prove their inconsistencies, while using their actions and manners to show their emotions as they dig through their memories in search of answers in order to show that though their spoken stories may differ, they each feel the same pain and fear.
Within the novel Slaughterhouse Five, by Kurt Vonnegut, the character Billy Pilgrim claims to have come “unstuck” in time. Having survived through being a Prisoner of War and the destruction of Dresden during World War II, and having been a prisoner used to clear away debris of the destruction, there can be little doubt that Pilgrim’s mental state was unstable. Furthermore, it may be concluded that Pilgrim, due to the effects of having been a Prisoner of War, and having been witness to the full magnitude of destruction, suffered from Post-Traumatic Stress Disorder, which caused him to review the events over and over during the course of his life. In order to understand how these factors, the destruction of Dresden and ‘PTSD’, came to make Billy Pilgrim “unstuck” in time, one must review over the circumstances surrounding those events.
In Kurt Vonnegut’s Slaughterhouse-Five the main character Billy Pilgrim experiences few emotions during his time in World War II. His responses to people and events lack intensity or passion. Throughout the novel Billy describes his time travel to different moments in his life, including his experience with the creatures of Tralfamadore and the bombing of Dresden. He wishes to die during most of the novel and is unable to connect with almost anyone on Earth. The fictional planet Tralfamadore appears to be Billy’s only way of escaping the horrors of war, and acts as coping mechanism. Billy seems to be a soldier with Post Traumatic Stress Disorder (PTSD), as he struggles to express feelings and live in his reality. At the beginning of the novel the narrator proposes his reason for writing the book is to explain what happened in the Dresden fire bombing, yet he focuses on Billy’s psyche more than the bombing itself. PTSD prevents Billy from living a healthy life, which shows readers that the war does not stop after the fighting is over and the aftermath is ongoing. Billy Pilgrim’s story portrays the bombing and war in a negative light to readers, as Vonnegut shows the damaging effects of war on an individual, such as misperception of time, disconnect from peers, and inability to feel strong emotions, to overall create a stronger message.
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
Often, we find ourselves facing dramatic events in our lives that force us to re-evaluate and redefine ourselves. Such extraordinary circumstances try to crush the heart of the human nature in us. It is at that time, like a carbon under pressure, the humanity in us either shatters apart exposing our primal nature, or transforms into a strong, crystal-clear brilliant of compassion and self sacrifice. The books Night written by Elie Wiesel and Hiroshima written by John Hersey illustrate how the usual lifestyle might un-expectantly change, and how these changes could affect the human within us. Both books display how lives of civilians were interrupted by the World War II, what devastations these people had to undergo, and how the horrific circumstances of war were sometimes able to bring out the best in ordinary people.
Anyone as brave as Thomas does not sit back and relax to watch one of his injured friends from being trapped outside as it is about to hit night time. An injured person outside of their safe haven almost equals imminent death. Thomas instinctively ran to his injured comrade in order to save him, to only find out that he himself is also trapped outside of the Glades. "For several seconds, Thomas felt like the world had frozen in place. A thick silence followed the thunderous rumble of the Door closing, and a ...
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
A Lucky Child by Thomas Buergenthal is a memoir about his time as a Jewish child in multiple ghettos and death camps in and around Germany during World War II. The author shares about his reunions with family and acquaintances from the war in the years between then and now. Buergenthal wished to share his Holocaust story for a number of reasons: to prevent himself from just being another number, to contribute to history, to show the power and necessity of forgiveness, the will to not give up, and to question how people change in war allowing them to do unspeakable things. The memoir is not a cry for private attention, but a call to break the cycle of hatred and violence to end mass crimes.
Vitale, Tom. "Kurt Vonnegut: Still Speaking to the War Weary." NPR. Ed. Tom Vitale. N.p., 31 May 2011. Web. 1 Dec. 2013.
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
In the years after the Holocaust the survivors from the concentration camps tried to cope with the horrors of the camps and what they went through and their children tried to understand not only what happened to their parents. In the story of Maus, these horrors are written down by the son of a Holocaust survivor, Vladek. Maus is not only a story of the horrors of the concentration camps, but of a son, Artie, working through his issues with his father, Vladek. These issues are shown from beginning to end and in many instances show the complexity of the father-son relationship that was affected from the Holocaust. Maus not only shows these matters of contentions, but that the Holocaust survivors constantly put their children’s experiences to unreasonable standards of the parent’s Holocaust experiences.
... horrors of war such as, his parents who still view war as glamorous and idealistic. War takes a heavy toll on soldiers who fight in it and in these dangerous moments anybody would have gone insane. It takes a very special type of soldier to be able to handle both the psychological and physical challenges that a soldier has to face in everyday battle. A soldier such as this must be capable of handling the sight of a mutilated comrade and not immediately chatter to pieces. The author conveys this message in his extreme use of words with negative connotation such as shells, typhus, dysentery, and trenches. In this portion of the novel a great deal of emphasis is placed on the word death which is repeated several times and standing on its own it holds a great deal of negative connotations. Therefore, due to the severity of the situation and the extensive use of words with negative connotations the overall tone of the novel appeared to be very depressing or serious. This selection also demonstrates just how mythical the character of war that many individuals who have not experienced the tragedy of battle believe to be true by illustrating just how appalling and grim war is in reality.
Through selection at the extermination camps, the Nazis forced children to be separated from their relatives which destroyed the basic unit of society, the family. Because children were taken to different barracks or camps, they had to fend for themselves. In the book A Lucky Child by Thomas Buergenthal, the author describes the relief he felt when reunited with his mother after the War.
Gerda Weissmann, Kurt Klein, and families endured horrible things under Nazi rule and throughout World War II; such as: famine, work labor, and a great deal of loss. Gerda’s memoir All But My Life and Kurt’s appearance in America and the Holocaust explain the hardships of their young lives and German Jews. One was able to escape, one was not; one lost everything, the other living with a brother and sister in a new and safe place. The couples’ stories are individually unique, and each deal with different levels of tragedy and loss.